Attica Locke’s Pleasantville, the sequel to her nominated debut novel Blackwater Rising was one of the standout crime novels of 2015. It went on to win the Harper Lee Prize for Legal Fiction in 2016 and was long-listed for the Bailey’s Prize for Women’s Fiction. That book centred around race, politics and crime in Houston. In her latest book, Bluebird Bluebird, Locke moves away from the urban and well into the rural. The majority of the action set in the little East Texas town of Lark where it seems the more things change, the more they stay the same. Darren Matthews has followed in his uncle’s footsteps to become a Texas Ranger. The Texas Rangers are a highly respected, statewide police force in Texas. But few in the force are black and this creates challenges for Matthews and the work that he wants to pursue involving the Aryan Brotherhood of Texas. When the book opens, Matthews has turned in his badge but is convinced by an old friend in the FBI to take a look at two murders in Lark, the first of a young black man from Chicago and the second of a young, female local a few days…

Jack Heath is well known for plenty of books for children and young adults but, clearly, some elements were missing. These included, among other things – violence, blood, drugs and serial killers. And so we get Hangman, which has lashings of all of these elements and is a cracking read full of well crafted twists and turns.  Timothy Blake is a consultant for the FBI. He is brought in to help them solve crimes, to bring an attention to detail to crime scenes that the normal police do not have. Partly this is because Blake is particularly good at solving puzzles and the other, known only to the FBI director who has hired him, is because he is a psychopath. Following the bizarre kidnapping and rescue of 14 year-old Cameron Hall, Blake is paired with Reece Thistle, an FBI agent who seems to understand him. But soon Blake’s world starts to spiral out of control and a second, similar kidnapping ends up pushing him close to the edge.  Heath has drawn on a range of well known literary outsiders in creating Timothy Blake who is part Hannibal Lecter, part Dexter and part Sherlock Holmes. But, despite these clear influences, Blake does not come across as a pastiche. Through a very self-aware first person narration and flashes of backstory, Heath manages to bring Blake out behind…

Adam Roberts never does the same thing twice. While he has written novels with a crime element it is safe to say that The Real-Town Murders is something completely different again. It is a locked-room mystery but in the nature of all good crime novels, the murder is about something much deeper. But that something is connected to a heightened version of our current connection to technology, the freedoms that we give up to interact with that technology and the influence that that might bring to various players. The Real-Town Murders opens with an impossible murder. A body has been found in the boot of a car that was built by robots. Private detective Alma is brought in by the company that runs the factory to investigate. The process of the car’s construction was fully captured by camera and shows that there is no way for the body to have been placed in the boot before it was discovered. But in the way of all good noir detective novels, Alma is then bought-off and removed from the case by the authorities before she can investigate too deeply. When she finds there are deeper forces at play, she gets drawn back…

Space is the final frontier. So it is no surprise that fictional towns in space – on the moon, on space stations on generation ships – are portrayed as frontier towns. And usually not in a positive way. Recently Ian McDonald’s Luna series portrayed a fairly lawless lunar colony run by dynastic families and Andy Weir’s protagonist in his recent Artemis, also on the Moon, makes a living running contraband. So when Places in the Darkness begins and new security chief Alice Blake is told that mankind’s first space station is totally crime free, the reader knows there is more to it. That and the fact that the book has opened with parts of a dismembered body floating in zero gravity. Nicky “Fixx” Freeman is part of the local Seguridad but she moonlights as a fixer. Collecting protection money and helping a local alcohol smuggler and enforcer as part of a local gang war. Because mankind’s first space station, Cuidad de Cielo (“City in the Sky” or CdC) is riddled with corruption. A state of affairs to which the four ruling corporations (known as the Quadriga) turns a blind eye. But the locals know that the global government might be…

In 2017, most of the top crime was Australian. Adrian McKinty took out the Ned Kelly Award for the sixth novel in his Sean Duffy series – Police at the Station and they Don’t Look Friendly.               Candice Fox was shortlisted for the same award for Crimson Lake – the first book in her new series set in steamy far north Queensland.               Michael Robotham’s The Secrets She Keeps was a stand-alone page turning thriller with two intriguing women at its centre.               Mark Brandi’s debut novel Wimmera, a story of the impacts of child sexual abuse, not only on the victim but on all those around them, was a revelation.               And Attica Locke went to rural Texas and revealed the deep seated vein of institutionalised racism in the United states in Bluebird Bluebird               Honourable mentions: Under the Cold Bright Lights by Garry Disher Too Easy by JM Green Places in the Darkness by Chris Brookmyer Corpselight by Angela Slatter  

