Pile by the Bed reviews May God Forgive by Alan Parks, the fifth book is in his gritty Harry McCoy series set in 1970s Glasgow.

Pile by the Bed reviews The Heretic by Liam McIlvanney, in which Duncan McCormack come back to Glasgow. six years after his appearance in The Quaker.

Pile by the Bed reviews A Corruption of Blood by Ambrose Parry, the third book in the Raven and Fisher historical crime series based around a medical practice in Edinburgh in the 19th Century

Pile by the Bed reviews The April Dead by Alan Parks, the fourth book in his Harry McCoy crime series set in 1970s Glasgow.

Pile by the Bed reviews February’s Son by Alan Parks, the second in his dark tartan noir series set in Glasgow in 1973.

Ambrose Parry is the pen name of multi-award winning Scottish crime writer Chris Brookmyre and his wife Marisa Haetzman. It was Haetzman’s research into medical practice in Edinburgh in the 1850s that put the two down the track of collaborating on a novel set in the period. Being a crime novel, The Way of All Flesh opens with a death – a prostitute named Evie, found by one of her regular clients, but also friend, Will Raven. Raven runs from the scene, straight into the arms of the debt collectors looking for repayment of the money he had borrowed to help Evie out. Raven is hoping that his new apprenticeship with famous “male midewife” (aka obstetrician) James Simpson, will help him earn the money that he needs. In Simpson’s house, which also serves as his clinic, is housemaid Sarah who has the capacity to be more and yearns for something better. It takes some time for the murder mystery to come into focus. Some news about other deaths slowly builds in both Raven and Sarah a suspicion that something strange is afoot. They form a loose partnership as they tentatively investigate. Both characters are engaging and distinctive enough to avoid…

Space is the final frontier. So it is no surprise that fictional towns in space – on the moon, on space stations on generation ships – are portrayed as frontier towns. And usually not in a positive way. Recently Ian McDonald’s Luna series portrayed a fairly lawless lunar colony run by dynastic families and Andy Weir’s protagonist in his recent Artemis, also on the Moon, makes a living running contraband. So when Places in the Darkness begins and new security chief Alice Blake is told that mankind’s first space station is totally crime free, the reader knows there is more to it. That and the fact that the book has opened with parts of a dismembered body floating in zero gravity. Nicky “Fixx” Freeman is part of the local Seguridad but she moonlights as a fixer. Collecting protection money and helping a local alcohol smuggler and enforcer as part of a local gang war. Because mankind’s first space station, Cuidad de Cielo (“City in the Sky” or CdC) is riddled with corruption. A state of affairs to which the four ruling corporations (known as the Quadriga) turns a blind eye. But the locals know that the global government might be…

Graeme Macrea Burnet’s first novel was presented as the translation of an obscure French crime novel written and published in the early 1980s by French author Raymond Brunet (note the anagram). The conceit of that novel – The Disappearance of Adéle Bedaeu – was deepened by the creation of a faux trailer for the film version of the book. After his Booker prize nominated His Bloody Project, Burnet returns to the world of Brunet. The Accident on the A35 is, according to the preface, the translation of an unpublished Brunet manuscript, released after his mother’s death. Once again, the book centres around detective George Gorski and the small, seemingly dead end town of Saint Louis in which he lives. When the book opens, Gorski’s wife has left him and he is called to the scene of a car accident on a nearby road. The scene appears to be an open and shut case but there are some odd details and Gorski allows himself to be charmed by the dead man’s widow into investigating further. At the same time, the dead man’s son Raymond, after finding an address in his father’s drawer of a house in a nearby town, is also…

All the Galaxies is a book that is hard to categorise. It is an odd mixture of dystopian vision, some light horror with a religious twist, a dark, often satirical, vision of modern media and an investigation of a secular afterlife. If a bookshop needed to pigeonhole, and such a shelf existed, it might best be described as literary speculative fiction.  The book opens with a boy who names himself Tarka. Tarka has died and has found himself on another planet beside his childhood dog, a border terrier named Kim. It turns out that Kim can talk and is to be Tarka’s guide to an afterlife which encompasses ‘all the galaxies’ and their attendant stars and planets. After a while getting used to this idea, Tarka asks Kim if they can go and find his mother who had died years before. The rest of Tarka and Kim’s strange journey across the universe is in pursuit of this goal. There are beautiful descriptions of this secular afterlife:  Tarka looked down. A stream of lights flowed below them, like a river. A pale planet hung in the void like a pebble. The lights flowed, almost parallel to Tarka and Kim, led by a brighter light, and smaller bodies fanned out behind …  What? Tarka said.  Humans – reborn like you, Kim said …  Below, far below, slowly spun the vast dish…