Pierre Lemaitre is one of the premier French crime writers. His crime novels have won numerous awards and his recent post World War I novel about a pair of con artists, The Great Swindle, won the Prix Goncourt, a premier French literary award. So it is no surprise that his latest novel Three Days and a Life (translated by Frank Wynne) is a very literary crime novel. The crime comes early, the culprit is clear but what Lemaitre is interested in is the psychological impact and the consequence of the crime on both the perpetrator and the small community in which the crime takes place.  It is hard to talk about the plot without giving too much away. But suffice to say that 12 year old Antoine commits an unforgivable crime which he covers up. He then spends the next few days, as the town around him works itself into a frenzy, trying to come to terms with his actions and expecting to be caught. He has to watch as townsfolk are accused and arrested and start to turn on each other. The narrative returns to the town many years later to explore the ongoing effects of the crime.  Three Days and a Life is a psychological thriller. Most of the tension comes from the mind of a twelve-year-old boy….

Angela Slatter’s debut novel Vigil was a great mix of noir detective and urban fantasy genres. Her main character Verity Fassbinder had one foot in each of the Weyrd and Normal communities of Brisbane and so was used as an investigator and enforcer for the Weyrd community. That book ranged over a number of interconnected mysteries, some of which connected directly to Verity herself, putting her in the firing line. The follow up, Corpselight, takes a similar approach, although everything is a little more connected here, and is just a successful. When Corpselight opens, Verity is eight months pregnant, and the pregnancy has robbed her of her usual powers of super strength. Despite this, Verity is getting on with the job, investigating strange occurrences on behalf of an insurance company that pays out for “unusual happenstance”. At the same time she is also investigating a series of strange dry land drownings for the police and being harassed by fox-girl assassins known as kitsune. When one of those attacks bring on her labour and she is saved by a mysterious stranger, the plot comes even closer to home. Verity Fassbinder continues to be a great character. And in Corpselight Slatter really…

John Grisham regularly turns out a legal thriller every year around October. This year he has delivered something extra for fans in which lawyers hardly feature. Camino Island is part heist novel, part satire/commentary on the literary world and part thriller. And while it sometimes moves as languidly as a day on a Florida Beach, Grisham is still professional enough to always keep things moving. Camino Island opens with the daring robbery of five F Scott Fitzgerald manuscripts held securely in the basement of a library at Princeton. Things almost immediately go wrong for the thieves but the manuscripts get away. Jump to a few months later and the insurer has an idea that the manuscripts are being held by Bruce Cable, an antiquarian bookseller who runs a successful bookshop on Florida’s Camino Island. They recruit, Mercer Mann, a struggling young author, to go undercover in the community and gather information on Cable. From there the book becomes, for the most part, a lengthy commentary on the American literary scene. Camino Island is full of authors of various genres and various stripes. All have something to say about the industry and advice for Mercer who has been unsuccessfully trying to…

It is a common trope in crime fiction that the protagonist detective often finds themselves in some sort of mortal peril. So much so that it starts to feel like a bit of cliché.  But for Sean Duffy, a Catholic policeman in a mainly Protestant police force in Northern Ireland in the 1980s, mortal peril is just a fact of life. From the first book in this award winning crime series Sean has been checking under his car for mercury tilt switches every time he leaves his house. So it comes as no surprise to long term fans that book 6, sporting the mouthful name Police at the Station and They Don’t Look Friendly, opens with Sean being marched to his execution through a remnant patch of Irish forest. But, being Sean, as he puffs his way asthmatically through a bog he still manages to keep his mordant sense of humour: “A bullet in the head will fix an incipient asthma attack every time.” Flashback to Sean visiting his parents with his girlfriend and new baby Emma and being relieved to be called back to Carickfergus to investigate the murder of a small time drug dealer. From the start his…

In his first novel to be translated into English, German journalist Dirk Kurbjuweit delivers an urban thriller and ethical minefield. The novel, based partly on personal experience, asks how far a person might go to protect their family. And more importantly, how much does society, history and culture inform that reaction. Fear starts with a quick bait and switch. Randolph is visiting his elderly father in what could be an old age home but turns out to be a prison. Randolph’s father is serving time for the manslaughter of Randolph’s neighbour Dieter Tiberius. The narrative is Randolph’s reflection of how his family has come to this point and how, bit by bit, they were driven from civilization to barbarism. Randolph, an architect, has moved with his wife and two children into a block of flats in Berlin. Soon they have attracted the attention of the neighbour who lives in their basement. What begins innocently quickly gets out of control when Dieter starts writing suggestive poems to Randolph’s wife and then publicly accusing the couple of child abuse. They quickly find that there is little the social or legal systems that they rely on can do to help them manage the…

