Under the Harrow is a short sharp psychological thriller in which a woman investigates the murder of her sister and in doing so needs to confront the secrets of their shared past. The book practically opens with Nora finding the bodies of her sister Rachel and her dog brutally murdered in their house in a small village outside of Oxford. Not able to fully trust the police, Nora decides to stay in town and try and uncover the murderer herself. There are secrets in the sisters’ shared past. Rachel was beaten by a stranger on her way home from a party when they were in their teens. When no assailant was found the two girls kept watch over all similar assaults and haunted the courts of North Yorkshire, trying to identify the assailant. Despite Nora warning her off, it seems that many years later Rachel was not only still looking but also living in fear that the man will return. Nora at first comes across as one of the many cut-out domestic thriller protagonists currently appearing across crime fiction. She has issues with alcohol and finds herself losing her identity as she immerses herself in her sister’s world. But she…

L.A. Larkin’s third thriller takes readers back to Antarctica, the setting of her last novel Thirst, but with a new cast of characters and a new global threat. But Devour doesn’t get to Antarctica straight away. Larkin opens in Afghanistan where investigative journalist Olivia Wolfe is tracking down information about a terrorist cell. So while there is a lengthy detour to Antarctica to set up the action this is a globe-trotting thriller that also manages to take in both the United Kingdom and United States. Wolfe is sent to Antarctica by her editor after a disastrous mission in Afghanistan to both give her some distance (literally) and to explore some strange goings on at a British research base. The researchers are using some new technology to drill down to a previously untouched lake that lies under three kilometers of ice. The British mission is also a race against time as a group of Russian researchers are trying to achieve the same objective. But a series of accidents, including the death of one of the team, has given rise to suspicions of a traitor in their midst. Under the guise of a journalistic piece Olivia flies in to investigate. But there…

James Patterson best known to adults as the author of the Alex Cross series and to young adults as the author of the Maximum Ride series. But much like Tom Clancy, Patterson has become more than just an author, he is an industry. The back of Never Never lists over eighty novels for which he is co-author. Candice Fox, on the other hand, has written three crime novels in the Archer and Bennett series. But they are three of the best Australian crime novels of recent years, the first two of which took out Ned Kelly Awards for best first novel (Hades – reviewed here) and best novel (Eden – reviewed here) back to back. So what happens when the two get together to write a crime thriller? Well, the answer is the Australian-set Never Never. Never Never opens with a point-of-view character known as the Soldier, killing someone out in the desert at night as part of some sort of sadistic military-style game. Switch to Sydney and Detective Harriet “Harry” Blue is being shunted off to Western Australia to avoid the fallout of her brother being picked up as a suspected serial killer. The next minute Harry is working…

Noah Hawley has written a number of novels but is probably best known as the writer of the television reimagining of Fargo. While Fargo lives in the American mid-west, in Before the Fall, Hawley is mainly concentrated on the East Coast, the lives of the mega-wealthy and the people with whom they come into contact. But Before the Fall is many things – a mystery and a thriller, a meditation on fate and a critique of modern media. Before the Fall opens with a plane crash. David Bateman, head of a FOX-like 24-hour news and opinion network is flying his family home from a holiday in Martha’s Vineyard on a private jet. Also on board are his personal security guard, another wealthy couple and a struggling artist, Scott Burroughs, who has been offered a lift to New York by David’s wife Maggie. Eighteen minutes later and only Scott and the Bateman’s four year old son JJ are alive, adrift in the Atlantic Ocean. The thriller element comes as Hawley explores the aftermath of the crash. Scott, who manages to rescue both himself and JJ, is caught up in a media and legal storm as people search for answers. And when those…

In The Sudden Appearance of Hope, Claire North has put yet another spin on themes and ideas that she explored in her previous two novels The First Fifteen Lives of Harry August and Touch (reviewed here) . Identity, belonging, individuality, love and choice. Again, the main character is affected by a high fantasy concept that puts her at odds with the world. In this case, Hope Arden is forgotten by everyone she meets almost as soon as she leaves them. Hope is a more tragic figure than North’s previous protagonists. She has been living on her own and by her wits since she was sixteen and her family forgot her. Unable to make a lasting connection with anyone, existing the eternal now, filling the empty space in her life with knowledge with which she peppers her narrative. In both previous novels there were societies of entities with similar powers, but even when Hope does meet another of her “kind” they keep forgetting each other and eventually drift apart. The Sudden Appearance of Hope does not work as well as North’s previous two novels. Many of the themes, revolve around an insidious app called Perfection that encourages people to give up their…

