Eddie Flynn, con man turned lawyer is back and once again it is not long before he is in all types of trouble. Trouble that only a man with his unique skill set and view of the world can even begin the sort out. The combination of roguish law breaking and courtroom antics are what have made the previous two Eddie Flynn outings (The Defense and The Plea) so much fun. The Liar is no exception. The first third of The Liar charts the course of one night that Eddie would probably rather forget. Besides being served with a subpoena in a lawsuit that is going after his old mentor Harry, Eddie is called to help out Lenny, an old family friend from his grifter days. Lenny has made his money specialising in helping with kidnap cases and ransoms. When his own daughter is kidnapped Lenny looks to Eddie to help him outsmart not just the kidnappers but the FBI and police who he believe will get her killed. Immediately, Eddie is using his conman skills to help Lenny out. He may be on a legal retainer but the law is a long way away. Six months later, the action…

In a short author interview at the end of Ragdoll, Daniel Cole explains how he put the novel together. He wanted something that was less po-faced that the run of the mill British television crime drama but something not as cheesy as American television crime drama like Castle. And while he has partially succeeded in Ragdoll, he does end up leaning very heavily towards the cheesy/contrived end of the spectrum. Ragdoll opens with the trial of the Cremation Killer – a man known for burning his young, female victims. The trial goes south and police investigator William Oliver Lawton-Fawkes, aka the Wolf, unable to take this miscarriage of justice, attacks and almost kills the defendant. When he is later proved right, Wolf is reinstated to the Force so that four years later when a body is found composed of the body parts of six different people he is on the case. The body, nicknamed the “ragdoll” has been left in such a way that it points towards the flat in which Fawkes in living. And when the head of that body turns out to be the Cremation Killer, connections to that earlier case start to haunt the current investigation. Things become…

In Spoils, Brian Van Reet returns to the early days of the 2003 invasion of Iraq. By following the lives of two US soldiers and one of the mujahideen, he creates a visceral but nuanced exploration of that conflict. The book opens with a firefight at a road crossing outside an Iraqi village which the American troops have nicknamed Triangletown. Specialist Cassandra Wigheard, a female gunner is wounded and captured by the mujahideen. Van Reet then flicks back in time to explore how she and the mujahideen arrived at that point, including the view of a second soldier, Sleed, who fails to support Cassandra’s platoon as he was too busy looting an Iraqi palace. About half way through, van Reet returns to this present and the plight of Cassandra and her two crew mates captured by the mujahideen cell and occasionally on the army’s hunt for them. Inside the mujahideen cell itself there is dissent around what to do with the prisoners, their new leader seeing opportunity for propaganda. This is a small story in the context of the broader war. The initial conflict is a limited roadside firefight and the characters are a long way down the chain of command….

I’m not sure that if I ran a top secret agency that recruited super powered young women and sent them into battle against the forces of evil I would call it The Regional Office. Hidden in the bowels of a building in New York, safe beneath a cover company offering one of a kind travel experiences for the extremely wealthy, The Regional Office has been fighting the good fight for years. If this set up sounds like a mash-up of several books and TV series (Buffy the Vampire Slayer meets The Office meets Agents Of SHIELD meets Minority Report) that is all part of Manuel Gonzales’ plan. Gonzales and his characters are well aware of their fictional antecedents (at one point a character considers going “all John McLane” to fight off a group of invaders while her opposite number is thinking the same thing as she drags herself through a vent system). This referencing of pop culture touchstones allows Gonzales to give a cinematic quality to the narrative. When powered teen Rose swings her hand around her head to indicate to her goons that it is time to roll out, she does it because that is what she has seen…

In his first novel to be translated into English, German journalist Dirk Kurbjuweit delivers an urban thriller and ethical minefield. The novel, based partly on personal experience, asks how far a person might go to protect their family. And more importantly, how much does society, history and culture inform that reaction. Fear starts with a quick bait and switch. Randolph is visiting his elderly father in what could be an old age home but turns out to be a prison. Randolph’s father is serving time for the manslaughter of Randolph’s neighbour Dieter Tiberius. The narrative is Randolph’s reflection of how his family has come to this point and how, bit by bit, they were driven from civilization to barbarism. Randolph, an architect, has moved with his wife and two children into a block of flats in Berlin. Soon they have attracted the attention of the neighbour who lives in their basement. What begins innocently quickly gets out of control when Dieter starts writing suggestive poems to Randolph’s wife and then publicly accusing the couple of child abuse. They quickly find that there is little the social or legal systems that they rely on can do to help them manage the…

