The last boomtime for vampire stories was about ten years ago. Books series like the True Blood and Twilight which then became movies and tv series ruled the airwaves and cinemas. And plenty of pretenders flowed in their wake. But they were just the longest in a line of vampire tales stretching at least as far back as Bram Stoker and probably further. So it is perhaps no surprise, after a short period of relative dormancy (driven into the shadows by zombie hordes perhaps?) that vampires are back. A People’s History of the Vampire Uprising tells the story of the rise of the vampires (or Gloamings as they prefer to be known) and a small resistance movement against them. The story is delivered in documentary style. Following the discovery of a new virus by the CDC in New Mexico, each chapter is a form of testimony and many are also preceded by snippets from newspapers and magazines. While this gives a feeling of authenticity it also serves to distance the reader from the action. The narrative is almost all telling rather than showing, four hundred pages of exposition, an approach that wears thin after a while. Villareal’s narrative is an…

Vampires are back on the streets of London in Lee Markham’s visceral debut The Truants. Just when you thought the vampire mythology could not take another go round, Markham takes this corner of the horror genre and gives is a shake. His stated aim is to create some discomfort for readers and he succeeds.  On a bench facing east the old one waits to die. A long-lived vampire, the old one has decided to end his life by facing the sun. But before he can complete the ritual he is attacked by a street kid after money. The kid stabs him and then escapes with a broken arm but the damage has been done. The knife that is carried away is somehow infused with the spirit of the dying vampire and every person it touches absorbs that spirit. The first two of these are a two year old boy and a ten year old school boy. From there all hell, literally, breaks out.  Markham has crafted a vampire tale for modern times. His vampires are dispossessed of the streets and the tower blocks of London. The baby that the old one possesses early on is living in squalor in a drug dealer’s squat so that it is almost a relief when he is given some agency even with…

With so much second-rate material around, the vampire genre has become a little anaemic. Trent Jamieson’s Day Boy provides a welcome and much needed infusion of new blood into the genre. The focus of Day Boy is not the Masters (the word vampire is never used), who rule a post-apocalyptic Earth, but their Day Boys. Each Master has a Day Boy to do their work during daylight hours. Part servant, part protégé, part surrogate child, part confidante, the Day Boys epitomise the Masters rule and wield some power over other humans as a result. Mark, the narrator, is Day Boy to Dain, exiled with four other Masters to the regional town of Midfield. The world that Mark inhabits has a wild-west steampunk feel. Midfield is a farming community, connected to the Master’s more advanced capital city by steam train. However, this is a world that is also recognisably Australian, complete with heat, dust, flies and deadly creatures lurking in the bush. Day Boy is a twisted coming of age story. Mark experiences all of the usual tropes – fights with his peers, a girl he is keen on but not supposed to spend time with, and important decisions to be…