There have been plenty of thrillers in recent years that use the conflicts in the Middle East as a setting and jumping off point. And for thriller authors there is plenty of material to draw on: a volatile situation, plenty of excuse for violence and action and often a grey moral zone in which characters operate. The Girl in Green at first blush, seems like one of these. But while it cloaks itself in the trappings of a thriller, author Derek B. Miller has serious concerns. The Girl in Green opens in Iraq at the end of the first Gulf War, also known as Operation Desert Storm. An American company is set up at Checkpoint Zulu, on the outskirts of an Iraqi town and close to the Kuwaiti border. When Saddam’s death squads arrive to slaughter the inhabitants of the nearby town in order to quell a nascent uprising, the troops are ordered not to interfere. This approach, and its consequences, will haunt two men, one a young soldier, Arwood Hobbes, and the other an English journalist, Thomas Benton, so that over twenty years later they are still trying to make amends. The bulk of the novel is set in…

Another day, another apocalypse. In Joe Hill’s latest novel, the apocalypse is brought about by a virus, nicknamed dragonscale. Dragonscale causes people to exhibit black and gold tattoo-like markings all over their bodies and, when stressed, burst into flame. The sudden onset of this disease, creating conflagrations across the globe, leads to a societal collapse and a clean-versus-infected mentality in the population (at least in the United States). “Cremation crews” scour the countryside looking to kill the infected in order to stem the spread of the disease. But unlike most epidemic apocalypse books, The Fireman is on the side of the infected who find that dragonscale may not be quite as fatal as people first think. The centre of the The Fireman is not the titular character but a pregnant nurse – Harper Willows. Harper is a great character – compassionate, resourceful, steely when she needs to be – and fairly kick-arse, even when nine months pregnant. In fact most of the characters with significant agency and personality in the novel are women, a point which Hill can’t help but pat himself on the back for and reference directly in one passage of dialogue. And while there are some women…

Eddie Flynn, Steve Cavanagh’s conman turned lawyer, burst onto the legal thriller scene in the stunning 2015 debut The Defence (reviewed here). That book was a Hustle meets Die Hard meets The Practice thrill ride involving the Russian Mafia, an unwinnable court case and, literally, a ticking bomb. Flynn returns in a sequel which is, if anything, more convoluted, more suspenseful and, importantly, just as much fun. The setup for The Plea is anything but simple. Suffice to say it involves, in no particular order: the CIA, the FBI, a crooked money-laundering law firm, blackmail, drug cartels, an internet billionaire, a publicity seeking District Attorney and, if that was not quite enough, another seemingly unwinnable court case involving a classic locked room murder mystery. As with The Defence, the clock is ticking and Flynn has skin in the game, in this case the potential of his wife going to jail if he fails. The Plea opens with a teaser involving guns and bodies and then flashes back to forty eight hours before to chart how Flynn got there. Various chapter headings then remind the reader how close they are getting to that opening shooting. Eddie Flynn is, as previously, the best…

Daniel O’Malley’s debut novel The Rook deservedly won the Aurealis best science fiction award in 2012. A genre mash of a novel that could only be described by its multiple influences. The Rook was X-Men meets Jason Bourne meets the X-Files with a touch of Yes, Minister thrown in for good measure. Based on a fictional secret British Government agency known as the Checquy, staffed by people with supernatural powers and protecting Britain from the X-Files-style unknown. Stiletto takes up not long after the end of The Rook. The Checquy is now in peace negotiations with its long-time enemies the Grafters. The Grafters are rogue scientists who distrust the “demonic” Checquy and have the ability to biomodify themselves and others. The Checquy all but wiped out the Grafters hundreds of years before and the enmity has been brewing ever since. But just as a fragile peace is one the table a third party emerges to derail the negotiations. Stiletto has much of the verve and many of the weird supernatural-meets-secret-service action set pieces of its predecessor. But it is overly long. It takes close to 200 pages for the plot to start moving. O’Malley fills the spaces with exposition, backstory…

A Dying Breed is an intelligent thriller set in present day Afghanistan. By focussing on journalists and their work it avoids a lot of the guns and gunplay aspects of many thrillers set in this part of the world. And informed by Peter Hanington’s many years as a foreign correspondent, there is an air of veracity around the characters and their interactions. The plot of A Dying Breed runs along some fairly well-worn lines. The killing of an Afghan politician is picked up as a story by William Carver, an on-the-skids journalist. While it appears the killing was the work of the Taliban, some irregularities and the appearance of some shady military characters point to what could be a much bigger and more complex story. But when Carver starts to dig, the British apparatus of State turns its attention to preventing his further investigation. There are a number of aspects of this novel that sets it above the fray. The first is the characters. William Carver is irascible, heavy drinking and unlikeable, still carrying some guilt about his role in boosting the Iraq war and impossible to deal with. But while it first appears that he will be the centre…

