Pile By the Bed reviews the Black Leopard, Red Wolf, the new fantasy novel by Booker Prize winner Marlon James

Pile by the Bed reviews String City by Graham Edwards

Pile by the Bed reviews The Raven Tower by Ann Leckie, a book that reinvents the ground rules of the fantasy genre.

Pile by the Bed reviews Someone Like Me by M R Carey

Pile by the Bed reviews Lies Sleeping by Ben Aaronovitch, Book 7 of the Rivers of London Series

Paraic O’Donnell’s debut novel The Maker of Swans was one of the standout fantasy novels of 2016. In a genre that often deals in warmed over tropes, The Maker of Swans was a work of beguiling originality. So the question was, how would O’Donnell follow this debut up. Much like another debutant of the previous year, Natasha Pulley, he does so with an emphatic change in direction which maintains the features that made his debut so enjoyable. The Maker of Swans was set in a more contemporary time but always had the feel of a more Victorian novel. The House on Vesper Sands is Victorian so allows O’Donnell more licence to lean into period flourishes (also drawing further comparisons with Pulley’s works which are both set in this era). In the cold open a seamstress, suffering from some undisclosed medical condition, who is brought to the house of Lord Strythe late at night to complete a secret commission commits suicide. The story proper opens with young Gideon Bliss coming down from Cambridge to see his uncle and failing to find him runs into a young woman from his past. At the same time, society reporter Octavia Hillingdon has happened on…

You could imagine the elevator pitch for Patrick Ness’s new novel And the Ocean Was Our Sky: “Think Moby Dick, but from the whale’s point of view”. But while Moby Dick is a touchstone, fantasy writer Ness, responsible for A Monster Calls, the Chaos Walking trilogy and the Doctor Who spinoff Class, takes this well known story into new territory. The book opens with “Call me Bathsheba” a riff on that famous opening line. Bathsheba is a whale who has been told that she has a destiny as a hunter of men. In Bathsheba’s world, whales hunt humans as much as humans hunt whales in a war that seems to never have an end. The whales carry harpoons and drag boats behind them underwater as a way of storing and transporting human bodies which they use as resources. These whales have developed an underwater civilization and have a breathing technology that enables them to only venture to the ocean’s surface, known as the Abyss, infrequently. Bathsheba’s story centres around a hunt for the great white ship of legendary whale killer Toby Wick. After picking up the lone survivor of a massacre of humans which hints at the work of Wick,…

Michael Eisele’s latest book of short stories, as the name suggests, is full of spirits and fae creatures and is rich in mythology. The opening story “Mouse” is one of many stories in this collection where humans interact with otherworldly beings and so sets the tone for most of the book. In this story, a struggling artist finds that his mentor is caring for a small spirit creature that has lived in the town from when the town was still a forest. The artist is inspired to paint a canvas of the spirit creature’s lost world, a painting that opens up much more. In “Tree Spirit”, a wood carver makes a deal with the spirit of a fallen tree to turn her into a boat so they can both see the world. In these, and many of the other tales of deals with the spirit world, the outcome is driven by the mythology that the spirits inhabit and is never quite what the humans might have expected. Many stories follow a similar trajectory of discovery, interaction and twisted resolution but draw on a range of different traditions, including Irish, Germanic and Native American. While many of the stories feel like…

The Empire of Ashes is the final book in Anthony Ryan’s Draconis Memoria trilogy so there may be mild spoilers ahead. The Empire of Ashes delivers more of what series fans would have enjoyed in the previous two volumes – a heady mix of steampunk, quest, and politics in a well realised world threatened by an implacable dragon army. The plot supercharged by the powers given to a select few who can drink the blood of dragons. And most importantly for page turning purposes, Ryan manages to deliver a series of continually cascading cliffhangers. After a very brief introduction which will only make sense to series regulars, Ryan catches back up with his four main characters, all of whom had been left in some form of peril or distress. Adventurer Clay, fresh from a bizarre subterranean adventure but with new information and an ally who could turn the war; kick-arse intelligence agent Lizanne leading a ragtag group of refugees; mutinous captain Hilemore who has put the safety of his world above his commission; and Silas, one of the “spoiled” – humans magically converted to follow and unquestioningly obey the vengeful White Dragon that is gathering an army to take over the…

Claire North used the travels of the main character in her last book The End of the Day to highlight global inequities and social issues. Despite its fantastical premise (that character we the harbinger of Death), that book focussed on the present. In 84K, North takes this social commentary into frighteningly plausible dystopian vision of the future.  There is nothing particularly original about the starting point for 84K – concentration of corporate power, collusion between a monolithic Company and the Government, the wealthy coming out on top and a population sleepwalking into servitude in the pursuit of the good life. But North takes this premise further – into a monetised society, where everything, including human life, literally has a value.  Theo Miller works at the Criminal Audit Office, assigning indemnity value to different crimes, If you can pay you get on with your life but if you can’t, you go into government mandated menial work – essentially slave labour or worse. Miller, is much like Charlie from The End of the Day, a grey English bureaucratic exterior hiding a revolutionary soul. And that soul slowly emerges  and he is forced to take action when a face from the past emerges and he is forced to reevaluate his life.  The book jumps between three time periods – Miller’s backstory, his…