The world seems to be full of highly trained, disaffected, black ops, renegade loners who are trying to do good deeds while being hunted down by their government. Last year, Orphan X, also known as Evan Smoak, joined the ranks of the likes of Jason Bourne and Jack Reacher as the latest highly skilled loner on the block. But there is no need to have read Orphan X to get right into this novel as Gregg Hurwitz covers all of the necessary detail in one paragraph: “…the Orphan Program, a deep-black project buried inside the Department of Defense. It had identified the right kind of boys [and as it turns out, girls] lost in the system of foster homes, covertly culled them one by one, and trained them to do what the US government could not officially do in places where it could not officially be. A fully deniable, antiseptic program run off a shadow budget.” When the book opens Smoak has turned his back on the Program and has taken his budget and skills to the street. He is “The Nowhere Man” and will help people in trouble, asking in return only that they pass on his phone number when…

Kathryn Heyman never hides the fact that Storm and Grace is a tragedy. From the opening pages she manages to instill a feeling of dread. And if the text is not hint enough, a literal Greek chorus – “We are here. We will not leave.” – who reappear at times through the narrative should be another tip off. Grace, a young woman studying for a marine science degree is swept off her feet by “The Deepest Man in the World”. She is sent to interview world famous free diver Storm Hisray, for a diving magazine and the sparks fly from the first meeting. Storm is a charismatic force and before long he has convinced Grace to abandon her life in Sydney and come to live with him and his crew on a Pacific Island, supporting his attempt to break another world record for freediving. Not long after that Storm starts training her to become a freediver herself, using her desire to be close to him in order to challenge another female freediver. From Grace’s perspective, her story has all the hallmarks of a romance novel. She finds herself, falling into the role of the heroine of her own story, encouraged…

Ben Sanders is a New Zealander but you would not know it from his all American gun-fest that is the Marshall Grade series. These books steeped in the American super hard-boiled tradition, usually anchored by a violently proficient loner, popularised by authors like Lee Child. Marshall’s Law opens months after the events in American Blood. There is still a contract out on Marshall, Sander’s Jack Reacher style loner and former cop who went into witness protection after an undercover operation gone wrong. Unable to find him, they go after his US Marshal contact Lucas Cohen in Santa Fe. Cohen survives a kidnapping attempt and alerts Marshall who then leaves his hiding spot in LA to travel to the East Coast to try and get some information. For no real reason, Cohen also heads to New York with a view to helping Marshall out. Meanwhile, a violent crime boss called Dexter Vine is looking to capture or kill Marshall for the bounty which he needs to pay off debts to a bigger crime boss. Much of the narrative focusses on the cat and mouse games between Vine’s goons and Marshall with Cohen providing some related back-up as he puts things together….

Kill the Next One, Argentinean author Frederico Axat’s first novel translated into English literally has a killer premise. Ted McKay has put a gun to his own head, prepared to commit suicide when there is a knock at the door. A stranger enters and offers him a deal – to become part of a club where he kills someone who deserves to die and then kills someone who themselves is looking to commit suicide. He will then be killed in turn by an anonymous stranger, saving his family the torment of dealing with a suicide. This premise is just the start of a twisty turny psychological thriller.  Every fifty pages or so Axat overturns the previous section and delves deeper into the mind and history of Ted McKay. Because of this structure it is hard to get a handle on the character.  The book depends on constantly wrong footing the reader and confounding expectations. Kill the Next One is a strange proposition. It is, in the end, an onion-like puzzle built around a bizarre history and mental illness so that it is difficult to talk about any more of the plot without heading into spoiler territory. Axat successfully shifts tonally from…

It might be a little artificial to identify a sub-genre just from book titles. But with the success of books like Gone Girl and The Girl on the Train, there is definitely a trend emerging for domestic thrillers with the word “Girl” in the title. The presence of the word in the title does not denote the often cosy romantic worlds of chick-lit but a harsher, page turning reality. They are usually narrated (at least partially) by a woman (or the ‘Girl’ of the title), that narration is often suspect to the point of being completely unreliable, and there are violent or abusive men but it is often hard to tell who is the manipulator and who is the manipulated. Part of the pleasure of these thrillers is the constantly shifting power dynamics (even if the nature of the narrative is often that it is only the reader’s perception of these dynamics that is actually shifting). Into this mix comes a potentially big novel for 2017 – The Girl Before. The Girl Before ticks all of the Girl book boxes in spades. It has two unreliable female narrators, a supporting cast of abusive and potentially violent men and plenty of domestic thrills….

