Pile By the Bed reviews the Black Leopard, Red Wolf, the new fantasy novel by Booker Prize winner Marlon James

Pile by the Bed reviews String City by Graham Edwards

Pile by the Bed reviews The Priory of the Orange Tree by Samantha Shannon, a stand alone epic fantasy.

Pile by the Bed reviews The Raven Tower by Ann Leckie, a book that reinvents the ground rules of the fantasy genre.

Pile by the Bed reviews Someone Like Me by M R Carey

Pile by the Bed reviews Lies Sleeping by Ben Aaronovitch, Book 7 of the Rivers of London Series

Paraic O’Donnell’s debut novel The Maker of Swans was one of the standout fantasy novels of 2016. In a genre that often deals in warmed over tropes, The Maker of Swans was a work of beguiling originality. So the question was, how would O’Donnell follow this debut up. Much like another debutant of the previous year, Natasha Pulley, he does so with an emphatic change in direction which maintains the features that made his debut so enjoyable. The Maker of Swans was set in a more contemporary time but always had the feel of a more Victorian novel. The House on Vesper Sands is Victorian so allows O’Donnell more licence to lean into period flourishes (also drawing further comparisons with Pulley’s works which are both set in this era). In the cold open a seamstress, suffering from some undisclosed medical condition, who is brought to the house of Lord Strythe late at night to complete a secret commission commits suicide. The story proper opens with young Gideon Bliss coming down from Cambridge to see his uncle and failing to find him runs into a young woman from his past. At the same time, society reporter Octavia Hillingdon has happened on…

You could imagine the elevator pitch for Patrick Ness’s new novel And the Ocean Was Our Sky: “Think Moby Dick, but from the whale’s point of view”. But while Moby Dick is a touchstone, fantasy writer Ness, responsible for A Monster Calls, the Chaos Walking trilogy and the Doctor Who spinoff Class, takes this well known story into new territory. The book opens with “Call me Bathsheba” a riff on that famous opening line. Bathsheba is a whale who has been told that she has a destiny as a hunter of men. In Bathsheba’s world, whales hunt humans as much as humans hunt whales in a war that seems to never have an end. The whales carry harpoons and drag boats behind them underwater as a way of storing and transporting human bodies which they use as resources. These whales have developed an underwater civilization and have a breathing technology that enables them to only venture to the ocean’s surface, known as the Abyss, infrequently. Bathsheba’s story centres around a hunt for the great white ship of legendary whale killer Toby Wick. After picking up the lone survivor of a massacre of humans which hints at the work of Wick,…

People have been disappearing in the Australian fictional landscape for years. In Picnic at Hanging Rock, the disappearance and of a group of girls is seen through the eyes of those left behind, having to deal with the “menace” of the unknowable bush. Wintering starts with a similar premise. Jessica is a PhD student researching glowworms in the far south of Tasmania. She lives with Matthew, a local who, it emerges fairly quickly, completely dominates her life. But then Matthew disappears in mysterious circumstances, his car abandoned by the side of the road, impenetrable forest on either side and a strange video on his phone. With his disappearance, Jessica finds herself both trapped by grief and free at the same time. Krissy Kneen sets the creepy tone of this book early with Jessica’s discovery of a possum corpse impaled on a stalagmite in a tourist cave. After Matthew’s disappearance the creepiness ratchets up as Jessica finds herself isolated in her shack, unable to shake the feeling that she is being watched by something malevolent. Once she starts to establish a connection with the local townsfolk she also learns that she is the thirteenth “widow” whose husband or boyfriend has vanished…

Michael Eisele’s latest book of short stories, as the name suggests, is full of spirits and fae creatures and is rich in mythology. The opening story “Mouse” is one of many stories in this collection where humans interact with otherworldly beings and so sets the tone for most of the book. In this story, a struggling artist finds that his mentor is caring for a small spirit creature that has lived in the town from when the town was still a forest. The artist is inspired to paint a canvas of the spirit creature’s lost world, a painting that opens up much more. In “Tree Spirit”, a wood carver makes a deal with the spirit of a fallen tree to turn her into a boat so they can both see the world. In these, and many of the other tales of deals with the spirit world, the outcome is driven by the mythology that the spirits inhabit and is never quite what the humans might have expected. Many stories follow a similar trajectory of discovery, interaction and twisted resolution but draw on a range of different traditions, including Irish, Germanic and Native American. While many of the stories feel like…

