Find You In the Dark has an intriguing premise.  Martin Reese is a retired tech billionaire with a wife and teenage daughter. But Martin has a secret hobby. He follows the careers of arrested serial killers and uses the clues they leave behind to find where they buried their victims. He then goes out, uncovers the body, takes his own series of macabre photos and then anonymously calls the police to reveal the location of the body and brag about the fact that they failed to find it. But his activities have caught the attention of a real serial killer who decides that it is time for Martin to experience the real thing. Find You in the Dark tries to play it both ways. Martin is not a serial killer but his character is based on the premise that he has all the psychopathic and sociopathic tendencies to be one, just never the will to carry it through. The assumption is that his obsession with actual killers is his proxy way of dealing with his desires. So much so that he started following and then married Ellen, the sister of serial killer victim Tinsley back when he was in college….

Joy Dettman delves into a world of crime in her latest novel. Over a wide cast of characters she manages to fit in a whole spectrum of crime and general meanness into a small space: from a serial killer through to a hit and run, perjury and drug dealing. The Silent Inheritance ranges across a large group of characters so it takes a while to get going. Sarah Carter, deaf since birth, is trying to get a promotion but is passed over for her boss’s mistress, Barbara. Freddy Adam-Jones is a criminal barrister defending the indefensible. And Ross Hunter is tracking down a serial killer dubbed the Freeway Killer by the press. And, because no book involving a serial killer is complete without it, there are the requisite italicised chapters from the Freeway Killer’s point of view. When Barbara’s daughter is taken by the Freeway Killer, Freddy does something unforgivable and Sarah comes into a windfall, their worlds start to shift. But in order to make the plot work, Dettman has to dial the coincidence factor up to eleven. Many of the characters are connected in ways that do not become obvious until late in the piece, others are thrown…

Many crime novels straddle the line between crime and horror. Serial killers, on the whole, are the stuff of nightmares and crime writers have been falling over themselves for some time to up the gore factor. While horror novels usually rely on some form of supernatural agency and do not necessarily have the neat resolution of the crime genre, the bloody results are often the same. And so it is with The Poison Artist – a crime novel with the feel of a horror novel or a horror novel with crime elements – it is often hard to tell. Although in this case that ambiguity is not a bad thing. Before the reader gets to the crime there is the pain. Dr Caleb Maddox, toxicologist and pain researcher, has been dumped by his girlfriend after a fairly vicious fight which involved flinging of glass. Caleb is drowning his sorrows in the bar of the San Francisco hotel in which he is taking refuge when he catches sight of a beautiful woman. He moves on to a smaller nearby where he encounters the same woman who thoroughly bewitches him to the extent that he begins a city-wide search for her. At…

  Eden Archer, Australia’s answer to Dexter Morgan, and her damaged partner Frank Bennett are back at work in Fall, investigating a series of murders of women joggers. Underlying this investigation is another one by Frank’s lover (and former psychologist) Imogen, who solves cold cases in her spare time and is closing in on Eden’s true identity. There is plenty else going on in Fall, with Eden’s ex-crimelord father Hades having a cameo and a potential new recurring character added to the mix. In some ways, Fall feels like the novel that Fox might have written as the follow up to her debut Hades. It features another serial killer, and in some respects follows the pattern of other procedurals of its type. But the continuing impact of events in her follow-up, Eden, the investigation into Eden’s past and Fox’s style lift Fall out of the usual serial killer chase genre. With every novel, Fox is more in control of her craft. While her mix of first and third person narration in Hades sometimes felt forced, by this third outing the constant shifts of point of view happen effortlessly and serve to ratchet up the narrative tension. Particularly amusing and effective…