Robert Harris seems to be on a mission to prove that you can find drama anywhere. Or at least, to demonstrate his ability to bring inherently dramatic situations more vividly to life. One of his early works, Enigma, injected additional drama into the already fraught industry of breaking of Nazi codes during World War 2. In his trilogy focussing on Cicero he drew out the political parallels of ancient Rome and the present day. And in An Officer and a Spy (reviewed here) he created a spy novel and legal thriller around one of the greatest miscarriages of justice of the 19th Century. In Conclave, Harris turns his attention to the arcane practices surrounding the election of a new pope. And in his hands it turns out to be both as fascinating and as deeply human as all of his previous books. The reader’s guide through Conclave is Cardinal Lomeli, Dean of the College of Cardinals. It falls on Lomeli to organise and run the election of the new Pope when the previous Pope dies. This involves gathering over one hundred cardinals from around the world and sequestering them in the Vatican, away from the eyes of the world, until they…

Under the Harrow is a short sharp psychological thriller in which a woman investigates the murder of her sister and in doing so needs to confront the secrets of their shared past. The book practically opens with Nora finding the bodies of her sister Rachel and her dog brutally murdered in their house in a small village outside of Oxford. Not able to fully trust the police, Nora decides to stay in town and try and uncover the murderer herself. There are secrets in the sisters’ shared past. Rachel was beaten by a stranger on her way home from a party when they were in their teens. When no assailant was found the two girls kept watch over all similar assaults and haunted the courts of North Yorkshire, trying to identify the assailant. Despite Nora warning her off, it seems that many years later Rachel was not only still looking but also living in fear that the man will return. Nora at first comes across as one of the many cut-out domestic thriller protagonists currently appearing across crime fiction. She has issues with alcohol and finds herself losing her identity as she immerses herself in her sister’s world. But she…

L.A. Larkin’s third thriller takes readers back to Antarctica, the setting of her last novel Thirst, but with a new cast of characters and a new global threat. But Devour doesn’t get to Antarctica straight away. Larkin opens in Afghanistan where investigative journalist Olivia Wolfe is tracking down information about a terrorist cell. So while there is a lengthy detour to Antarctica to set up the action this is a globe-trotting thriller that also manages to take in both the United Kingdom and United States. Wolfe is sent to Antarctica by her editor after a disastrous mission in Afghanistan to both give her some distance (literally) and to explore some strange goings on at a British research base. The researchers are using some new technology to drill down to a previously untouched lake that lies under three kilometers of ice. The British mission is also a race against time as a group of Russian researchers are trying to achieve the same objective. But a series of accidents, including the death of one of the team, has given rise to suspicions of a traitor in their midst. Under the guise of a journalistic piece Olivia flies in to investigate. But there…

James Patterson best known to adults as the author of the Alex Cross series and to young adults as the author of the Maximum Ride series. But much like Tom Clancy, Patterson has become more than just an author, he is an industry. The back of Never Never lists over eighty novels for which he is co-author. Candice Fox, on the other hand, has written three crime novels in the Archer and Bennett series. But they are three of the best Australian crime novels of recent years, the first two of which took out Ned Kelly Awards for best first novel (Hades – reviewed here) and best novel (Eden – reviewed here) back to back. So what happens when the two get together to write a crime thriller? Well, the answer is the Australian-set Never Never. Never Never opens with a point-of-view character known as the Soldier, killing someone out in the desert at night as part of some sort of sadistic military-style game. Switch to Sydney and Detective Harriet “Harry” Blue is being shunted off to Western Australia to avoid the fallout of her brother being picked up as a suspected serial killer. The next minute Harry is working…

Noah Hawley has written a number of novels but is probably best known as the writer of the television reimagining of Fargo. While Fargo lives in the American mid-west, in Before the Fall, Hawley is mainly concentrated on the East Coast, the lives of the mega-wealthy and the people with whom they come into contact. But Before the Fall is many things – a mystery and a thriller, a meditation on fate and a critique of modern media. Before the Fall opens with a plane crash. David Bateman, head of a FOX-like 24-hour news and opinion network is flying his family home from a holiday in Martha’s Vineyard on a private jet. Also on board are his personal security guard, another wealthy couple and a struggling artist, Scott Burroughs, who has been offered a lift to New York by David’s wife Maggie. Eighteen minutes later and only Scott and the Bateman’s four year old son JJ are alive, adrift in the Atlantic Ocean. The thriller element comes as Hawley explores the aftermath of the crash. Scott, who manages to rescue both himself and JJ, is caught up in a media and legal storm as people search for answers. And when those…