Restoration is the third in what Angela Slatter describes as “the first Verity Fassbinder trilogy”. For fans of this series this means that, firstly, some hanging plot elements are likely to be resolved. But secondly, that there are likely to be more Verity Fassbinder books after this one. And that can only be a good thing. This noir-infused, wryly observational urban fantasy series about an investigator/enforcer for the Weyrd community of Brisbane has been a bright spot on the fantasy scene for the last few years. Restoration opens with Verity at a low point. At the end of Corpselight she made a deal with the self-styled ‘Guardian of the Underworld’ for the return of her mother. She had to give up her family and her position and work with Joyce, a kitsune (were-fox) assassin who has an axe to grind, to find a “grail and a tyrant”. But Joyce is only one of a long line of people who are seeking revenge on Verity. At the same time, the police still call on Verity to help them solve a string of strange deaths and there is a coup in the offing in the Weyrd society of Brisbane. While it takes…

The Empire of Ashes is the final book in Anthony Ryan’s Draconis Memoria trilogy so there may be mild spoilers ahead. The Empire of Ashes delivers more of what series fans would have enjoyed in the previous two volumes – a heady mix of steampunk, quest, and politics in a well realised world threatened by an implacable dragon army. The plot supercharged by the powers given to a select few who can drink the blood of dragons. And most importantly for page turning purposes, Ryan manages to deliver a series of continually cascading cliffhangers. After a very brief introduction which will only make sense to series regulars, Ryan catches back up with his four main characters, all of whom had been left in some form of peril or distress. Adventurer Clay, fresh from a bizarre subterranean adventure but with new information and an ally who could turn the war; kick-arse intelligence agent Lizanne leading a ragtag group of refugees; mutinous captain Hilemore who has put the safety of his world above his commission; and Silas, one of the “spoiled” – humans magically converted to follow and unquestioningly obey the vengeful White Dragon that is gathering an army to take over the…

Sam Hawke’s assured debut fantasy novel City of Lies starts intriguingly. Jovan, the narrator has been trained from a young age in the family trade of poison taster for the Chancellor of Silasta. He has been exposed to multiple poisons by his uncle as part of his training and has become partially immune to them as he learnt to identify them. He has been trained in the place of his elder sister Kalina whose constitution was too weak to handle the small amounts of poisoning. Despite this they are close and are both also close to Tain, heir to the Chancellorship. Their world is thrown into stunning and sudden disarray when both the Chancellor and their Uncle Ethan are poisoned with something neither Ethan nor Jovan can identify and their city is besieged.  While City of Lies can be read by anyone it definitely has a young adult bent. While not teenagers, the main characters are all young adults, thrust into an adult world, learning quickly how to navigate treacherous political waters while dealing with a series of escalating crises. Their relative youth allows them to question the way things have been done traditionally (particularly as tradition has partially led to current events) and find new ways forward. But it also sometimes makes them easy prey for more experienced political operators.  The narrative of City of Lies alternates between Jovan and…

Claire North used the travels of the main character in her last book The End of the Day to highlight global inequities and social issues. Despite its fantastical premise (that character we the harbinger of Death), that book focussed on the present. In 84K, North takes this social commentary into frighteningly plausible dystopian vision of the future.  There is nothing particularly original about the starting point for 84K – concentration of corporate power, collusion between a monolithic Company and the Government, the wealthy coming out on top and a population sleepwalking into servitude in the pursuit of the good life. But North takes this premise further – into a monetised society, where everything, including human life, literally has a value.  Theo Miller works at the Criminal Audit Office, assigning indemnity value to different crimes, If you can pay you get on with your life but if you can’t, you go into government mandated menial work – essentially slave labour or worse. Miller, is much like Charlie from The End of the Day, a grey English bureaucratic exterior hiding a revolutionary soul. And that soul slowly emerges  and he is forced to take action when a face from the past emerges and he is forced to reevaluate his life.  The book jumps between three time periods – Miller’s backstory, his…

Andrew Caldecott’s Rotherweird was one of the most English and original fantasy novels of 2017. It focussed on the eponymous town hidden away from the rest of England and guardian of a secret door to another dimension called The Lost Acre. Rotherweird was full of Dickensian characters engaged in an ancient struggle but also had Monty Pythonesque flourishes. The epilogue to the action in Rotherweird indicated that more was going on than the protagonists suspected and this second volume is clear that all of the frenetic activity in that book was just “the end of the beginning” and so to Wyntertide. Wyntertide has a similar structure to Rotherweird. Historical vignette’s establish the backstory of a number of long lived characters still either making mischief or trying to prevent it. In the meantime the townsfolk are gearing up for a major event, in this case the mayoral election, which is being manipulated for nefarious purposes. Caldecott ranges across a kaleidoscope of characters as various factions manoeuvre and a centuries old plan fall into place. Rotherweird  anchored its sprawling narrative around an outsider – Josiah Oblong, the new history teacher – who was also the reader’s proxy into this strange world. It…

