In 2014, Iraqi author Ahmed Saadawi won the International Prize for Arabic Fiction, commonly known as the Arabic Booker Prize, for Frankenstein in Baghdad. Four years later, the English translation has become available and it reveals a novel worthy of an award. Frankenstein in Baghdad takes Mary Shelley’s familiar horror trope and transplants it to the streets of Baghdad not long after the American invasion and the fall of Saddam in 2003. In doing so, it manages not only to illuminate that period but to create a new, compelling version of a longstanding myth. Unsurprisingly for this era, the book starts with a car bomb: No one saw it coming; it all happened in a fraction of a second. The people who weren’t injured – because they were too far away, or screened by other people’s bodies or behind parked cars, or because they were coming down the side lanes and hadn’t reached the main street when the explosion went off… witnessed the explosion as it engulfed the vehicles and the bodies of the people around them. It cut the electricity and killed birds. Windows were shattered and doors blown in. Cracks appeared in the walls of nearby houses, and…

There have been plenty of thrillers in recent years that use the conflicts in the Middle East as a setting and jumping off point. And for thriller authors there is plenty of material to draw on: a volatile situation, plenty of excuse for violence and action and often a grey moral zone in which characters operate. The Girl in Green at first blush, seems like one of these. But while it cloaks itself in the trappings of a thriller, author Derek B. Miller has serious concerns. The Girl in Green opens in Iraq at the end of the first Gulf War, also known as Operation Desert Storm. An American company is set up at Checkpoint Zulu, on the outskirts of an Iraqi town and close to the Kuwaiti border. When Saddam’s death squads arrive to slaughter the inhabitants of the nearby town in order to quell a nascent uprising, the troops are ordered not to interfere. This approach, and its consequences, will haunt two men, one a young soldier, Arwood Hobbes, and the other an English journalist, Thomas Benton, so that over twenty years later they are still trying to make amends. The bulk of the novel is set in…