Jonathan Moore’s The Dark Room is the second panel in his “triptych of San Francisco’s nighttime scenery”. After the psychological twistiness of his debut The Poison Artist, The Dark Room comes across a fairly down the line procedural. But as before, one that plumbs the depths of human depravity. Just to get the atmosphere established, The Dark Room opens with the exhumation of a thirty year old grave sometime after midnight. Detective Gavin Cain is called away from this scene at the request of the Mayor, who has received a series of disturbing photographs and a note from a potential blackmailer. The photographs, also thirty years old are of a woman in fear. It does not take long for Cain to wonder if the two cases are connected. The Dark Room is an effective procedural. Cain has to navigate the political landscape of his boss’s connection to the Mayor and the involvement of the FBI, time increasingly becomes a factor as the pressure mounts and the case unravels in strange directions. Par for the course in this genre, Cain himself eventually comes under threat. Cain himself is a well drawn character. An experienced detective, he is not a basket case…

Candice Fox announced herself as an Australian crime writer to watch with her Ned Kelly Award winning debut Hades, followed up a year later by its award winning sequel Eden. The Archer and Bennett series took a couple of fairly recent crime fiction tropes (including the serial killer cop) but Fox made them completely her own. After a shortlisted third in the series and a humdrum collaboration with one-man crime fiction factory James Paterson, Fox launches what is potentially a new series with Crimson Lake. And is, in a few words, absolutely back on form. Crimson Lake is a small tropical town outside of Cairns. It is where Ted Conkaffey has gone to ground after his life fell apart. Conkaffey was a policeman, charged with the brutal assault on a teenage girl but never convicted. He continues to protest his innocence but is scarred by his experience on the other side of the justice system and, not cleared of the crime, is still suspected of being a paedophile. His lawyer hooks him up with local detective Amanda Pharrell. Amanda is in some ways more damaged than Ted, having spent ten years in prison for stabbing a fellow teenager to death….

Ben Sanders is a New Zealander but you would not know it from his all American gun-fest that is the Marshall Grade series. These books steeped in the American super hard-boiled tradition, usually anchored by a violently proficient loner, popularised by authors like Lee Child. Marshall’s Law opens months after the events in American Blood. There is still a contract out on Marshall, Sander’s Jack Reacher style loner and former cop who went into witness protection after an undercover operation gone wrong. Unable to find him, they go after his US Marshal contact Lucas Cohen in Santa Fe. Cohen survives a kidnapping attempt and alerts Marshall who then leaves his hiding spot in LA to travel to the East Coast to try and get some information. For no real reason, Cohen also heads to New York with a view to helping Marshall out. Meanwhile, a violent crime boss called Dexter Vine is looking to capture or kill Marshall for the bounty which he needs to pay off debts to a bigger crime boss. Much of the narrative focusses on the cat and mouse games between Vine’s goons and Marshall with Cohen providing some related back-up as he puts things together….

Australian readers are likely to still know Melina Marchetta for her breakout young adult novel Looking for Alibrandi (1992). Tell the Truth, Shame the Devil is crime genre novel. But while it relies on some of the genre conventions it also manages to subvert some of them, particularly with its focus on some teen protagonists. Bashir ‘Bish’ Ortley is an ex-policeman on the skids. He is drinking to forget the death of his son and has been drummed out of the force for threatening a fellow officer. So far so clichéd. When his teenage daughter is involved in the bus bombing of a youth tour group in France in which five children have been killed Bish races to the scene. As an ex-policeman he finds himself working unofficially for the foreign office as a parent liaison but also in helping track down two teens who have fled the scene. One of the fugitives, Violette, is the daughter of a famous British terrorist still in prison for a supermarket bombing, a case and family with which Bish has history. The theory is that Violette, who had been living with family in Australia but secretly flew to France, has something to do with…

Laura Lippman steps into To Kill a Mockingbird territory in her latest legal thriller Wilde Lake. But this is not a coming of age story about a girl who sees her lawyer father do the right thing. Quite the opposite. Where Wilde Lake delves into the past, and it spends a lot of its time there, it is to highlight how much we miss and reinterpret as children and how those events may look different in the harsher light of adulthood. Luisa Brant has recently fought a bruising political battle with her now ex-boss to become the first ever female district attorney of Howard County, Maryland. The win was particularly bittersweet as it was that same boss who had hired her during a particularly low period in her life. Lu is also the daughter of the most famous, and still loved prosecutor in the state’s history. So expectations are high but from her first murder trial, a seemingly open and shut case involving the killing of a woman by a local with a mental illness, things start to unravel. At the same time as the contemporary case, Lippman takes readers through Lu’s childhood. Starting with an incident involving her brother…