Andrew Caldecott’s Rotherweird was one of the most English and original fantasy novels of 2017. It focussed on the eponymous town hidden away from the rest of England and guardian of a secret door to another dimension called The Lost Acre. Rotherweird was full of Dickensian characters engaged in an ancient struggle but also had Monty Pythonesque flourishes. The epilogue to the action in Rotherweird indicated that more was going on than the protagonists suspected and this second volume is clear that all of the frenetic activity in that book was just “the end of the beginning” and so to Wyntertide. Wyntertide has a similar structure to Rotherweird. Historical vignette’s establish the backstory of a number of long lived characters still either making mischief or trying to prevent it. In the meantime the townsfolk are gearing up for a major event, in this case the mayoral election, which is being manipulated for nefarious purposes. Caldecott ranges across a kaleidoscope of characters as various factions manoeuvre and a centuries old plan fall into place. Rotherweird  anchored its sprawling narrative around an outsider – Josiah Oblong, the new history teacher – who was also the reader’s proxy into this strange world. It…

The last boomtime for vampire stories was about ten years ago. Books series like the True Blood and Twilight which then became movies and tv series ruled the airwaves and cinemas. And plenty of pretenders flowed in their wake. But they were just the longest in a line of vampire tales stretching at least as far back as Bram Stoker and probably further. So it is perhaps no surprise, after a short period of relative dormancy (driven into the shadows by zombie hordes perhaps?) that vampires are back. A People’s History of the Vampire Uprising tells the story of the rise of the vampires (or Gloamings as they prefer to be known) and a small resistance movement against them. The story is delivered in documentary style. Following the discovery of a new virus by the CDC in New Mexico, each chapter is a form of testimony and many are also preceded by snippets from newspapers and magazines. While this gives a feeling of authenticity it also serves to distance the reader from the action. The narrative is almost all telling rather than showing, four hundred pages of exposition, an approach that wears thin after a while. Villareal’s narrative is an…

Enter another conflicted, sparky girl onto the YA fantasy stage. Joining a recent slew of female fantasy heroes in books likes of The Last Namsara, Children of Blood and Bone and Caraval, Mary Watson brings another spin. Set in a modern day Ireland but referencing an ancient feud, The Wren Hunt is wholly original even when it treads some familiar story beats.  Wren Silke is an augur. Like many a YA protagonist before her she was not raised by her parents. Her father is unknown and her mother abandoned her as a baby. The augurs, one of a cast of magic users, are in an ongoing war with the judges. Wren has been recruited into that war, picked to be the augurs’ spy into the judge stronghold and to steal a map that will help tip the balance in their ongoing war.  But this is not quite the quest novel that it sounds. It reads more like a spy novel where the protagonist is a trainee spy and her handlers are using her to play much larger games.  Wren herself is a likeable, conflicted heroine who has to chart her own course when the world shifts around her and alliances and friendships turn out not to be what they at first seemed. Thrown into the mix, not surprisingly, is a love interest, who happens to also be the…

Israeli author Yoav Blum’s debut novel (published in 2011) and first novel to be translated into English is a metaphysical love story. It takes as its premise the forces behind the every day. But it imbeds these forces with a deep humanity. Guy is a coincidence maker. His job is to arrange the world so that certain events take place. He is given missions to produce certain outcomes. He has the ability then to map out exactly how small and large events are going to happen and then nudge the variables to produce results. Missions come as an envelope under his door and he plans all of the interconnecting strands of his mission as a map on the wall of his apartment. Guy’s expertise is in bringing two people together, creating relationships out of a web of seeming coincidence and happenstance. But he is part of a much bigger and deeper organisation and it is possible that these missions are just small parts of a much bigger plan. Guy works with two other new coincidence makers – Emily and Eric. Emily is in love with Guy but cannot make him see her. Guy is still mourning the loss of his…

Children of Blood and Bone is one of the most anticipated YA books of 2018. Movie rights have already been sold and YA blogger sites have been singing its praises. And there is a lot to like here. Tomi Adeyemi has constructed a fast paced, roller-coaster quest-based fantasy book set in a well realised West-African-inspired setting and delivers the kind of thrills and characters that her YA readership craves. Zélie, is a Diviner, part of a subgroup of people in the kingdom of Orisha subjugated and feared for their former ability to use magic. Magic was banished from the world by the moustache-twirlingly evil King Sanara thirteen years before. Those with white hair, who carry the mark of magic users, are reviled and repressed. But an encounter between Zélie and runaway princess Amari changes the equation. Amari has stolen a relic that can respark magic in individuals and, together with Zélie and her brother Tzain, embarks on a quest to unite three sacred artefacts and bring magic back to the world. While Children of Blood and Bone has a unique and fascinating African setting and mythology, the plot and characters owe as much to recent YA-fan favourite series like The…

