Right from the prologue, Amy Engel’s first novel for adults announces itself as, well, a novel for adults. A young girl has a dream about the place in Kansas that her mother came from. Was it a nightmare? Her mother asks. No, she replies. Then it isn’t right, her mother says. And as the story of Lane, her mother and her mother’s extended family unfolds, as a reader, you can not help feeling that her mother knew what she was talking about. Lane is fifteen when her mother commits suicide and she is taken to live with her grandparents and cousin Allegra on the family estate called Roanoke in rural Kansas. For reasons that become abundantly clear fairly early on, Lane ended up running away but is drawn back, eleven years later when Allegra disappears. The story alternates between that long ago summer and the present, building to some explosive revelations along the way. Lane is one of the latest in a line of Roanoke girls, including her mother, aunt and great aunt  who either died or ran away from the place. So that Allegra’s disappearance should not come as a great surprise. That Lane and Allegra are both damaged…

Lovers of books about giant, human driven robots rejoice! Sylvain Neuvel has delivered a worthy and engaging sequel to his giant robot building debut Sleeping Giants. Waking Gods takes up the story ten years after the end of the first book – the giant robot Themis has become a promotional tool for the Earth Defence Corp and while individual countries would love to get their hands on it for themselves has stayed under the control of the UN. Mystery still surrounds the (SPOILER!) reappearance of scientist Rose Franklin, who is trying to deal with the fact that another version of herself was the one who got the project off the ground. Neuvel immediately shakes up the status quo with the appearance of another giant robot in the centre of London. This sets the second book up to be very different to the first. These new robots are as powerful as Themis and have a seemingly deadly intent. With Themis outnumbered and outgunned, Waking Gods becomes a race against time as the world tries to discover what these invaders want or destroy them before humanity is wiped out. Waking Gods is told in the same style as the first book –…

It is a common trope in crime fiction that the protagonist detective often finds themselves in some sort of mortal peril. So much so that it starts to feel like a bit of cliché.  But for Sean Duffy, a Catholic policeman in a mainly Protestant police force in Northern Ireland in the 1980s, mortal peril is just a fact of life. From the first book in this award winning crime series Sean has been checking under his car for mercury tilt switches every time he leaves his house. So it comes as no surprise to long term fans that book 6, sporting the mouthful name Police at the Station and They Don’t Look Friendly, opens with Sean being marched to his execution through a remnant patch of Irish forest. But, being Sean, as he puffs his way asthmatically through a bog he still manages to keep his mordant sense of humour: “A bullet in the head will fix an incipient asthma attack every time.” Flashback to Sean visiting his parents with his girlfriend and new baby Emma and being relieved to be called back to Carickfergus to investigate the murder of a small time drug dealer. From the start his…

Stewart O’Nan explores the world of terrorists and terrorism in a historical context in City of Secrets. Set in Jerusalem in 1946, O’Nan focuses on the exploits of Jewish resistance fighters, working to end the British Mandate of Palestine. The central player in City of Secrets is Brand, a Lithuanian survivor who lost his wife, parents and sister in the Holocaust. Brand only survived himself due to his mechanical skills and a survival instinct that saw his fellow prisoners die while he stood by, a failure that still haunts him. Washing up in post-war Palestine he joins the Haganah, a group of Jewish resistance fighters and takes on a false identity as Jossi, a taxi driver in Jerusalem. The Haganah was a more moderate resistance force and had joined with the British during World War Two, while the more extreme groups Irgun and Stern Gang continued their bombing campaign. Now, with the war over and the British turing away Jewish refugees, Brand and his fellow activists are drawn into the Irgun. As the violence of their campaign escalates so do the risks of getting caught. At the same time Brand is in a desperate relationship with Eva, a fellow survivor…

The Long Way to A Small Angry Planet, Becky Chamber’s eye-opening debut, brought a bit of humanism into science fiction. Like recent film Arrival, and much of Star Trek, Chambers was interested in using science fiction to explore elements of the human condition through science fiction. You would expect that the sequel would build on Chambers’ rich universe and diverse cast. But Chambers, bravely and successfully, takes a different approach. Focusing on two of peripheral characters from the original book and based mainly in a familiar locale. At the end of Planet, rebooted Artificial Intelligence Lovelace had been illegally installed into a human body-kit and spirited away by fix-it guru Pepper, leaving the crew of the Wayfarer to go on their way. Chambers tells the story of Lovelace, now Sidra, as she adjusts to being in human form and the history of Pepper, who started her life as a throwaway clone and was rescued and raised by a ship’s AI called Owl. Whereas Planet had some semblance of a plot and some secrets among the crewmates to drive the action, Orbit is almost pure character drama. While there is some tension in the fact that Sidra is effectively illegal and…

