Pile by the Bed reviews Ben Smith’s debut novel Doggerland, a dystopian novel with echoes of Beckett and Cormac McCarthy.

Pile by the Bed reviews The Test by Sylvain Neuvel a timely, Black Mirror-style look at citizenship tests.

Pile by the Bed reviews the new British dystopian novel, The Wall by John Lanchester.

Pile by the Bed reviews City of Ash and Red by Korean author Hwe-Young Pyun

Alex White opens the second volume of his Salvagers trilogy, A Bad Deal for the Whole Galaxy with an action scene. The crew of the Capricious, not content with their galaxy saving adventures in A Big Ship at the Edge of the Universe, are tracking down the people behind that plot. But it is a tangled plot that runs deep into the galaxy’s elite and they need to do it one bad guy at a time. When the book opens they are following the money, trying to apprehend a man who might be able to start leading them to the ultimate mastermind. That opening scene is a statement of intent: well constructed action, peppered with a bit of banter and a battle involving different magical powers. And it works. There is very little table setting or revisiting the past in this book. White assumes that readers are across the basics, including the fact that most characters have some magical ability. Once again, the focus is on two point of view characters – former grand prix racer and mechanic Nilah and former salvager and crewmember of the Capricious Boots Elsworth. But every member of the crew gets an opportunity to shine…

Pile by the Bed reviews Shadow Captain the second book in Alastair Reynolds’ space pirate Revenger series

Pile by the Bed reviews the Golden State by Ben H Winters – a dystopia with noir crime undertones.

Pile by the Bed reviews Foe by Iain Reid

Pile by the Bed reviews Unholy Land by Lavie Tidhar

Pile by the Bed reviews Red Moon by Kim Stanley Robinson

Pile by the Bed Top 5 Science Fiction picks (and 3 honourable mentions) for 2018

The final book of Corey J White’s Voidwitch trilogy (which started with Killing Gravity)  opens in the same vein as the previous two – with an action sequence as protagonist and voidwitch Mariam ‘Mars’ Wu pursues someone through the crowded hallways of a space station. She is trying to find a cure for Pale, the boy who had been turned into a living weapon and who she rescued at the end of the previous book – Void Black Shadow. Once again, before too long her enemies are at the door and she has to dip into her prodigious power set (this is a woman who managed to pull a moon out of the sky in a previous volume) to escape. Static Ruin follows many of the same plot beats as the earlier two books – Mariam searches for something, find bits of the puzzle, then the bad guys arrive and she has to flee, usually leaving behind a large amount of carnage. In this book her quest is to find her father and creator both as a last hope for curing Pale but also to understand her own origins. It allows White to briefly consider issues of family, loyalty and…

Catherynne M Valente did her own unique take on fantasy in her Fairyland series and produced the wildly original science fictional movie industry homage Radiance a couple of years ago. Now she takes on the Eurovision Song Contest in a Douglas Adams-inspired galactic romp. For Australians, who have embraced Eurovision and its stars, the idea of a bunch of countries getting together in a competition of glitz, glamour and pop music as opposed to, say fighting each other, is probably not all that out there. Americans, whose diplomacy has tended to be a bit more po-faced might find this concept a little harder to swallow. One day every person on Earth is contacted by an alien race. They are told not only that they are not alone in the universe but that in order to join the club of sentient races, humanity has to compete and not come last in Megagalactic Grand Prix. The Grand Prix was instituted as a way of resolving the long running and destructive Sentience Wars. For Australians, now competing at Eurovision but constantly having to put up with the accusation that Australia is not in Europe, this plot line has more than a little resonance….

Richard Morgan returns to science fiction after a bit of a break with a sequel of sorts to his last scifi outing Black Man (called Thirteen in the US). That break has seen the Netflix adaptation of his best known scifi work (and debut) Altered Carbon. Those who have read or seen Altered Carbon might find themselves experiencing a strange sense of déjà vu when reading his latest book Thin Air. Hakan Veil is an overrider. Genetically engineered from before birth to be a supersoldier, he is forced to spend four months of every year in hibernation. When he emerges from that state he “runs hot”, prone to anger and violence. When Thin Air opens, Veil has just been woken and is on an assassination mission in the nightclubs of Mars. Veil was decommissioned from the overriders and exiled to Mars where he makes a living working for underworld figures. Mars is a frontier world, riddled with gangs, corruption and vice, a milieu that Veil slots into perfectly. At one level Thin Air is a crime story and political thriller although it takes a long time to get there. Veil is assigned to one of the auditors who has come…

It has been over 65 years since Asimov published the first of his Foundation series in which a group of scientists come up with a plan to save a dying galactic federation. While the Foundation trilogy is seminal science fiction, many readers these days find it a bit of a slog. John Scalzi’s Interdepency series takes a similar premise but has given it a modern spin in the vein of contemporaries like James SA Corey, Ann Leckie and Yoon Ha Lee but with his own brand of verve and wit. The Consuming Fire picks up not long after the end of The Collapsing Empire. The flow lanes, which connect the planets of the Interdependency and are necessary for their survival, are shutting down and the route to the one planet that might sustain survivors is blocked. While the first book concerned itself with the discovery of the impending end of everything and for that reason sometimes felt like a lengthy prologue, this book gets down into the consequences of knowing that the Empire is under threat and exploring how people respond to that knowledge. The book opens with the emperox, Grayland II, announcing that she has had visions of the…