Much like its titular magazine, The Travelers is a whirlwind journey that takes readers to some of the world’s most desirable places. For starters – America, France, Argentina, England and Iceland. But for all of the glamour, fine wine and food, these places just provide the backdrop on an engaging, twisted and compulsive thriller. Will Rhodes is a writer for Travelers magazine. His job is to fly around the world to places that his readers would like to go, take photos, eat good food, drink expensive wines and attend A-list parties. This not only keeps the readers and advertisers happy but supports Travelers’ side business as an exclusive travel bureau to the rich. But right from the cold open, Will is in trouble and the first part of the story just highlights how deep that trouble is. Soon he finds himself lying to his wife and his colleagues and becoming involved in clandestine operations which seek to use his real work as cover for espionage. Will is a likeable hero – he is no James Bond but is just resourceful enough to feel like a real person trying to work his way out of trouble. Chris Pavone puts a lot…

Women’s prison dramas are the new black. While there is plenty of realistic women’s prison drama about at the moment it also turns out to be a pretty effective place to set a modern gothic horror tale. MR Carey’s follow up to The Girl With All the Gifts takes the reader into the high security wing of a private women’s prison set in foggy North Yorkshire. Into this mix he adds more than a sprinkling of the supernatural and stands back to watch the results. Jess Moulson has been accused of starting a fire which severely disfigured her and took the life of the young boy who lived in the flat above her. Addicted to heroin at the time, Jess sleepwalks through the trial, believing herself to be guilty and seeking punishment. Once convicted she is sent to the private, high security women’s prison Fellside. Once there, however, she is brought out of her personal fog by the intervention of a dreamlike presence assuring her that she was not responsible for the boy’s death and urging her to find his killer. It turns out that Jess has more power than just communing with the dead. She also has the ability to…

Gillian Slovo’s Ten Days started life as a play that explored the London riots of 2011. The play itself was based on a series of interviews and transcripts. The novel follows the outline of these events but ficitionalises them, which gives Slovo a broader scope than that original piece and some licence with her exploration of character and motivation. But it still centres around a week of intense heat in which the disaffected and disenfranchised went on a rampage in London, in a wave of violence that spread across the country. Ten Days opens ominously. An early morning discussion between single mother Cathy and the man who has spent the night in her tower block apartment is photographed by a passing police helicopter. Slovo litters the narrative with redacted extracts from the inevitable investigation into the events she depicts, giving the personal view of the events and emotionless and stilted counterpoint. The Lovelace Estate, Cathy’s home, is slated for demolition and already the estate is riddled with empty, boarded up flats. A heatwave is driving people onto the streets at all hours and the police, expecting trouble from this part of London, are already in a heightened state of alert,…

Good thrillers often stand or fall by their initial concept. Think the missing wife and the diary of Gone Girl. Or the woman with amnesia and a journal in Before I Go To Sleep. A simple, possibly plausible, plot driver that is able to twist and flex as the circumstances change. In The Trap, that concept is the reclusive novelist, seeking revenge for the murder of her sister eleven years before.Because she cannot bring herself to leave her house, Linda addresses the issue of drawing out the man she believes responsible for her sister’s murder in the only way she knows how – she writes a book about it. To say too much about the plot of this short, muscular thriller would be to step well into spoiler territory. But the setup has Linda believing that it is a television journalist she saw on the night of her sister’s death and uses the offer of an interview to lure him into a situation in which she can question him. Sections from Linda’s novel pepper the narrative, giving a fictionalised version of the events surrounding her sister’s murder. Raabe uses two layers of unreliable narration to keep everything out of kilter….

Many crime novels straddle the line between crime and horror. Serial killers, on the whole, are the stuff of nightmares and crime writers have been falling over themselves for some time to up the gore factor. While horror novels usually rely on some form of supernatural agency and do not necessarily have the neat resolution of the crime genre, the bloody results are often the same. And so it is with The Poison Artist – a crime novel with the feel of a horror novel or a horror novel with crime elements – it is often hard to tell. Although in this case that ambiguity is not a bad thing. Before the reader gets to the crime there is the pain. Dr Caleb Maddox, toxicologist and pain researcher, has been dumped by his girlfriend after a fairly vicious fight which involved flinging of glass. Caleb is drowning his sorrows in the bar of the San Francisco hotel in which he is taking refuge when he catches sight of a beautiful woman. He moves on to a smaller nearby where he encounters the same woman who thoroughly bewitches him to the extent that he begins a city-wide search for her. At…