Pile by the Bed reviews Gallowglass by Simon Morden, a space survival story set in a climate-change affected future.

Pile by the Bed reviews No Way, the Mars-based survival sequel to SJ Morden’s One Way.

Frank Kittredge is a lifer. Sentenced to jail for killing his son’s dealer, he is offered a chance: join a mission to Mars crewed by convicts to construct a settlement in anticipation of a crew of NASA astronauts or stay in prison and rot (Botany Bay, anyone?). He takes the deal, and not only that, is later offered a trip home and a pardon if he keeps an eye on his six fellow crew members for Brack, their unnecessarily sadistic and overbearing supervisor.   After way too long describing the team’s training, including how they learn to drive Mars buggies and build habs, the crew head to Mars. Almost immediately things start going wrong and crew members start to die. This finally kicks a thriller element into gear as an Agatha Christie-style And Then There Were None situation starts to develop and Frank has to investigate the mounting death toll without becoming a victim himself.   Andy Weir’s The Martian managed to hit a certain sweet spot between technobabble, scientific accuracy, character and plot. SJ Morden goes down a similar road in One Way but with less success. He spends in inordinate amount of time on the science and engineering challenges of training for and building a settlement on Mars. The idea to use convicts as a disposable labour force is original but given their easily avoided one man oversight, not worth thinking about too hard. The slowly creeping dread as one by one the crew…

Simon Morden returns to the magical world of Down for second time in The White City. He rejoins the survivors of Down Station (reviewed here) as they try and come to terms with events and the world they find themselves in. They came to Down, Narnia-like, through a doorway in a disused tube station as London burned around them. They found a dangerous world populated by people who came through different doorways from London at different times in its history. That first book ran very much along lines of some classic fantasy – people find themselves in a magical world and have to learn to use the powers that they gain there to survive. The White City turns out to be a very different proposition to the first book in this series. With the rules established in Down Station, Morden sets about not only exploring those rules but also breaking them apart, digging deeper into the world and revealing depths that were only very vaguely glimpsed in the first volume. There is a bit of a quest element to this book as the characters travel to the White City, reputedly the only permanent city in Down, where answers may be found that may…

Doorways into magical lands are a venerable fantasy tradition going back centuries in English fiction. Think Alice in Wonderland or Peter Pan. In the Twentieth Century we had the seminal Narnia series and plenty of imitators followed. More recently we’ve even seen a modern deconstruction of that mythology in books like Lev Grossman’s Magician’s series. In this context, Simon Morden’s Down Station seems a little staid. The central idea is an old one, any interest here is what he manages to do with it. Down Station opens naturalistically. Troubled teen Mary is working as an after hours garbage collector in the London Underground and young engineering student Dalip is similarly working on a rail replacement team. When an unknown disaster strikes above ground Mary, Dalip and a few of their fellow workers escape through a door that takes them into another world from which there is seemingly no return. They soon discover that they are not the first people to come to the world of Down from London and that the magic of the world will allow them to reinvent themselves. So far, so clichéd. But a couple of aspects save Down Station. The first is the main characters. There…