Pile by the Bed reviews Two Sisters Detective Agency, the latest collaboration between James Paterson and Candice Fox and likely start to a new series.

Award winning Australian crime author Candice Fox focuses on four damaged women in her latest crime thriller Gathering Dark.

Pile by the Bed reviews Gone by Midnight by Candice Fox, Conkaffey and Pharrell #3

Pile By the Bed’s Top 5 crime fiction books for 2018 with 5 honourable mentions

In Crimson Lake, award winning Australian crime novelist Candice Fox brought two damaged but effective investigators together in steamy far North Queensland. Ted Conkaffey, an ex-policeman accused of a terrible crime and still living with the consequences and Amanda Pharrell, out of jail after having been convicted and sentenced for murder at seventeen. If Crimson Lake needed to prove anything (and it didn’t) it was that Fox had range outside of her double Ned Kelly Award winning debut series Hades, Eden and Fall. Crimson Lake was also, deservedly, shortlisted for the Ned Kelly’s Best Crime Fiction award in 2017 and Redemption Point follows on where that book’s slightly clifferhangerish ending left off.  Ted and Amanda are hired by a father who’s son was shot in one of the local pubs and does not trust the police to investigate effectively. But Conkaffey’s past will not leave him alone, and before he can get too far into the investigation Dale Bingley, the father of the girl he allegedly assaulted, appears at his house. The two end up in an uneasy détente, Conkaffee trying to prove to Bingley that he did not commit the crimes for which he was accused. This leaves Pharrell working more with newly promoted detective Pip Sweeney. Sweeney had a walk-on role in Crimson Lake but now joins the narrative as a point of view character and, as with all of Fox’s main characters, has her own skeletons and issues that she needs…

In 2017, most of the top crime was Australian. Adrian McKinty took out the Ned Kelly Award for the sixth novel in his Sean Duffy series – Police at the Station and they Don’t Look Friendly.               Candice Fox was shortlisted for the same award for Crimson Lake – the first book in her new series set in steamy far north Queensland.               Michael Robotham’s The Secrets She Keeps was a stand-alone page turning thriller with two intriguing women at its centre.               Mark Brandi’s debut novel Wimmera, a story of the impacts of child sexual abuse, not only on the victim but on all those around them, was a revelation.               And Attica Locke went to rural Texas and revealed the deep seated vein of institutionalised racism in the United states in Bluebird Bluebird               Honourable mentions: Under the Cold Bright Lights by Garry Disher Too Easy by JM Green Places in the Darkness by Chris Brookmyer Corpselight by Angela Slatter  

Candice Fox announced herself as an Australian crime writer to watch with her Ned Kelly Award winning debut Hades, followed up a year later by its award winning sequel Eden. The Archer and Bennett series took a couple of fairly recent crime fiction tropes (including the serial killer cop) but Fox made them completely her own. After a shortlisted third in the series and a humdrum collaboration with one-man crime fiction factory James Paterson, Fox launches what is potentially a new series with Crimson Lake. And is, in a few words, absolutely back on form. Crimson Lake is a small tropical town outside of Cairns. It is where Ted Conkaffey has gone to ground after his life fell apart. Conkaffey was a policeman, charged with the brutal assault on a teenage girl but never convicted. He continues to protest his innocence but is scarred by his experience on the other side of the justice system and, not cleared of the crime, is still suspected of being a paedophile. His lawyer hooks him up with local detective Amanda Pharrell. Amanda is in some ways more damaged than Ted, having spent ten years in prison for stabbing a fellow teenager to death….

James Patterson best known to adults as the author of the Alex Cross series and to young adults as the author of the Maximum Ride series. But much like Tom Clancy, Patterson has become more than just an author, he is an industry. The back of Never Never lists over eighty novels for which he is co-author. Candice Fox, on the other hand, has written three crime novels in the Archer and Bennett series. But they are three of the best Australian crime novels of recent years, the first two of which took out Ned Kelly Awards for best first novel (Hades – reviewed here) and best novel (Eden – reviewed here) back to back. So what happens when the two get together to write a crime thriller? Well, the answer is the Australian-set Never Never. Never Never opens with a point-of-view character known as the Soldier, killing someone out in the desert at night as part of some sort of sadistic military-style game. Switch to Sydney and Detective Harriet “Harry” Blue is being shunted off to Western Australia to avoid the fallout of her brother being picked up as a suspected serial killer. The next minute Harry is working…

  Eden Archer, Australia’s answer to Dexter Morgan, and her damaged partner Frank Bennett are back at work in Fall, investigating a series of murders of women joggers. Underlying this investigation is another one by Frank’s lover (and former psychologist) Imogen, who solves cold cases in her spare time and is closing in on Eden’s true identity. There is plenty else going on in Fall, with Eden’s ex-crimelord father Hades having a cameo and a potential new recurring character added to the mix. In some ways, Fall feels like the novel that Fox might have written as the follow up to her debut Hades. It features another serial killer, and in some respects follows the pattern of other procedurals of its type. But the continuing impact of events in her follow-up, Eden, the investigation into Eden’s past and Fox’s style lift Fall out of the usual serial killer chase genre. With every novel, Fox is more in control of her craft. While her mix of first and third person narration in Hades sometimes felt forced, by this third outing the constant shifts of point of view happen effortlessly and serve to ratchet up the narrative tension. Particularly amusing and effective…