The characters in Deborah Sheldon’s new horror novella Thylacines had clearly never read or seen  Jurassic Park. Scientist Rose Giuliani works in the Resurrection Lab at the usually sleepy Fraser University outside of Melbourne. Rose and her team have brought the extinct thylacine, or Tasmanian tiger, a marsupial carnivore extinct since the 1930s, back to life through DNA extraction and cloning. This work has actually been postulated in real life by Professor Mike Archer, formerly of the Australian National Museum. But, as readers (and viewers) of Jurassic Park already know, bringing extinct species back to life is an endeavour fraught with risk. Rose has managed to raise a successful litter of five thylacines. But even she admits that these are not ordinary thylacines. They are more than twice the size of the original animal and super-aggressive.  At the same time as a visit by representatives for the company that funds their research, a group of incompetent animal libbers break in and manage release the animals. The groups collide, the animals escape and it quickly turns out the super-thylacines really enjoy the taste of human blood. The rest is mayhem, cliffhangers and gore. There are more Jurassic Park echoes as the…

When Severance opens the apocalypse is underway and people are madly googling survival tips before the internet ‘cave[s] into a sinkhole’ and the electrical grid shuts down. Yes, it is another post-apocalyptic survival tale. But like many recent post-apocalypses, the humanity-ending event is kind of beside the point. Instead, in Severance Ling Ma has written an ode to the Millennial generation and the intensely, insanely capitalist world in which they live, but with zombies … sort of. When the book goes back to the beginning of its tale, Candace is contemplating her future. She is in a fading relationship with Jonathan. Disillusioned with life in New York, he wants to leave the rat race and move to the country. He wants to avoid the future, which he sees as: … more exponentially exploding rents. The future is more condo buildings, more luxury housing bought by shell companies of the globally wealthy. The future is more Whole Foods, aisles of refrigerated cut fruit packaged in plastic containers. The future is more Urban Outfitters, more Sephoras, more Chipotles. The future just wants more consumers. The future is more newly arrived grads and tourists in some fruitless search for authenticity … But their…

British author Ian McDonald is best known for his futuristic novels set in India (River of Gods) or South America (Brasyl) or Turkey (Dervish House) or his more recent kick-arse Game of Thrones on the Moon series Luna. In Time Was he shifts a gear. This novella is an intimate time travel tale. Emmett, an antiquarian bookseller in London, comes across a letter tucked into an old book of poetry. The letter, written in World War II, sends Emmett on a quest to find out more about its author. Emmett’s research takes him to a woman named Thorn who lives in an old house in the Fen country where he learns the name of the author of the letter (Tom Shadwell) and its recipient (Ben Seligman). But when he takes a photo of the two that Thorn has given him to a contact at the British War Museum and it exactly matches a picture of two young men from the early years of World War I, things start to get weird. Emmett becomes obsessive about solving the mystery of the two men and following their path as it seems to take them in and out of different parts of the…

Most science fiction books have short, punchy names. Think Dune or Foundation or, more recently, The Martian. But when Becky Chambers came out in 2014 with a book titled The Long Way to a Small Angry Planet it appears she might have started a trend in long, easy to grasp science fiction book titles. Now we have Alex White’s A Big Ship at the Edge of the Universe, a book which, with its high-octane, action-oriented approach is pretty much a polar opposite of Chambers’ more thoughtful, emotional and humanist work. Nilah Brio is a driver in the intergalactic version of Formula One. When a fellow driver is killed in the middle of a race, she barely escapes and is implicated in the murder. At the same time Elizabeth ‘Boots’ Elsworth, an expert in salvage and mysteries, is running from both a mysterious attacker who has destroyed her office and the crew of her old ship, the Capricious, who she sent on a wild goose chase to find non-existent relics. Nilah and Boots end up joining the Capricious’ ragtag crew, both on the run from their attackers and on the hunt for a legendary warship. From this point in the story,…

Rosewater is a first contact story, an alien encounter story, but it takes a while to get there, a story about humans with mutant-style powers, at times a zombie story. Tade Thompson takes his time, delivering a multi-dimensional mosaic that reveals as much as it hides. But he makes the journey worthwhile and the pay-off sticks hard. Kaaro lives in the town of Rosewater, a donut shaped metropolis, only a few years from being a shanty town, that has grown up surrounding a giant alien dome.  Rosewater sits in the middle of Nigeria, a few hours drive from the capital Lagos. The dome was not the first arrival of aliens, but appears to be the most permanent. The first contact occurred back in 2012 in London and brought with it a seeding of the atmosphere with a fungus that has led to a range of powers in certain individuals. Since that time America has “gone dark” – nothing and nobody comes in or out and no one knows is this is because aliens have taken over or whether America has quarantined itself against invasion or infection. No one goes in or out of the dome but once a year the…