The Night Market by Jonathan Moore
Crime , Review , Science Fiction / 01/02/2018

The Night Market is the third in Jonathan Moore’s triptych of dark tales set in San Francisco. The first, The Poison Artist was psychological gothic horror. The second, The Dark Room, was a more down the line police procedural with decidedly creepy undertones. After the more straight forward narrative of The Dark Room it was interesting to consider where Moore would take this series. And he does not disappoint. The Night Market is something else again, a vaguely dystopian science fiction crime thriller, set in a recognisable day after tomorrow San Francisco. Once again there is a police investigation at the centre of the tale. But in this story, nothing is quite what it seems. Homicide investigator Ross Carver and his partner are called to a murder scene in a wealthy area of San Francisco. The dead body is like nothing they have ever seen but before they have a chance to investigate the FBI turns up and they are hustled from the building and roughly disinfected. Carver wakes up three days later with no memory of the events. His neighbour has been caring for him and despite little previous contact, offers to help him find out what happened during those missing hours. To say much more about the plot would spoil some of the twists. But as…

Future Home of the Living God by Louise Erdrich
Literature , Review , Science Fiction / 23/11/2017

Dystopia has a long history in literary fiction. A breakdown in social order, or a reshaping of society, is a useful lens through which we can examine our own society and actions. So it comes as no surprise that Native American author Louise Erdrich is another in a long line of literary writers who have taken on dystopia. The dystopian present creeps up slowly in Future Home of the Living God. The opening passage has narrator Cedar Hawk Springmaker – ‘the adopted child of Minneapolis liberals’ – heading to an Ojibwe reservation to meet her Native American birth-family. She does mention in this opening passage that ‘Our world is running backward. Or forward. Or maybe sideways, in a way as yet ungrasped.’ Cedar is four months pregnant but this is a secret that she has kept from her adopted family. Of all the sections of the novel, Erdrich treats those on the Ojibwe reservation with a refreshing naturalism. Cedar arrives to find very few of her preconceptions of her birth family met. While she seems to have a very Native American name, her birth name was Mary Potts. Her mother is welcoming but not apologetic about Cedar’s life and her…