Pile by the Bed reviews What You Can See From Here by Mariana Leky – a small town tale full of odd characters and a fairytale feel.

Pile by the Bed reviews The Missing by Dirk Kurbjuweit (translated by Imogen Taylor) a fictionalised account of the hunt for the Butcher of Hannover.

Pile by the Bed reviews Olga by Bernhard Schlink, a novel which explores Germany in the Twentieth Century through the eyes of one woman.

Pile by the Bed reviews Elly by Maike Wetzel (translated from German by Lyn Marven) – a short, sharp, stark novel dealing with the aftermath of a child’s disapperance.

Pile by the Bed reviews QualityLand by Marc-Uwe Kling a satirical dystopia which takes on the information age and big data

Pile by the Bed reviews the novel version of Pan’s Labyrinth by Guillermo del Toro and Cornelia Funke – a “stunning work of fantasy”.

Pile by the Bed reviews The Silent Death by Volker Kutscher, the second of the 1930s Berlin set Gereon Rath books in translation

The Seventh Cross is not a new book, at least not in the usual sense. It is a new translation of a book written by Anna Seghers, an author from a Jewish family that had fled Germany and was living in Paris in the late 1930s. The book itself, written before the start of the Second World War is not about that war or the Holocaust. But Seghers could see all of these coming and her novel allows readers to trace a line from the totalitarian, anti-semitic, fascist attitudes of the mid-1930s to the Germany that plunged the world into war less than five years later. The Seventh Cross is set in 1935 and centres around an escape from the concentration camp. The camp had been established to punish political prisoners. Although it turns out that the definition of a political prisoner is anyone who the local authorities don’t particularly like. Seven men escape and, as they are recaptured they are strung up against a row of trees at the entrance to the camp as punishment and warning to others. These are crosses of the title. The seventh cross is reserves for George Heisler, the escapee that Seghers spends the most…

Just in time for the release of the German-made Netflix series of the same name is the translation of the first of Volker Kutscher’s crime fiction series set in Berlin in late 1920s on which the series is loosely based.  Both series, are based around the exploits of homicide policeman Gereon Rath, who in this first volume has recently been moved to Berlin after an incident in his home town of Cologne. After a cold open involving torture and suicide, the story moves to Rath’s work with the Vice Squad. While he was homicide detective in Cologne, his move to Berlin has resulted in a bit of a demotion and he is keen to get himself back investigating murders. His break comes when it turns out that an unidentifiable body fished out of a canal is the same Russian who came to his door, looking for the man who used to live in his rooms. Rather than sharing this information with his colleagues, Rath decides to investigate himself, hoping to use this investigation to leverage himself into homicide. In the process he starts a relationship with Charlotte, the stenographer of one of lead homicide investigators, who is studying law at…

One of the keys to a good thriller is the hook, a tense situation that can only ramp up. Melanie Raabe showed herself a dab hand at this in her debut novel The Trap. Even the title hinted at something menacing and the execution paid off. Her follow up does the same. Just the title, The Stranger, hints at danger. And again, she manages, for the most part, to pull her execution off. Sarah has been living alone with her son for seven years since her husband went missing in Columbia. It has taken all that time but she is just starting to get her life back together. She has new friends and has developed relationships with her work colleagues. Then the call comes – her husband has been found and is being flown home the next day. Only when she goes to the airport, despite smiling and saying all the right things, she is convinced that the man who has come home is not her husband Philip. When the two go back to their house the stranger threatens to reveal her darkest secret if she goes to the police and a cat and mouse game between the two begins….

In his first novel to be translated into English, German journalist Dirk Kurbjuweit delivers an urban thriller and ethical minefield. The novel, based partly on personal experience, asks how far a person might go to protect their family. And more importantly, how much does society, history and culture inform that reaction. Fear starts with a quick bait and switch. Randolph is visiting his elderly father in what could be an old age home but turns out to be a prison. Randolph’s father is serving time for the manslaughter of Randolph’s neighbour Dieter Tiberius. The narrative is Randolph’s reflection of how his family has come to this point and how, bit by bit, they were driven from civilization to barbarism. Randolph, an architect, has moved with his wife and two children into a block of flats in Berlin. Soon they have attracted the attention of the neighbour who lives in their basement. What begins innocently quickly gets out of control when Dieter starts writing suggestive poems to Randolph’s wife and then publicly accusing the couple of child abuse. They quickly find that there is little the social or legal systems that they rely on can do to help them manage the…

With so many disposable thrillers with the word “Girl” in the title on the market it could possibly be taken a marker of some quality that the title of Bernhard Schlink’s new novel references a “woman”. There are no murders, no unreliable narrators and no sneaky plot twists. The Woman on the Stairs fits more in line with recent books that take the art world as their focus and as a jumping off point to explore deeper issues such as The Last Painting of Sara de Vos (which also, coincidentally, also featured both a stolen art work and Sydney’s Art Gallery of New South Wales). The narrator, an aging mergers and acquisitions lawyer from Germany is in Sydney stitching up a deal when he comes across a painting from his past. That painting, The Woman on the Stairs, was in the middle of a formative event in his life as a young lawyer. The subject of the painting, Irene Gundach, had left her husband for the artist Schmidt and the two men were in a dispute over the painting. The lawyer caught in the middle, found himself falling in love with Irene and helping her to get out of the…

Good thrillers often stand or fall by their initial concept. Think the missing wife and the diary of Gone Girl. Or the woman with amnesia and a journal in Before I Go To Sleep. A simple, possibly plausible, plot driver that is able to twist and flex as the circumstances change. In The Trap, that concept is the reclusive novelist, seeking revenge for the murder of her sister eleven years before.Because she cannot bring herself to leave her house, Linda addresses the issue of drawing out the man she believes responsible for her sister’s murder in the only way she knows how – she writes a book about it. To say too much about the plot of this short, muscular thriller would be to step well into spoiler territory. But the setup has Linda believing that it is a television journalist she saw on the night of her sister’s death and uses the offer of an interview to lure him into a situation in which she can question him. Sections from Linda’s novel pepper the narrative, giving a fictionalised version of the events surrounding her sister’s murder. Raabe uses two layers of unreliable narration to keep everything out of kilter….