John Grisham delivered not one but two novels this year. While there was some crime and legal shenanigans involved, the first,  Camino Island, was more of an excursion for Grisham into the world of writing and writers. The second, The Rooster Bar, is more in Grisham’s wheelhouse – a thriller of sorts based mainly  around the underbelly of legal training and practice.  Grisham took his inspiration for The Rooster Bar from an article called the Great Law School Scam. This was an exposé of private universities, set up as diploma factories for law degrees that in the end are not worth the paper they are printed on. The Government lends money to the students which goes straight into the coffers of the law school, the students themselves rack up hundreds of thousands of dollars in debt, get a substandard education and have no career prospects when they graduate.  The Rooster Bar is about four such students – Todd, Mark, Gordy and Zola. All are in the last year at the not very prestigious Foggy Bottom Law School in Washington DC and all have debts in excess of two hundred thousand dollars which they will have to start repaying as soon as they graduate. But the four have other things on their minds. Zola and…

Graeme Macrea Burnet’s first novel was presented as the translation of an obscure French crime novel written and published in the early 1980s by French author Raymond Brunet (note the anagram). The conceit of that novel – The Disappearance of Adéle Bedaeu – was deepened by the creation of a faux trailer for the film version of the book. After his Booker prize nominated His Bloody Project, Burnet returns to the world of Brunet. The Accident on the A35 is, according to the preface, the translation of an unpublished Brunet manuscript, released after his mother’s death. Once again, the book centres around detective George Gorski and the small, seemingly dead end town of Saint Louis in which he lives. When the book opens, Gorski’s wife has left him and he is called to the scene of a car accident on a nearby road. The scene appears to be an open and shut case but there are some odd details and Gorski allows himself to be charmed by the dead man’s widow into investigating further. At the same time, the dead man’s son Raymond, after finding an address in his father’s drawer of a house in a nearby town, is also…

It has been a big year for Garry Disher. Late 2016 saw the release of Signal Loss, the latest in his Challis and Destry/ Peninsula Crimes series. Then, mid this year, he published Her, a historical drama set around World War I in the Victorian countryside. And now, a return to crime and potentially, a new series, in Under the Cold Bright Lights. Alan Auhl has come out of retirement as a detective to join a cold case team. The body is found in the intriguing cold open when a concrete slab is cracked open to try and drive out a potential nest of brown snakes. But Slab Man, as the body becomes known, is not Auhl’s only case. He is also dealing with a long unsolved murder of a farmer and a current not-so-cold case which links to one of his own, older cases, of a doctor who’s wives keep mysteriously dying on him. Auhl is another great crime protagonist from Disher. Auhl has an abiding need to see justice done, fuelled by his won pain, darkness and regrets. He lives in “Chateau Auhl”, a rambling old house and takes in “tenants, waifs and strays”. This includes Neve Fanning,…

Another ‘Girl’ book, but this one is actually about a girl. When Danya Kukafka’s debut novel Girl in Snow opens, 15 year old Lucinda Hayes has been found dead in the local playground. The narrative that follows circles around her peers at the local high school and one of the policemen involved in the investigation. The book opens with Cameron who in the opening lines remembers Lucinda by “her shoulder blades and how they framed her naked spine, like a pair of static lungs”. While this gives the impression that Cameron has a relationship with Lucinda it quickly emerges that this relationship is all one way. Cameron has been obsessed with Lucinda and has been watching her at night through her window, quickly making him a key suspect. Although never stated, Cameron comes across potential as having aspects of autism or at least some sort of mental health issue. Cameron was out the night Lucinda was killed and has a drawing of her dead body but, conveniently for the thriller aspect of the plot, has blackouts occasionally and in this case can not remember anything about the night itself. At the same time, Jade, an old frenemy of Lucinda’s, takes…

