Nexus is the third and final instalment of the Zeroes trilogy which started with Zeroes and continued last year with Swarm. These books go boldly and with some originality into well explored territory – teens dealing with superpowers while also trying to make sense of their lives. At least, the first book did this. The second broadened out the world of the Zeroes, introduced a new menace and moved a little further away from a straight teens-with-powers scenario. Nexus expands this world even further and takes its protagonists out into the wider world. From its opening interrogation in, and rescue from, a supermax prison to a chase on the streets of Las Vegas, to its explosive finale on the streets of New Orleans. It is hard to talk about Nexus without some spoilers for the earlier two books. Suffice it to say that the six main Zeroes are back, in much more straightened circumstances due to the events of Swarm. But despite being on the run and fractured they still feel the need to use their powers for good as much as they can. And when they learn of “something big” going down in New Orleans involving a Zero called…

Heidi Heilig opens The Ship Beyond Time mere minutes after the cliffhanger end of its prequel The Girl from Everywhere. It is 1884 and sixteen-year-old Nix, her father and the crew of their ship, the Temptation are on the run from Hawaiian forces, unhappy about the robbery that they were involved in. What their pursuers do not know, but readers of this series do, is that Nix and her father are Navigators, they have the power to send their ship to any time and any place (including mythical places) so long as they have a map to guide them. After a bit of map hopping early in the piece, The Ship Beyond Time settles down for most of its length in one locale. In this case it is the mythical utopian island of Ker-Ys, somewhere off the coast of France. They have come there on the promise of another Navigator, Crowhurst, that he has the power to change time. For Nix, who spent the last novel trying to prevent her father going back in time to save her mother for fear that she would never be born, this is a temptation too great to turn up. Once again, there is…

City of Saints and Thieves has an immediately engaging open. Sixteen year old Tina is a thief in the Kenyan city of Sangui. Together with her street-criminal backers she is embarking on an audacious robbery of the Greyhill mansion in an upmarket part of town. But Tina has more on her mind than just theft. Her mother was killed in that house while working there as a maid and Tina believes that Greyhill senior was responsible. So the theft is also about revenge. But the heist does not go as planned and from there the tale spins out with Tina only barely in some kind of control. Natalie C Anderson, the author of City of Saints and Thieves has a long history of working with refugees in Congo, Rwanda and Kenya and this experience shows. Anderson brings both the Kenyan and Congolese settings vivdly to life. The book is rich in detail about the lives of women and children in Africa’s conflict zones and the role of blood gold in fuelling the violence. As a young girl living on the streets of a fictional Kenyan city, Tina’s skills as a thief are the only thing keeping her from a life…

Superpowered teens seem to be everywhere you look at the moment. From the third time lucky reboot of the Spider-Man franchise, to the YA book world with series like Zeroes. In the world of The Undercurrent there is only one superpowered teen – sixteen year-old Juliette DeMarchi. But as is “normal” in the superpowered teen world her ability to manage her powers quickly becomes a metaphor for growing up. The Undercurrent opens with a bang. An attack on the headquarters on mega corporation Pax Fed in Brisbane, where Juliette was going for an abortive job interview. When things go pear shaped, Juliette is rescued in a bit of a “meet-cute” by young soldier Ryan, part of a squad of soldiers sent to protect her. This is the set up for a tale of coming-of-age and corporate skullduggery. Juliette’s mother Angie is talked into going back into her old protest group, the Agitators who have become more extreme in her absence, to foil a plot to attack a nuclear power plant in South Australia. Meanwhile Juliette is sent into protection with Ryan on his family’s dying farm not far from the plant. Weston manages to ramp up the tension in both…

Christoffer Carlsson is a Nordic crime writer best known for his crime series starring ex-cop Leo Junker. October is the Coldest Month is ostensibly his first Young Adult novel and has won a Swedish crime award for writing for young readers. But parents beware, when the Swedish Crime Writing Academy says “young readers” they are skewing well towards the more adult end of the young adult spectrum. That said, there are good reasons why this novel may have picked up that award. Vega Gillberg, the sixteen year-old narrator of October is the Coldest Month, is woken by a policeman looking for her brother Jacob. She does not know where Jacob he is but knows that he is in trouble and has an inkling why. That inkling drives her to go looking for her brother and to try and solve a mystery that no one wants solved. In the best tradition of noir detectives, Vega is not content with being kept in the dark and keeps pushing at people and pulling at loose ends of their stories until the truth emerges. October is the Coldest Month is a coming of age story of sorts. Vega deals with the depths of the…

