Pile by the Bed reviews The Rip by Mark Brandi – “another assured, powerful piece of crime fiction”.

Pile by the Bed reviews The Scholar by Dervla McTiernan, Cormac Reilly #2 – “another great Irish procedural”.

Pile by the Bed reviews Hunter by Jack Heath, Timothy Blake #2 -“another compulsive page turner”

Pile by the Bed reviews Cedar Valley by Holly Throsby

Pile by the Bed reviews Gone by Midnight by Candice Fox, Conkaffey and Pharrell #3

Pile by the Bed reviews The Promised Land by Barry Maitland, Brock and Kolla #12

Pile by the Bed reviews Flight Risk by Michael McGuire

The final book of Corey J White’s Voidwitch trilogy (which started with Killing Gravity)  opens in the same vein as the previous two – with an action sequence as protagonist and voidwitch Mariam ‘Mars’ Wu pursues someone through the crowded hallways of a space station. She is trying to find a cure for Pale, the boy who had been turned into a living weapon and who she rescued at the end of the previous book – Void Black Shadow. Once again, before too long her enemies are at the door and she has to dip into her prodigious power set (this is a woman who managed to pull a moon out of the sky in a previous volume) to escape. Static Ruin follows many of the same plot beats as the earlier two books – Mariam searches for something, find bits of the puzzle, then the bad guys arrive and she has to flee, usually leaving behind a large amount of carnage. In this book her quest is to find her father and creator both as a last hope for curing Pale but also to understand her own origins. It allows White to briefly consider issues of family, loyalty and…

Garry Disher’s Wyatt, master thief with a code, returned spectacularly in the eponymous reboot in 2010 which went on to win the Ned Kelly Award for Best Fiction. Kill Shot is now the third book in what is essentially a second series of Wyatt books (the first series coming out in the late 80s and early 90s) and it starts to provide a glimpse as to why Disher might have given the character an initial sabbatical. Kill Shot opens in Sydney. Wyatt has moved to the harbour city to carry out a series of jobs scoped by an old criminal mate called Kramer. Kramer is in prison but while on day release he passes information about potential jobs to Wyatt. When the book opens, Wyatt is in the process of stealing Ned Kelly memorabilia from an old collector, a job that goes off without a hitch. Wyatt keeps a cut for Kramer which he doles out to Kramer’s family. Unfortunately for Wyatt, that family includes waster son Josh who brags about the cash to an Afghanistan vet mate of his. At the same time, a dogged policeman has put some facts together and is also closing in on Wyatt. So…

Australian author Jock Serong never does the same thing twice. He has gone from corruption in sport in The Rules of Backyard Cricket to a political thriller in On the Java Ridge and now to historical investigation in Preservation. But in each case he shines a light on some aspect of Australian life or, in some respects the Australian condition. In Preservation, besides being a cracking tale of survival, betrayal and psychopathy, Serong explores the earliest days of the colony of Sydney. Preservation is based on a true story. In 1797, a boat called the Sydney Cove running rum into the fledgling colony of Sydney (rum being a currency at that time) from India, runs aground on a tiny island just north of Tasmania. A group of seventeen, including four Englishmen and thirteen Lascars, leave the rest of the survivors behind on the island to go for help. They founder off the coast of Victoria, make land and then proceed to walk the fifteen hundred kilometres to Sydney. Only three survived the walk. Serong builds his tale around these three but also their interrogator, Grayling and his wife, who has been struck down by a debilitating illness. It emerges early…

People have been disappearing in the Australian fictional landscape for years. In Picnic at Hanging Rock, the disappearance and of a group of girls is seen through the eyes of those left behind, having to deal with the “menace” of the unknowable bush. Wintering starts with a similar premise. Jessica is a PhD student researching glowworms in the far south of Tasmania. She lives with Matthew, a local who, it emerges fairly quickly, completely dominates her life. But then Matthew disappears in mysterious circumstances, his car abandoned by the side of the road, impenetrable forest on either side and a strange video on his phone. With his disappearance, Jessica finds herself both trapped by grief and free at the same time. Krissy Kneen sets the creepy tone of this book early with Jessica’s discovery of a possum corpse impaled on a stalagmite in a tourist cave. After Matthew’s disappearance the creepiness ratchets up as Jessica finds herself isolated in her shack, unable to shake the feeling that she is being watched by something malevolent. Once she starts to establish a connection with the local townsfolk she also learns that she is the thirteenth “widow” whose husband or boyfriend has vanished…

