Pile by the Bed reviews The Ice House by Tim Clare, follow up to his 2015 fantasy debut The Honours.
Pile by the Bed reviews The Porpoise by Mark Haddon and finds it a vital retelling of classic Greek stories.
Pile by the Bed reviews a new post-apocalyptic journey across an empty Britain in A Boy and His Dog at the End of the World by CA Fletcher
Pile by the Bed reviews No Way, the Mars-based survival sequel to SJ Morden’s One Way.
Pile by the Bed reviews The Rosewater Insurrection by Tade Thompson (Wormwood #2).
Pile by the Bed reviews Luna: Moon Rising by Ian McDonald (Luna #3). A lunar thrill ride of action, political manoeuvring and violence.
Pile by the Bed reviews Ben Smith’s debut novel Doggerland, a dystopian novel with echoes of Beckett and Cormac McCarthy.
Pile by the Bed reviews Slow Motion Ghosts, a new historical procedural crime novel, by Jeff Noon
Pile by the Bed reviews Gallowstree Lane an English crime fiction procedural by Kate London (Collins and Griffiths #3)
Pile by the Bed reviews String City by Graham Edwards
Pile by the Bed reviews the new British dystopian novel, The Wall by John Lanchester.
Pile by the Bed reviews The Flower Girls by Alice Clark-Platts
Pile by the Bed reviews The Silent Patient, the debut psychological thriller from Alex Michalides
Pile by the Bed reviews Shadow Captain the second book in Alastair Reynolds’ space pirate Revenger series
Pile by the Bed reviews Someone Like Me by M R Carey
Pile by the Bed reviews Lies Sleeping by Ben Aaronovitch, Book 7 of the Rivers of London Series
Angela Chadwick’s debut novel XX starts with a day-after-tomorrow (or possibly even day-after-today) premise: a group of scientists in the UK has found a way to create viable embryos from two female donors. Following successful animal trials, ovum-to-ovum (or ‘o-o’) fertilisation is now going to be offered to humans in a limited trial. Because of the way this technique works, the children of any such process will always have two X genes (one from each parent) and hence can only be female. This sets the scene for a book that is both speculative but also intensely topical, exploring gender, politics, science and the media through what becomes an intensely personal journey. Juliet, the narrator and protagonist, is in a long-term relationship with Rosie. After many years of talking about it she has tamped down her doubts and agreed that they should have a baby. Before they can decide on a sperm donor, the o-o trial is announced and the pair apply, excited to be part of this breakthrough and assuming that the achievement will be celebrated: We’re here to make babies without men. This is Dolly the sheep territory – a whole new frontier – and Rosie and I are…
Pat Barker came to prominence in the 1990s with her trilogy of novels set in the First World War (Regeneration, The Eye in the Door, The Ghost Road), the third of which took out the Booker Prize. In The Silence of the Girls she goes much further back in time, to the Trojan Wars. This story, told in The Iliad, has been reinterpreted and retold many times. Barker takes a new tack, telling the story not from the perspective of the soldiers but the women who were their chattels and their prizes and their slaves. The Iliad opens with an argument between Achilles and Agamemnon over a woman. That woman is Briseis, a prize of war claimed by Achilles earlier in the campaign. Barker opens her book earlier in time, with Briseis watching as Achilles and his troops sack her city and kill her family. She and the other women are taken back to the Greek camp and distributed as prizes. Briseis, the biggest prize, is ‘awarded’ to Achilles. Through Briseis’s story, Barker explores how women are used, abused, marginalised, ignored and blamed. Early in the book, Briseis is brought as a child bride to King Mynes and ends up…
Paraic O’Donnell’s debut novel The Maker of Swans was one of the standout fantasy novels of 2016. In a genre that often deals in warmed over tropes, The Maker of Swans was a work of beguiling originality. So the question was, how would O’Donnell follow this debut up. Much like another debutant of the previous year, Natasha Pulley, he does so with an emphatic change in direction which maintains the features that made his debut so enjoyable. The Maker of Swans was set in a more contemporary time but always had the feel of a more Victorian novel. The House on Vesper Sands is Victorian so allows O’Donnell more licence to lean into period flourishes (also drawing further comparisons with Pulley’s works which are both set in this era). In the cold open a seamstress, suffering from some undisclosed medical condition, who is brought to the house of Lord Strythe late at night to complete a secret commission commits suicide. The story proper opens with young Gideon Bliss coming down from Cambridge to see his uncle and failing to find him runs into a young woman from his past. At the same time, society reporter Octavia Hillingdon has happened on…
You could imagine the elevator pitch for Patrick Ness’s new novel And the Ocean Was Our Sky: “Think Moby Dick, but from the whale’s point of view”. But while Moby Dick is a touchstone, fantasy writer Ness, responsible for A Monster Calls, the Chaos Walking trilogy and the Doctor Who spinoff Class, takes this well known story into new territory. The book opens with “Call me Bathsheba” a riff on that famous opening line. Bathsheba is a whale who has been told that she has a destiny as a hunter of men. In Bathsheba’s world, whales hunt humans as much as humans hunt whales in a war that seems to never have an end. The whales carry harpoons and drag boats behind them underwater as a way of storing and transporting human bodies which they use as resources. These whales have developed an underwater civilization and have a breathing technology that enables them to only venture to the ocean’s surface, known as the Abyss, infrequently. Bathsheba’s story centres around a hunt for the great white ship of legendary whale killer Toby Wick. After picking up the lone survivor of a massacre of humans which hints at the work of Wick,…