Singing My Sister Down could have been subtitled Margo Lanagan’s Greatest Hits. The title story, which also opens this collection, won a bunch of national and international fantasy awards and was short listed for a number of others. This and nine of the others stories come from earlier collections of Lanagan’s work, the multihued – White Time, Black Juice, Red Spikes and Yellowcake – many of which were also shortlisted for or won their own awards. So these hand picked stories might be considered the best of Lanagan’s best, clearly putting her in an international league of great fantasy short story writers. Singing My Sister Down, the story of a family come to watch the ritual killing of one of their members – consigned to sink into a tar pit – is starkly effective. Many of the other stories are built around ideas that can only lead to trouble – a man who kills clowns, the person who ferries the dead, a magician spurned. Some of the others, particularly two new stories written for this collection are off-kilter retellings of well known fairy tales – Sleeping Beauty in Not Quite Ogre and The Princess and the Frog in The Wood-Queen’s…

Stephanie Garber’s debut novel is a finely wrought Young Adult Italianate fantasy. It has elements of gameplay, cautious romance and danger but is always keen to assure characters and readers that it is ‘only a game’. The book opens with seven years of letters from Scarlett Dragna to the mysterious ‘Legend’. Legend runs an annual event called Caraval. Not much is known about Caraval except that it involves players and magic and possibly a little adventure. But all Scarlett can do is dream, stuck on an island with an abusive father, engaged to marry a nobleman who she has never met and sworn to protect her impetuous younger sister. When tickets arrive for Caraval a week before her wedding, Scarlett baulks at the chance but her sister has other ideas. Caraval, it turns out is a giant game. For five days, competitors try to solve a mystery in a magic city that is a little reminiscent of Venice. Gameplay can only take place at night and it turns out very quickly that the object of this year’s quest is Scarlett’s missing sister Tella. Scarlett is helped by the mysterious, good looking sailor who helped them travel to the island and…

The misfit powered teens from last year’s Zeroes, co-written by YA powerhouse team Scott Westerfeld, Margo Lanagan and Deborah Biancotti, are back for another go round in Swarm. And like all good sequels, Swarm finds their world expanding considerably and, with that expansion the dangers they face. The book opens six months after the somewhat catastrophic events of Zeroes. The six teens have opened an illegal nightclub called the Petri Dish as a way of testing and refining their powers. But while the club provides them with a safe haven, their activities have attracted some unwelcome attention. They soon realise something that should have been obvious to them – they are not the only Zeroes in the world. While the Zeroes have been trying to use their powers responsibly (or at least not destructively), it turns out that others are not so conscientious. When their club is crashed by two teens with new abilities the Zeroes find themselves in the crosshairs of a deadly Zero known only as Swarm who (it seems) enjoys killing other Zeroes (shades of the early seasons of powered-people TV series Heroes here). Once again, the issues of just being a young adult are front and centre…

The elevator pitch for Gemina goes something like this: imagine a cross between Aliens, Die Hard, Star Trek: Deep Space Nine and Romeo and Juliet. Not surprising given this is the sequel to the Aurealis-award winning Illuminae (reviewed here), a book that managed to mash up elements from Battlestar Galactica, 2001, 28 Days Later and possibly something by Nicholas Sparks. Gemina, a geek’s delight, has all of these elements and plenty more (even Firefly gets a shoutout). It advances the corporate conspiracy plot of Illuminae while focussing once again a few incredibly resourceful teens. At the end of Illuminae (spoiler alert) the survivors on the Hypatia are heading towards a wormhole that will jump them to a space station called Heimdall. Gemina opens on Heimdall on the eve on an invasion organised by the Beitech Corporation trying to clean up its mess by destroying the Hypatia. Hanna, the daughter of the station commander, Nik, a member of the House of Knives crime gang, and his cousin Ella end up being the only ones standing between the twenty-four armed to the teeth mercenaries and destruction of the Hypatia. Well, them an a bunch of hungry, slimy, four-headed aliens loose on the…

Heidi Heilig’s The Girl From Everywhere is a heady mix of time travel, fantasy, romance and historical fiction for young adults. Nix Song, a sixteen year old lives on a tall ship called the Temptation, captained by her father Slate. Slate has the power to navigate the ship anywhere in time and space so long as he has a written map to guide him. But there is only one thing Slate wants – to return to Honolulu in 1865 and prevent his partner from dying just after she gave birth to Nix. The question that troubles Nix is what might happen to her and her life if he succeeds. Nix is probably the least interesting character in the book. A plucky teenager with father issues and a burgeoning but fairly chaste love life, caught between her roguish shipmate Kashmir and the more straightlaced, shore-bound Blake. But this blandness also makes Nix the perfect guide to this world for the intended audience of the novel, which would be teenage girls at the younger end of the young adult spectrum. As if the time travel element is not enough, there is more than a smattering of fantasy in The Girl from Everywhere…