Candice Fox announced herself as an Australian crime writer to watch with her Ned Kelly Award winning debut Hades, followed up a year later by its award winning sequel Eden. The Archer and Bennett series took a couple of fairly recent crime fiction tropes (including the serial killer cop) but Fox made them completely her own. After a shortlisted third in the series and a humdrum collaboration with one-man crime fiction factory James Paterson, Fox launches what is potentially a new series with Crimson Lake. And is, in a few words, absolutely back on form. Crimson Lake is a small tropical town outside of Cairns. It is where Ted Conkaffey has gone to ground after his life fell apart. Conkaffey was a policeman, charged with the brutal assault on a teenage girl but never convicted. He continues to protest his innocence but is scarred by his experience on the other side of the justice system and, not cleared of the crime, is still suspected of being a paedophile. His lawyer hooks him up with local detective Amanda Pharrell. Amanda is in some ways more damaged than Ted, having spent ten years in prison for stabbing a fellow teenager to death….

Steph Swainston burst onto the modern fantasy scene back in 2004 with the first of the Fourlands novels The Year of Our War. While there were some familiar elements, Swainston, much like fellow English fantasy authors like China Mieville, created a new type of fantasy world that was undeniably modern. There were no orcs, no elves, no dwarves and no dragons. Instead, the main character was a drug addicted immortal with the ability to fly, wore t-shirts and jeans and helped to fight a centuries long war against an implacable, insectile enemy. Now, ten years after the last main narrative book and five years after a backstory prequel, Swainston explosively returns to the Fourlands. Following a funeral, the narrative drops straight into the most recent push on the insect-dominated Paperlands. Fifteen years have passed since the events of The Modern World, and after a fair gap, even those who have been following the series probably need a reminder of the key elements of this world, although it’s uniqueness makes these details easier to remember. Swainston and her main narrator Jant, also known as Comet the messenger, acknowledge that it has been a long time between drinks and drop in refreshers…

The elevator pitch for Gemina goes something like this: imagine a cross between Aliens, Die Hard, Star Trek: Deep Space Nine and Romeo and Juliet. Not surprising given this is the sequel to the Aurealis-award winning Illuminae (reviewed here), a book that managed to mash up elements from Battlestar Galactica, 2001, 28 Days Later and possibly something by Nicholas Sparks. Gemina, a geek’s delight, has all of these elements and plenty more (even Firefly gets a shoutout). It advances the corporate conspiracy plot of Illuminae while focussing once again a few incredibly resourceful teens. At the end of Illuminae (spoiler alert) the survivors on the Hypatia are heading towards a wormhole that will jump them to a space station called Heimdall. Gemina opens on Heimdall on the eve on an invasion organised by the Beitech Corporation trying to clean up its mess by destroying the Hypatia. Hanna, the daughter of the station commander, Nik, a member of the House of Knives crime gang, and his cousin Ella end up being the only ones standing between the twenty-four armed to the teeth mercenaries and destruction of the Hypatia. Well, them an a bunch of hungry, slimy, four-headed aliens loose on the…

Eowyn Ivey, known for her first novel The Snow Child, takes readers back to a no less mystical Alaskan frontier in her follow-up novel To the Bright Edge of the World. The novel is centred around an expedition in the 1880s to the source of the wild and little known Wolverine River. But it is much more than that, it is a love story of sorts that also touches on the issues of changing nature of the landscape and the relationship that people have with it and the destruction of indigenous Alaskan cultures that followed the arrival of Europeans. The tale is told in a number of strands. The first is mainly through the diaries of Allen Forrester, a military man charged with leading a very small expedition (himself, two men and their guides) to navigate the Wolverine. The second is the diaries of his younger wife Sophie, left behind at a military camp in Canada, and having to deal with her own personal struggles. All of this is set in a meta-narrative of a correspondence between a latter day relative of Forrester’s and the curator of a museum in the modern Wolverine town of Alpine to whom he has sent…

There are many who credit Game of Thrones with the resurgence of the dragon in modern fantasy. But let’s face facts, dragons never really went away. A global fantasy staple from ancient times, (dragons are all over both Eastern and Western mythologies) they have also been the mainstay of some classic modern fantasy classics other than GoT including The Hobbit, Anne McCaffrey’s Pern series to name a couple. Despite this venerable history and plenty of pretenders, Anthony Ryan has managed to bring something new to the table with his swashbuckling, vaguely steampunk and hugely entertaining The Waking Fire. Ryan’s world is divided into the Blood-blessed and the non-Blessed. There are few Blessed but they are able to channel power in the blood of the dragons which live only on the remote continent of Arradsia. The blood of different dragons – blue, red, green and black – confers different temporary superhuman powers on the user. But captive breeding and over-hunting has seen the power of dragon blood diminishing. Meanwhile war is brewing between the Corvantine Empire and the rest of the capitalist-driven world ruled by individual corporations. Through these rising tensions Ryan focusses on three characters – Lizzane, spy for the…

