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The Last Days of New Paris by China Mieville
Fantasy , Literature , Review / 30/11/2016

Thinking about it afterwards it was kind of obvious that pairing new weird novelist China Miéville and with surrealist movement was perhaps inevitable. The Last Days of New Paris not only celebrates Surrealism but brings it to life in a way that only the imagination and verve of Miéville could possibly achieve. New Weird and Surrealism, a match made in heaven, which, of course, as this book posits, also implies the existence of Hell. It is 1950 and, as a result of the detonation of an occult weapon in 1941, the war still rages in Paris. The bomb – “the weaponised soul of convulsive beauty” – made real the Surrealist dreams of Europe on the streets of occupied Paris. The landscape of Paris has been remodelled in line with a Surrealist thought experiment and manifestations of Surrealist art (known as ‘manifs’) wander the streets. To stop this strangeness spreading, Paris has been walled off from the rest of the world and so the Second World War rages on between the Germans and the French on its streets. The story centres on Thibault, a member of the surrealist resistance, who is caught up in stopping a German plot to harness the…

This Census-Taker by China Mieville
Fantasy , Literature , Review / 21/06/2016

Last year, China Miéville released Three Moments of an Explosion (reviewed here), a book of short stories that once again confirmed him as one of the pre-eminent voices in world fantasy. While readers are waiting for the next full length Miéville novel, expected around August this year, he has released a story described as a “novella”. At just over 200 pages long, This Census-Taker was probably a little too long for the recent anthology, but possibly not long enough to be called a novel. This Census-Taker opens with typical Miévillian flourish: a young boy is running down a hill – away from what? towards what? is that blood on his hands or dirt? how old is he (even he isn’t sure)? The first paragraph is part third person, part first person, the facts are in question – but it is immediately engaging. The story only becomes both stranger and more obscure from there. The boy lives on a mountainside above an unnamed town that exists on two sides of a bridge in the mountains. There has been a war of some sort, there is a distant city on the coast but few go there and fewer return. The boy’s father,…