In The Sudden Appearance of Hope, Claire North has put yet another spin on themes and ideas that she explored in her previous two novels The First Fifteen Lives of Harry August and Touch (reviewed here) . Identity, belonging, individuality, love and choice. Again, the main character is affected by a high fantasy concept that puts her at odds with the world. In this case, Hope Arden is forgotten by everyone she meets almost as soon as she leaves them. Hope is a more tragic figure than North’s previous protagonists. She has been living on her own and by her wits since she was sixteen and her family forgot her. Unable to make a lasting connection with anyone, existing the eternal now, filling the empty space in her life with knowledge with which she peppers her narrative. In both previous novels there were societies of entities with similar powers, but even when Hope does meet another of her “kind” they keep forgetting each other and eventually drift apart. The Sudden Appearance of Hope does not work as well as North’s previous two novels. Many of the themes, revolve around an insidious app called Perfection that encourages people to give up their…

There have been plenty of thrillers in recent years that use the conflicts in the Middle East as a setting and jumping off point. And for thriller authors there is plenty of material to draw on: a volatile situation, plenty of excuse for violence and action and often a grey moral zone in which characters operate. The Girl in Green at first blush, seems like one of these. But while it cloaks itself in the trappings of a thriller, author Derek B. Miller has serious concerns. The Girl in Green opens in Iraq at the end of the first Gulf War, also known as Operation Desert Storm. An American company is set up at Checkpoint Zulu, on the outskirts of an Iraqi town and close to the Kuwaiti border. When Saddam’s death squads arrive to slaughter the inhabitants of the nearby town in order to quell a nascent uprising, the troops are ordered not to interfere. This approach, and its consequences, will haunt two men, one a young soldier, Arwood Hobbes, and the other an English journalist, Thomas Benton, so that over twenty years later they are still trying to make amends. The bulk of the novel is set in…

Another day, another apocalypse. In Joe Hill’s latest novel, the apocalypse is brought about by a virus, nicknamed dragonscale. Dragonscale causes people to exhibit black and gold tattoo-like markings all over their bodies and, when stressed, burst into flame. The sudden onset of this disease, creating conflagrations across the globe, leads to a societal collapse and a clean-versus-infected mentality in the population (at least in the United States). “Cremation crews” scour the countryside looking to kill the infected in order to stem the spread of the disease. But unlike most epidemic apocalypse books, The Fireman is on the side of the infected who find that dragonscale may not be quite as fatal as people first think. The centre of the The Fireman is not the titular character but a pregnant nurse – Harper Willows. Harper is a great character – compassionate, resourceful, steely when she needs to be – and fairly kick-arse, even when nine months pregnant. In fact most of the characters with significant agency and personality in the novel are women, a point which Hill can’t help but pat himself on the back for and reference directly in one passage of dialogue. And while there are some women…

Eddie Flynn, Steve Cavanagh’s conman turned lawyer, burst onto the legal thriller scene in the stunning 2015 debut The Defence (reviewed here). That book was a Hustle meets Die Hard meets The Practice thrill ride involving the Russian Mafia, an unwinnable court case and, literally, a ticking bomb. Flynn returns in a sequel which is, if anything, more convoluted, more suspenseful and, importantly, just as much fun. The setup for The Plea is anything but simple. Suffice to say it involves, in no particular order: the CIA, the FBI, a crooked money-laundering law firm, blackmail, drug cartels, an internet billionaire, a publicity seeking District Attorney and, if that was not quite enough, another seemingly unwinnable court case involving a classic locked room murder mystery. As with The Defence, the clock is ticking and Flynn has skin in the game, in this case the potential of his wife going to jail if he fails. The Plea opens with a teaser involving guns and bodies and then flashes back to forty eight hours before to chart how Flynn got there. Various chapter headings then remind the reader how close they are getting to that opening shooting. Eddie Flynn is, as previously, the best…

Daniel O’Malley’s debut novel The Rook deservedly won the Aurealis best science fiction award in 2012. A genre mash of a novel that could only be described by its multiple influences. The Rook was X-Men meets Jason Bourne meets the X-Files with a touch of Yes, Minister thrown in for good measure. Based on a fictional secret British Government agency known as the Checquy, staffed by people with supernatural powers and protecting Britain from the X-Files-style unknown. Stiletto takes up not long after the end of The Rook. The Checquy is now in peace negotiations with its long-time enemies the Grafters. The Grafters are rogue scientists who distrust the “demonic” Checquy and have the ability to biomodify themselves and others. The Checquy all but wiped out the Grafters hundreds of years before and the enmity has been brewing ever since. But just as a fragile peace is one the table a third party emerges to derail the negotiations. Stiletto has much of the verve and many of the weird supernatural-meets-secret-service action set pieces of its predecessor. But it is overly long. It takes close to 200 pages for the plot to start moving. O’Malley fills the spaces with exposition, backstory…