Alastair Reynolds is probably best known for multi-book space operas including the Revelation Space series and more recently, Poseidon’s Children. While these books can sometimes be a little ponderous, Revenger is anything but – it has a plucky heroine, space battles, cliffhangers, double crosses, buried treasure and an implacable, violent and possibly mythic foe. Revenger is pre-steampunk far-future retro pirate-homage – from the space craft that fly under sail to the antiquarian speech (people are “coves”, eyes are “lamps”) to the clothes. And while the concept of space pirates is not a new one, the setting is the type of deep, fascinating and ancient-feeling piece of universe building that sets Reynolds’ novels apart. In this universe, the human (aka “monkey”) civilization is spread across a myriad of artificial habitats, in a single solar system that has survived numerous rises and falls. This includes previous and continuing interactions with aliens given common names like Ghosties, Crawlers and Clackers. Sisters Adrana and Arafura Ness, seeking to rebuild the family fortune, sign on with Captain Rackamore (shades of Calico Jack Rackham, a real pirate famous, among other things, for inventing the Jolly Roger) who with his crew, hunts for ancient treasures. But when…

After spending time in the Amazon in the magnificent State of Wonder, Ann Patchett comes home in her latest novel, Commonwealth. The book at first feels like an example of the old Tolstoyan cliché that all unhappy families are unhappy in their own way. Not that the families in Commonwealth are unhappy, per se, but they are complex. And while at first blush their members seem to fall into identifiable types, nothing is that simple. Commonwealth opens at a christening in 1964. Policeman Fix Keating is celebrating the birth of his second daughter Frannie, little knowing that this party will bring with it a seismic upheaval not only to his life but the lives of two families. Attending almost by accident while trying to escape his own wife and children, Bert Cousins catches sight of Fix’s wife Beverly and the rest is history. In a sometimes circular fashion, Patchett traces the lives of the six Cousins and Keating children who ended up spending summers together in Virginia as they grew up until a tragedy throws them all apart. Patchett’s strength in this book is charting the growth of these characters. All of their life choices and decisions are informed by character and circumstance…

The first book in the Harry Belltree series Crucifixion Creek (reviewed here) signalled a change of pace and setting for Australian crime writer Barry Maitland. He forsook his long running very British Brock and Kolla procedurals for the faster paced, more morally ambiguous Belltree. At the same time replacing the more staid and cool streets of the UK with the brashness and bright sunshine of Sydney. It was a brave move and it paid off. Crucifixion Creek was a great piece of Australian crime fiction, involving shonky developers and bikie gangs in Western Sydney it garnered a nomination for the Ned Kelly Award for Best Crime Fiction in 2015. But there was always a deeper story at play connected to the death of Belltree’s famous father, a member of the stolen generation and the first Aboriginal judge of the New South Wales Supreme Court. The second book of the series, Ash Island (reviewed here), also made the Neds short list in 2016. Ash Island broadened out the conspiracies only glimpsed in the first book and provided more clues to the mysteries surrounding the death of the Belltrees senior. But the story suffered a little from middle book syndrome, raising more…

A crime novel set in Atlanta in 1948, Darktown uses the genre to shine a light on a point in time in American history and, in doing so, on present day America. Thomas Mullen uses as his jumping off point the true story of the appointment of the first eight black policemen in Atlanta. They do not have an office, instead they are forced to operate out of the basement of a local YMCA. They were not given cars and had to call in white detectives when a matter needed investigation. Distrusted almost as much by the locals in their own, segregated neighbourhoods as by their fellow police officers, they were nevertheless part of the vanguard of a nascent civil rights movement. Lucius Boggs, son of the local preacher and recently returned from the Second World War, is one of the first eight black policemen in Atlanta. He and his fellow recruits are keen to clean up their part of town, rife with bootleggers, gambling and prostitution. To add to their problems, many of those enterprises are either sponsored or actively managed by their white police colleagues who make money from turning a blind eye and who are not keen to see any change to the…

Hot on the heels of Colson Whitehead’s magical realist version on slavery in the antebellum south The Underground Railroad (reviewed here) comes Ben Winter’s alternate history exploring similar issues. Ben Winter’s version of the present is one in which Abe Lincoln was assassinated before the civil war and in the aftermath of that event a compromise was reached in which the Southern states were allowed to maintain slavery. Modern day America still has four slave states (the Hard Four) and has spent the twentieth century as an economic pariah, suffering trade embargoes from Europe but finding alternative markets for its goods in Africa and Asia. The Underground Airlines of the title describes the system in place to help escaped slaves, known in the vernacular as People Under Bond or Peebs, reach the safety of Canada. They are unable to stay even in the free states of the US because of laws which allow Federal Marshalls to recapture and return them. The book opens on Victor, a former slave who managed to escape to the North only to be blackmailed and trained into working for the Marshalls to track down other escaped slaves. But all is not what it seems with…