The last boomtime for vampire stories was about ten years ago. Books series like the True Blood and Twilight which then became movies and tv series ruled the airwaves and cinemas. And plenty of pretenders flowed in their wake. But they were just the longest in a line of vampire tales stretching at least as far back as Bram Stoker and probably further. So it is perhaps no surprise, after a short period of relative dormancy (driven into the shadows by zombie hordes perhaps?) that vampires are back. A People’s History of the Vampire Uprising tells the story of the rise of the vampires (or Gloamings as they prefer to be known) and a small resistance movement against them. The story is delivered in documentary style. Following the discovery of a new virus by the CDC in New Mexico, each chapter is a form of testimony and many are also preceded by snippets from newspapers and magazines. While this gives a feeling of authenticity it also serves to distance the reader from the action. The narrative is almost all telling rather than showing, four hundred pages of exposition, an approach that wears thin after a while. Villareal’s narrative is an…

Enter another conflicted, sparky girl onto the YA fantasy stage. Joining a recent slew of female fantasy heroes in books likes of The Last Namsara, Children of Blood and Bone and Caraval, Mary Watson brings another spin. Set in a modern day Ireland but referencing an ancient feud, The Wren Hunt is wholly original even when it treads some familiar story beats.  Wren Silke is an augur. Like many a YA protagonist before her she was not raised by her parents. Her father is unknown and her mother abandoned her as a baby. The augurs, one of a cast of magic users, are in an ongoing war with the judges. Wren has been recruited into that war, picked to be the augurs’ spy into the judge stronghold and to steal a map that will help tip the balance in their ongoing war.  But this is not quite the quest novel that it sounds. It reads more like a spy novel where the protagonist is a trainee spy and her handlers are using her to play much larger games.  Wren herself is a likeable, conflicted heroine who has to chart her own course when the world shifts around her and alliances and friendships turn out not to be what they at first seemed. Thrown into the mix, not surprisingly, is a love interest, who happens to also be the…

Israeli author Yoav Blum’s debut novel (published in 2011) and first novel to be translated into English is a metaphysical love story. It takes as its premise the forces behind the every day. But it imbeds these forces with a deep humanity. Guy is a coincidence maker. His job is to arrange the world so that certain events take place. He is given missions to produce certain outcomes. He has the ability then to map out exactly how small and large events are going to happen and then nudge the variables to produce results. Missions come as an envelope under his door and he plans all of the interconnecting strands of his mission as a map on the wall of his apartment. Guy’s expertise is in bringing two people together, creating relationships out of a web of seeming coincidence and happenstance. But he is part of a much bigger and deeper organisation and it is possible that these missions are just small parts of a much bigger plan. Guy works with two other new coincidence makers – Emily and Eric. Emily is in love with Guy but cannot make him see her. Guy is still mourning the loss of his…

Children of Blood and Bone is one of the most anticipated YA books of 2018. Movie rights have already been sold and YA blogger sites have been singing its praises. And there is a lot to like here. Tomi Adeyemi has constructed a fast paced, roller-coaster quest-based fantasy book set in a well realised West-African-inspired setting and delivers the kind of thrills and characters that her YA readership craves. Zélie, is a Diviner, part of a subgroup of people in the kingdom of Orisha subjugated and feared for their former ability to use magic. Magic was banished from the world by the moustache-twirlingly evil King Sanara thirteen years before. Those with white hair, who carry the mark of magic users, are reviled and repressed. But an encounter between Zélie and runaway princess Amari changes the equation. Amari has stolen a relic that can respark magic in individuals and, together with Zélie and her brother Tzain, embarks on a quest to unite three sacred artefacts and bring magic back to the world. While Children of Blood and Bone has a unique and fascinating African setting and mythology, the plot and characters owe as much to recent YA-fan favourite series like The…

In 2014, Iraqi author Ahmed Saadawi won the International Prize for Arabic Fiction, commonly known as the Arabic Booker Prize, for Frankenstein in Baghdad. Four years later, the English translation has become available and it reveals a novel worthy of an award. Frankenstein in Baghdad takes Mary Shelley’s familiar horror trope and transplants it to the streets of Baghdad not long after the American invasion and the fall of Saddam in 2003. In doing so, it manages not only to illuminate that period but to create a new, compelling version of a longstanding myth. Unsurprisingly for this era, the book starts with a car bomb: No one saw it coming; it all happened in a fraction of a second. The people who weren’t injured – because they were too far away, or screened by other people’s bodies or behind parked cars, or because they were coming down the side lanes and hadn’t reached the main street when the explosion went off… witnessed the explosion as it engulfed the vehicles and the bodies of the people around them. It cut the electricity and killed birds. Windows were shattered and doors blown in. Cracks appeared in the walls of nearby houses, and…