Hot on the heels of Colson Whitehead’s magical realist version on slavery in the antebellum south The Underground Railroad (reviewed here) comes Ben Winter’s alternate history exploring similar issues. Ben Winter’s version of the present is one in which Abe Lincoln was assassinated before the civil war and in the aftermath of that event a compromise was reached in which the Southern states were allowed to maintain slavery. Modern day America still has four slave states (the Hard Four) and has spent the twentieth century as an economic pariah, suffering trade embargoes from Europe but finding alternative markets for its goods in Africa and Asia. The Underground Airlines of the title describes the system in place to help escaped slaves, known in the vernacular as People Under Bond or Peebs, reach the safety of Canada. They are unable to stay even in the free states of the US because of laws which allow Federal Marshalls to recapture and return them. The book opens on Victor, a former slave who managed to escape to the North only to be blackmailed and trained into working for the Marshalls to track down other escaped slaves. But all is not what it seems with…

Michel Bussi has won plenty of crime fiction awards in his native France but his first book to be translated into English only hit the shelves last year. After the Crash (reviewed here) was a twisted, surprised filled eighteen year investigation into the identity of the survivor of an air crash. Following the success of that novel in translation, another of Bussi’s crime thrillers, Black Water Lilies, originally published in 2011, has hit the stands. While it shares some of the twisty-turniness of After the Crash, Black Water Lilies is very different and confirms why Bussi might have won all of those awards. Black Water Lilies does not initially feel like a crime novel, with an opening that is more like a fairy tale or some form of mythology. The prologue introduces three female characters. Much like the various aspects of Fate there is the optimistic young girl, the resigned beautiful woman and the all-seeing wise crone. Each is represented as a different personality and each seem to be in their own way, doomed. The action of the novel is very much tied around the actions of these three characters – the young girl with artistic promise surrounded by equally…

LA, 1965, a beautiful female movie star walks into a seedy detective’s office and makes him an offer he can’t refuse. Only the detective is a robot. One of the greatest exponents of pulp genre noir detective fiction, Raymond Chandler, reputedly turned his nose up at one of the other popular pulp genres of the time – science fiction. The two trod very different paths – one on the seedy side of reality with hard drinking, smoking, wise talking gumshoes and the other full of chrome flying saucers, ray guns and bug eyed aliens. But even at the time there was a little crossover, Isaac Asimov’s Caves of Steel and its sequels featured a robot detective, although one constrained from violence by Asimov’s Laws of Robotics. Made to Kill, a perfect mash-up of noir detective fiction and raygun gothic scifi, came out of a question to New Zealand author Adam Christopher about a novel he would like to find. Knowing of Chandler’s dislike of science-fiction, he imagined a science fiction book written by Chandler. But not content with imagining this chimera, he went out and wrote it, first as the short story “Brisk Money” (which can be found here) and…

In 2010, Zane Lovitt won the Sandra Harvey Award for Crime Fiction Short Story at the Ned Kelly Awards. That story went on to form part of a connected short-story anthology, The Midnight Promise, which won the Ned Kelly for best debut crime novel in 2013. With Black Teeth, a highly original, dark Australian crime novel, Lovitt is once again looking to be a strong contender for the Neds. Black Teeth has an intriguing cold open. Rudy Alamein is trying to purchase life insurance. He is intending to kill someone and does not expect to survive the experience. When he dies he wants the insurance money to go to his only friend. The insurance agent takes this all in and promises to help as he knew Rudy’s father in prison. Only nothing about this conversation is quite what it seems. Cut to narrator Jason Ginaff, a loner who spends his life online and is hired by big firms to do checks on the social media history of potential employees. Jason has anxiety issues and a range of aliases to protect himself from perceived threats. He is also trying to track down his biological father, a retired policeman who was involved…

Sunset City opens like a classic noir thriller with a gender twist. A dark, rainy night in Houston, a world weary first person narration, a mysterious stranger at the door, a murder. The narrator is Charlotte Ford and her attractive visitor is Detective Ash, who has come to tell her that her old friend Danielle has been found beaten to death in a hotel. If Sunset City was the noir thriller that the opening seems to suggest then Charlotte would go out to investigate, trawling the mean streets of Houston in a quest to find her friend’s killer. But this is not that book. Charlotte goes into a spin on learning of the death her friend. She had seen her for the first time in two years only a few days before and Charlotte wonders what she could have done to prevent the killing. At the funeral and later the wake, Charlotte falls in with Danielle’s new friends, workers and producers in the internet porn industry. No stranger to drugs and alcohol, and seeking to reconnect with Danielle, Charlotte spirals down into a world of constant highs, casual sex and not a little bit of violence. Somewhere at its heart…