The characters in Deborah Sheldon’s new horror novella Thylacines had clearly never read or seen  Jurassic Park. Scientist Rose Giuliani works in the Resurrection Lab at the usually sleepy Fraser University outside of Melbourne. Rose and her team have brought the extinct thylacine, or Tasmanian tiger, a marsupial carnivore extinct since the 1930s, back to life through DNA extraction and cloning. This work has actually been postulated in real life by Professor Mike Archer, formerly of the Australian National Museum. But, as readers (and viewers) of Jurassic Park already know, bringing extinct species back to life is an endeavour fraught with risk. Rose has managed to raise a successful litter of five thylacines. But even she admits that these are not ordinary thylacines. They are more than twice the size of the original animal and super-aggressive.  At the same time as a visit by representatives for the company that funds their research, a group of incompetent animal libbers break in and manage release the animals. The groups collide, the animals escape and it quickly turns out the super-thylacines really enjoy the taste of human blood. The rest is mayhem, cliffhangers and gore. There are more Jurassic Park echoes as the…

Jane Harper burst onto the crime scene with The Dry, a book set in a small Victorian rural community beset by drought. Her second book, Force of Nature returned with the character of Aaron Falk as investigator and while there are few easter egg connections to The Dry, her third book The Lost Man is a standalone mystery. In some ways it covers similar territory to The Dry – a rural community, an apparent or possible suicide and plenty of secrets – but shows a development in confidence and style. The book opens with the discovery of a body. Cameron Bright has been found, dead from dehydration, at the lonely single grave of a long forgotten stockman. It appears that he walked nine kilometres from his vehicle, became disoriented and never made it back. The place is outback Queensland, 1500 km west of Brisbane where pastoral properties are the size of, well, pick any smallish country in Europe. It is a large, empty landscape in which it is easy to go missing, cars are sporadic and people stay in touch by radio. And in summer the heat is relentless, unforgiving and potentially deadly. Cameron is the middle of three brothers…

In her first “literary fiction” novel, Australian author Tiffany Tsao angles for the most shocking and engaging opening line this year: When your sister murders three hundred people, you can’t help but wonder why – especially if you were one of the intended victims. Told from her comatose state after barely surviving the poisoning, Gwendolyn delves into the past to try and unravel why her sister Estella would commit such a heinous act. And so begins an exploration of the lives of the super wealthy Chinese in modern day Indonesia, a society in which the two were deeply embedded. Under Your Wings is a generational family saga told from the perspective of the extremely privileged third generation. While there may have been some hard work and grind for their grandparents, Gwendolyn and Estella and their peers live the high life while being expected to keep the family businesses going. So that when Gwendolyn wants to start her own business she is bankrolled by the family and when Estella is looking for work she is put in charge of one of the family subsidiaries. A marriage between Estella and Leonard is seen a dynastic union of two powerful families but for…

The Boy at the Keyhole screams gothic from its opening pages. A nine year old boy is being both nursed and chastised by the housekeeper in the kitchen of a rambling English house in Cornwall. The year is 1961 and Samuel Wade, whose father has died, is being cared for by the housekeeper Ruth while his mother is in America trying to rescue the family fortune. The house itself is full of secrets and is fertile ground for Samuel’s imagination to run wild particularly when his best friend Joseph suggests that perhaps his mother is not actually away but has been killed by Ruth. Australian author Stephen Giles has previously written books for children (the equally gothic Ivy Pocket series written under the pseudonym Caleb Krisp). The Boy at the Keyhole is his first book for adults but very much locates itself in a child’s point of view. While this is not a first person narrative, everything the reader knows or sees is from Samuel’s perspective. And this is important as it makes it possible to see how he misinterprets everything around him to fit within his point of view. Samuel’s is a point of view that is clearly influenced…

Restoration is the third in what Angela Slatter describes as “the first Verity Fassbinder trilogy”. For fans of this series this means that, firstly, some hanging plot elements are likely to be resolved. But secondly, that there are likely to be more Verity Fassbinder books after this one. And that can only be a good thing. This noir-infused, wryly observational urban fantasy series about an investigator/enforcer for the Weyrd community of Brisbane has been a bright spot on the fantasy scene for the last few years. Restoration opens with Verity at a low point. At the end of Corpselight she made a deal with the self-styled ‘Guardian of the Underworld’ for the return of her mother. She had to give up her family and her position and work with Joyce, a kitsune (were-fox) assassin who has an axe to grind, to find a “grail and a tyrant”. But Joyce is only one of a long line of people who are seeking revenge on Verity. At the same time, the police still call on Verity to help them solve a string of strange deaths and there is a coup in the offing in the Weyrd society of Brisbane. While it takes…

