Restoration is the third in what Angela Slatter describes as “the first Verity Fassbinder trilogy”. For fans of this series this means that, firstly, some hanging plot elements are likely to be resolved. But secondly, that there are likely to be more Verity Fassbinder books after this one. And that can only be a good thing. This noir-infused, wryly observational urban fantasy series about an investigator/enforcer for the Weyrd community of Brisbane has been a bright spot on the fantasy scene for the last few years. Restoration opens with Verity at a low point. At the end of Corpselight she made a deal with the self-styled ‘Guardian of the Underworld’ for the return of her mother. She had to give up her family and her position and work with Joyce, a kitsune (were-fox) assassin who has an axe to grind, to find a “grail and a tyrant”. But Joyce is only one of a long line of people who are seeking revenge on Verity. At the same time, the police still call on Verity to help them solve a string of strange deaths and there is a coup in the offing in the Weyrd society of Brisbane. While it takes…

Very different fantasy novels make up the top five (plus three honourable mentions) for 2017: Andrew Caldecott’s Rotherweird was fantasy that was also a little bit Dickens and a little bit Monty Python and centred around a forgotten town with a strange past and stranger residents in the middle of England.             Australian fantasy author Angela Slatter delivered the second installment of her engaging noir-crime meets urban fantasy series starring half-weyrd detective Verity Fassbinder on the mean streets of Brisbane in Corpselight.             Natasha Pulley continued to impress with her second novel – a historical and mystical journey into deepest darkest Peru in The Bedlam Stacks.               Joe Hill’s novella collection Strange Weather was part horror, part fantasy, part science fiction and all class.               And Margo Lanagan’s best-of short story collection Singing My Sister Down reaffirmed why she is one of Australia (and the World’s) best fantasy writers.               Honourable mentions: It Devours by Fink and Cranor – a novel set in the world of Night Vale Red Sister by Mark Lawrence…

In 2017, most of the top crime was Australian. Adrian McKinty took out the Ned Kelly Award for the sixth novel in his Sean Duffy series – Police at the Station and they Don’t Look Friendly.               Candice Fox was shortlisted for the same award for Crimson Lake – the first book in her new series set in steamy far north Queensland.               Michael Robotham’s The Secrets She Keeps was a stand-alone page turning thriller with two intriguing women at its centre.               Mark Brandi’s debut novel Wimmera, a story of the impacts of child sexual abuse, not only on the victim but on all those around them, was a revelation.               And Attica Locke went to rural Texas and revealed the deep seated vein of institutionalised racism in the United states in Bluebird Bluebird               Honourable mentions: Under the Cold Bright Lights by Garry Disher Too Easy by JM Green Places in the Darkness by Chris Brookmyer Corpselight by Angela Slatter  

Angela Slatter’s debut novel Vigil was a great mix of noir detective and urban fantasy genres. Her main character Verity Fassbinder had one foot in each of the Weyrd and Normal communities of Brisbane and so was used as an investigator and enforcer for the Weyrd community. That book ranged over a number of interconnected mysteries, some of which connected directly to Verity herself, putting her in the firing line. The follow up, Corpselight, takes a similar approach, although everything is a little more connected here, and is just a successful. When Corpselight opens, Verity is eight months pregnant, and the pregnancy has robbed her of her usual powers of super strength. Despite this, Verity is getting on with the job, investigating strange occurrences on behalf of an insurance company that pays out for “unusual happenstance”. At the same time she is also investigating a series of strange dry land drownings for the police and being harassed by fox-girl assassins known as kitsune. When one of those attacks bring on her labour and she is saved by a mysterious stranger, the plot comes even closer to home. Verity Fassbinder continues to be a great character. And in Corpselight Slatter really…

Angela Slatter, who has won a number of international awards for her short fiction, goes to Brisbane, or Brisneyland as she prefers to style it, for her first full length novel. Vigil is an urban fantasy which sees the streets of Australia’s third largest city shared between the Normals and the supernatural Weyrd. As is often the case, only a select few Normals are aware of this sharing arrangement. The Weyrd community keeps very much to itself and has put limits on the excesses of its members, which previously included preying on the Normal population. Enter Verity Fassbinder, half-human, half Weyrd able to walk in both worlds, with super-strength from her Weyrd side. Verity works as a freelance investigator, partly in penance for the sins of her Weyrd father Grigor, a kinderfresser, who killed normal children for the highborn Weyrd. Verity is tasked by the Weyrd Council to investigate when children once again start going missing. Soon her troubles mount, with dying sirens (the avian kind), a monster roaming the streets, rampant angels and the search for the missing son of a millionaire. While in genre terms this is strictly fantasy, Vigil plays out strongly along crime fiction lines with…