With Black Lives Matter in the news in the US it is perhaps no surprise that fiction and non-fiction explorations of slavery are once again coming to the fore. Fiction which focuses on slavery, while important to an understanding of historical context, also casts a light on current events. Recent films like 12 Years a Slave, the remaking of Roots on TV and now, among a number of new books which take slavery as their focus, comes Colson Whitehead’s The Underground Railroad. The Underground Railroad begins with the origins of the slave trade. The story of Cora’s grandmother who was transported to America and passed through a number of hands before arriving at a cotton plantation in Georgia from which she never left.  But the focus of the novel is on Cora, forced to find her own way after her mother escaped from the plantation, when she was eleven, leaving her behind. Cora, encouraged by a fellow slave, also decides to flee despite the severe and violent consequences of failure. When she does, Cora discovers the underground railroad used to transport escaped slaves North. In Whitehead’s world this is no metaphorical device but an actual railroad dug into the earth by unknown hands, run by white station agents committed…

Noah Hawley has written a number of novels but is probably best known as the writer of the television reimagining of Fargo. While Fargo lives in the American mid-west, in Before the Fall, Hawley is mainly concentrated on the East Coast, the lives of the mega-wealthy and the people with whom they come into contact. But Before the Fall is many things – a mystery and a thriller, a meditation on fate and a critique of modern media. Before the Fall opens with a plane crash. David Bateman, head of a FOX-like 24-hour news and opinion network is flying his family home from a holiday in Martha’s Vineyard on a private jet. Also on board are his personal security guard, another wealthy couple and a struggling artist, Scott Burroughs, who has been offered a lift to New York by David’s wife Maggie. Eighteen minutes later and only Scott and the Bateman’s four year old son JJ are alive, adrift in the Atlantic Ocean. The thriller element comes as Hawley explores the aftermath of the crash. Scott, who manages to rescue both himself and JJ, is caught up in a media and legal storm as people search for answers. And when those…

There have been plenty of thrillers in recent years that use the conflicts in the Middle East as a setting and jumping off point. And for thriller authors there is plenty of material to draw on: a volatile situation, plenty of excuse for violence and action and often a grey moral zone in which characters operate. The Girl in Green at first blush, seems like one of these. But while it cloaks itself in the trappings of a thriller, author Derek B. Miller has serious concerns. The Girl in Green opens in Iraq at the end of the first Gulf War, also known as Operation Desert Storm. An American company is set up at Checkpoint Zulu, on the outskirts of an Iraqi town and close to the Kuwaiti border. When Saddam’s death squads arrive to slaughter the inhabitants of the nearby town in order to quell a nascent uprising, the troops are ordered not to interfere. This approach, and its consequences, will haunt two men, one a young soldier, Arwood Hobbes, and the other an English journalist, Thomas Benton, so that over twenty years later they are still trying to make amends. The bulk of the novel is set in…

The Dry, the debut novel by journalist Jane Harper won the 2015 Victorian Premier’s Award for best unpublished manuscript. But it is a wonder that it had to go this route to get published. The opening of The Dry is a sadly familiar story. In a small town in drought affected country Victoria a struggling farmer, Luke Halpern, kills his wife and ten year old son and then turns the gun on himself. Only his baby daughter survives. Aaron Falk, driven out of town as a teenager and now a federal policeman specialising in fraud, returns for the funeral and is asked by Luke’s parents to look into the deaths. It soon appears that that all is not what it seems. But Aaron, still held under the suspicion by the town for the death of his friend Ellie Deacon twenty years before, does not want to stay. The Dry does what all good crime novels do – it uses Aaron’s investigation of both the current and historical crimes to shine a light on the town, its inhabitants and their often unforgiving environment. In doing so, Harper is able to explore broader social themes and issues affecting rural Australia. There are…

At one point in The Last Painting of Sara de Vos it is the late 1950s and a young Australian art student is in conversation with a middle age New Yorker. She is trying to explain to him why an Australian audience would be more likely to identify a good piece of classical music as European rather than Australian. “What does that say about Australians?” He asks, and she replies: “That we don’t trust our own talents. That anything foreign or exotic is automatically better or more refined.” Australian cultural cringe in a nutshell. An observation which has little to do with the plot or major concerns of the novel but just one of the many themes of this accomplished and engaging novel. The events of 1958 are the fulcrum of the novel. Ellie Shipley, a young Australian art restorer and academic is talked into creating a forgery of a painting by a female 17th century Dutch artist. When he discovers the theft of his family heirloom, the painting’s owner Marty de Groot takes on a false identity to track her down. Forty two years later, and Ellie is an art expert in Sydney, assisting with the curation of an…