The Dry, the debut novel by journalist Jane Harper won the 2015 Victorian Premier’s Award for best unpublished manuscript. But it is a wonder that it had to go this route to get published. The opening of The Dry is a sadly familiar story. In a small town in drought affected country Victoria a struggling farmer, Luke Halpern, kills his wife and ten year old son and then turns the gun on himself. Only his baby daughter survives. Aaron Falk, driven out of town as a teenager and now a federal policeman specialising in fraud, returns for the funeral and is asked by Luke’s parents to look into the deaths. It soon appears that that all is not what it seems. But Aaron, still held under the suspicion by the town for the death of his friend Ellie Deacon twenty years before, does not want to stay. The Dry does what all good crime novels do – it uses Aaron’s investigation of both the current and historical crimes to shine a light on the town, its inhabitants and their often unforgiving environment. In doing so, Harper is able to explore broader social themes and issues affecting rural Australia. There are…

Even the name of this novel gives the hint that this is a mash up of two genres. Modern day police procedural meets Victorian-style ghost story on the streets of (where else?) London. Ghost stories and crime novels seem like a natural fit. And Benedict brings them together reasonably effectively in her second novel. Although, as the title suggests, she is not really sure whether this is a crime novel (about detective Jonathan Dark) or a ghost story (about ghostwhisperer Jonathan Dark). Jonathan Dark is a police detective, on the trail of a stalker who killed his last victim and has moved on to a new target. That target is Maria King, blind since birth but recently given her sight back through surgery. Maria is a mudlark, spending time on the banks of the Thames digging for pieces of old London. She still walks the streets of London with a blindfold, unable to bear the thought of using her newly regained vision. At the same time Finnegan Finch has died after taking part in a deadly game while trying to escape the clutches of a shadowy organisation. Finnegan returns to London as a ghost, helped by his old mate and…

Eddie Flynn, Steve Cavanagh’s conman turned lawyer, burst onto the legal thriller scene in the stunning 2015 debut The Defence (reviewed here). That book was a Hustle meets Die Hard meets The Practice thrill ride involving the Russian Mafia, an unwinnable court case and, literally, a ticking bomb. Flynn returns in a sequel which is, if anything, more convoluted, more suspenseful and, importantly, just as much fun. The setup for The Plea is anything but simple. Suffice to say it involves, in no particular order: the CIA, the FBI, a crooked money-laundering law firm, blackmail, drug cartels, an internet billionaire, a publicity seeking District Attorney and, if that was not quite enough, another seemingly unwinnable court case involving a classic locked room murder mystery. As with The Defence, the clock is ticking and Flynn has skin in the game, in this case the potential of his wife going to jail if he fails. The Plea opens with a teaser involving guns and bodies and then flashes back to forty eight hours before to chart how Flynn got there. Various chapter headings then remind the reader how close they are getting to that opening shooting. Eddie Flynn is, as previously, the best…

The first thing to understand about Hideo Yokoyama’s epic police procedural Six Four is that it is not a crime novel in the traditional sense. There are plenty of crimes, including a fourteen year old kidnapping case, a hit and run and some corruption, and the plot centres squarely on the police force. But the crimes themselves are merely the catalyst for the action and little of this action is directly connected to solving these crimes. Most of the procedural action that readers might expect from a traditional crime novel either happens off the page or not at all. And even when the action ramps up, most of the tension comes from internal police department politics and the external pressures of the press. Six Four is the code name for a child kidnapping case from fourteen years before. The ransom was paid, the perpetrator escaped but the child died. Many years later, this famous case is still in the public consciousness and is still being pursued by the local detectives. The shadow of Six Four hangs heavily over all of the action of this novel, still impacting on many of the lives of those who participated in the investigation. The narrative…

Anne Buist’s Natalie King novel Dangerous to Know could be described as a true psychological thriller. But only because the two main characters are psychiatrists. Most of the plot is taken up with the psycho-personal tousle between bipolar-recovering-depressive forensic psychiatrist King and potentially-homicidal-manipulator academic psychiatrist Frank Moreton. And while it takes a fair while for this joust to develop any heat it does build to a satisfying and twisty resolution. Natalie King, still recovering from the events of Medea’s Curse, has taken herself away from the pressures of Melbourne and her full time practice. Moving to a house in Lorne, on the Victorian coast, she seeks a research position at the local university working for Frank Moreton. Frank is married to a very pregnant Alison, an old adversary of King’s from their university days. And when Alison dies in much the same circumstances as Frank’s first wife Reeva, Natalie feels duty bound to investigate. As with Medea’s Curse, the character of Natalie King is the strongest element of this novel. Fiercely intelligent but struggling to deal with her psychological disorders, trying and failing to downplay the motorcycle riding, rockband singing wild girl as a way of managing her condition. Her…