The rise of the popularity of true crime podcasts and tv shows has not gone unnoticed in the fictional world. The fact that journalists or entertainers are reviewing settled court decisions and, through their interpretation of the evidence, putting pressure on lawmakers to reconsider these cases is a situation ripe for drama. This year already we have had Charlie Donlea’s Don’t Believe It and now we have Benjamin Stevenson’s debut Greenlight. In both cases, a documentary maker exploring a cold case becomes a little too close to their subject. Greenlight opens with an intriguing cold open, cheekily headed “Cold Open” (in fact the chapter structure and names are taken from the fictional series, including a final, twisty “Mid-Credits Sequence”). A woman called Eliza has been held in a cellar of some kind for an indeterminate length of time when something strange starts to happen and walls of her cell appear to start bleeding. Cut to the present where producer Jack Quick is wrapping up the last episode of his TV series which casts doubt on the conviction of Curtis Wade, accused of murdering Eliza whose body was found on his vineyard. When Curtis is released and his defence laywer dies…

Rural seems to be the new black in Australian crime fiction. Far from the gritty Melbourne backstreets or white collar crime of Sydney. And rural crime is definitely getting some recognition. From books like Jane Harper’s multi-award winning The Dry and Garry Disher’s Bitterwash Road through to two of this year’s Ned Kelly Award Best First Crime shortlist nominees – Wimmera and The Dark Lake. Into the fray comes Chris Hammer’s first fiction outing Scrublands, much like The Dry, a book that announces itself by its title as reflecting a part of Australia that most Australians have never seen but would like to feel a connection to. And Hammer has the chops – a long time journalist, he has set his debut fiction outing during a lengthy drought in southeastern Australia, a milieu that he investigated in his non-fiction first book The River. Scrublands opens with a shocking crime. One Sunday morning, out of the blue, the local priest in the small Riverina town of Riversend opens up with a rifle and kills five of his parishioners before himself being killed by the local policeman. Rumours of child sexual abuse lead to the crime being written off by the world as “perverted…

Australian YA author AJ Betts is best known for her TV-adapted book Zac and Mia. In Hive she dives into the world of speculative fiction but her focus is still very much on teens and their experience. Hayley’s whole world is a series of interconnected, hexagonal rooms and the rules her society lives by are the only rules she has ever known. Hayley is a Gardener, her specific job is to look after the bees and their hives. Bees are important for pollinating the plants that keep her enclosed society alive and for their honey. They also provide a handy metaphor for Hayley’s structured world and her place in it. Odd events make Hayley start to question this world. But questioning is seen as a form of madness so she has to hide or try and repress her curiosity, finding allies where she can. Hayley is an engaging and relatable protagonist and the trials she faces will be familiar ones to a YA readership. Challenges of growing up in a world where rules don’t quite make sense, dealing with the pressure to conform and longstanding friendships put to the test by life changes. Hive feels a bit like a rerun…

It has been another great year for Australian crime debuts and Derval McTiernan’s The Rùin continues this run. Much like Adrian McKinty, McTiernan sets her first Cormac Reilly novel in the old country, aka Ireland. But her take, while still procedural, is more contemporary and less overtly political. The book opens twenty years before the main action. Reilly, a fresh faced rookie policeman, is driving down a dark country road looking for the source of a call about a domestic. He does not expect what he finds – Maud, a self-possessed fifteen year old girl, her five year old brother Jack and their single mother, dead of a heroin overdose. Reilly takes the children to a local hospital where Maud disappears and Jack goes into the care system. Twenty years later, now detective Reilly moves back to Galway from Dublin where, for his sins, he is put on cold cases. After the apparent suicide of now twenty-five year old Jack and the reappearance of his sister Maud, Reilly is handed their mother’s cold case to reinvestigate. The narrative follows not only Reilly but Aishling, Jack’s pregnant girlfriend. Aishling believes the original theory that Jack may have committed suicide but is…