Debut author Kristen Ciccarelli credits the inspiration for her fantasy novel The Last Namsara on a bunch of kick-arse female fantasy characters. Mulan, Eowyn, Princess Mononoke and Xena. What set these princesses apart was their ability to wield a sword and Asha, the protagonist of The Last Namsara is no different. When the book opens she is on a dragon-hunting expedition, clad in fireproof hide of dragons she has killed in the past and armed with her handy throwing axe. But this is a modern fairy tale and it turns out that nothing is quite what it seems. In Asha’s world stories have power. In her case, the ability to summon dragons but also to give them power. But stories are also deadly. And Asha has always felt that her ability to tell those stories and survive where her mother died has set her apart as damaged. This feeling is compounded by the scars that she bears from her childhood encounter with the First Dragon, Kozu, and the burns that cover half of her body. Asha is determined to kill Kozu and bring his head to her father the king. But Asha has more trouble than that – she is…

Gothic horror is back in vogue and it does not get much more gothic than Laura Purcell’s debut The Silent Companions. Purcell has thrown everything at her scenario – an opening scene in an asylum, a pregnant widow still in mourning, a creepy village outside of an even creepier manor house, whispers of witchcraft, surly servants, disappearing curio shops, mysteriously locked doors, black cats and strange noises. And the icing on this decidedly black cake are the unnerving, lifelike wooden figures, the silent companions of the title, that seem to move on their own and leave wood shavings and splinters in their wake. It is 1865 and Elise Bainbridge is in mourning for the loss of her husband Rupert. She is retreating to the family estate known as The Bridge with Rupert’s young cousin Sarah and from the start things go wrong. There is only a skeleton staff in the house and locals from the village will not work there due to historical rumours of witchcraft. Almost immediately strange things start to happen – including odd noises in the night – and they become stranger when a previously locked door to the attic comes open revealing the lifelike wooden figure…

Very different fantasy novels make up the top five (plus three honourable mentions) for 2017: Andrew Caldecott’s Rotherweird was fantasy that was also a little bit Dickens and a little bit Monty Python and centred around a forgotten town with a strange past and stranger residents in the middle of England.             Australian fantasy author Angela Slatter delivered the second installment of her engaging noir-crime meets urban fantasy series starring half-weyrd detective Verity Fassbinder on the mean streets of Brisbane in Corpselight.             Natasha Pulley continued to impress with her second novel – a historical and mystical journey into deepest darkest Peru in The Bedlam Stacks.               Joe Hill’s novella collection Strange Weather was part horror, part fantasy, part science fiction and all class.               And Margo Lanagan’s best-of short story collection Singing My Sister Down reaffirmed why she is one of Australia (and the World’s) best fantasy writers.               Honourable mentions: It Devours by Fink and Cranor – a novel set in the world of Night Vale Red Sister by Mark Lawrence…

Fans of the long running Welcome to Night Vale podcast will have been eagerly waiting the new novel from its creators Joseph Fink and Jeffrey Cranor. While the first Welcome to Night Vale novelisation felt like an extension of and introduction to the world of the podcast, It Devours is an experiment in something a little different. Nilanjana is a scientist who came to Night Vale four years earlier but is still considered an outsider. She meets Darryl, a proselytiser for the Church of the Smiling God, a bizarre newish religion which gave him a sense of community when his parents died. But as is always the case in Night Vale, something is not quite right. Pretty soon the town is facing an existential threat and the two come together to try and save Night Vale. While no prior knowledge of Night Vale is required, it certainly helps, and those in the know will get much more out the book. The narrative is partially based on a long running storyline, visits some well known Night Vale locales and features plenty of regular characters from the podcast. To enjoy the ride, those unfamiliar with the bizarre little town of Night Vale…

With many short story collections, it is often instructive to read the author’s comments before diving in. At the front of Neal Gaiman’s recent collection Trigger Warning there was a general overview and then some insight into the genesis of each story in the collection. Joe Hill references Gaiman in his afterward where he talks about the idea behind this collection. And that reason is that after producing a couple of massive tomes (including 2016’s post-apocalyptic doorstop The Fireman) he wanted to get back to writing that was “lean and mean”. As he says, short novels are “all killer no filler”, and goes on to list some of his favourite authors at this length including Gaiman, David Mitchell and even HG Wells.  In Strange Weather, Hill has delivered four novellas which, if nothing else, serve as a great advertisement for his range. The four stories traverse a range of ideas and character and each is, in its own very different way, a killer.  The first story, Snapshot, starts out feeling very genre. Set mainly in 1988 it features A thirteen-year-old nerdy narrator (although the knowing narration itself comes from when he is an adult), a mysterious dark force that threatens him and people he loves. Possibly a bit of a Stranger Things vibe to it, which is not a bad thing. Hill effectively uses his horror tropes to…