JM Green’s debut novel Good Money was published after being shortlisted for the Victorian Premier’s Award for unpublished manuscripts. It went on to be shortlisted in 2016 in both the Ned Kelly Awards Best First Fiction category and Davitt Award for Best Debut. While it had some flaws it was overall a cracking debut and the promise that Green showed in that book comes good in the follow up Too Easy. Too Easy is once again anchored by world weary social worker and occasional detective Stella Hardy. Stella’s narration and observations are once again a joy.  Such as this: I wish I could do that, suppress all outward signs of thought and feeling. Instead I was cursed with a face like an open book – and not a normal book, one of those kids pop-up books with moving parts. This time, Hardy has to investigate her friend Phuong’s policeman fiancé, her own artist boyfriend’s interest in his muse, the sale of the family farm and her day job as a social worker where big changes are afoot. With much of Australian crime these days turning to the bush, it is refreshing to have a classic noir novel set in the…

City of Saints and Thieves has an immediately engaging open. Sixteen year old Tina is a thief in the Kenyan city of Sangui. Together with her street-criminal backers she is embarking on an audacious robbery of the Greyhill mansion in an upmarket part of town. But Tina has more on her mind than just theft. Her mother was killed in that house while working there as a maid and Tina believes that Greyhill senior was responsible. So the theft is also about revenge. But the heist does not go as planned and from there the tale spins out with Tina only barely in some kind of control. Natalie C Anderson, the author of City of Saints and Thieves has a long history of working with refugees in Congo, Rwanda and Kenya and this experience shows. Anderson brings both the Kenyan and Congolese settings vivdly to life. The book is rich in detail about the lives of women and children in Africa’s conflict zones and the role of blood gold in fuelling the violence. As a young girl living on the streets of a fictional Kenyan city, Tina’s skills as a thief are the only thing keeping her from a life…

Steig Larsson had originally intended his Millenium series to run for ten volumes but only managed to finish three. The decision of Larsson’s estate to appoint Lagercrantz to continue the series was no whim. In The Girl in the Spider’s Web David Lagercrantz took the extremely popular Millennium series and made it his own. The first of Lagercrantz’s forays into the world of Salander and Blomkvist showed not only a deep understanding of those characters but was in many ways a better novel than any in the original trilogy. When the latest volume opens, Lisbeth Salander is in prison due to her actions in the previous book. With plenty of popular fiction now venturing into women’s prisons, placing Salander in this environment seems a little lazy. There are the usual tropes here – Benito Andersson, a queen bee who rules the prison with an iron fist, corrupt guards and a helpless victim, Faria Karzi. But Lisbeth Salander is such a unique character that there is interest even in putting her in this situation. Salander is not really interested in prison politics, more about finding a way to investigate a new lead into her past while also protecting Faria. She puts…

Pierre Lemaitre is one of the premier French crime writers. His crime novels have won numerous awards and his recent post World War I novel about a pair of con artists, The Great Swindle, won the Prix Goncourt, a premier French literary award. So it is no surprise that his latest novel Three Days and a Life (translated by Frank Wynne) is a very literary crime novel. The crime comes early, the culprit is clear but what Lemaitre is interested in is the psychological impact and the consequence of the crime on both the perpetrator and the small community in which the crime takes place.  It is hard to talk about the plot without giving too much away. But suffice to say that 12 year old Antoine commits an unforgivable crime which he covers up. He then spends the next few days, as the town around him works itself into a frenzy, trying to come to terms with his actions and expecting to be caught. He has to watch as townsfolk are accused and arrested and start to turn on each other. The narrative returns to the town many years later to explore the ongoing effects of the crime.  Three Days and a Life is a psychological thriller. Most of the tension comes from the mind of a twelve-year-old boy….

A few years ago, Adam Christopher had a fantastic idea based on a dare from a long dead author. Raymond Chandler, one of the greats of noir fiction derided science fiction. Out of his comment “they pay brisk money for this?” came Christopher’s short story Brisk Money, which itself morphed into the science fiction noir detective mashup novel Made to Kill. Made to Kill was set in the 1950s and centred on Ray Electromatic, the last robot in America, plying his trade as a private detective, only not. Ray’s handler, a computer called Ada, had reasoned logically that assassinations paid more money and so while Ray’s cover was as a detective his day job was an efficient killer. Killing is My Business is a the second in a projected trilogy about Ray Electromatic. Early on, Ray’s first couple of hits go wrong, the first through apparent suicide and the second because his target has done a runner.  So Ray takes on another job, getting close to a mafia boss in order to find out his secrets before killing him. There is lot of set up here and then a huge leap of faith that the mafia boss would take Ray…

Christoffer Carlsson is a Nordic crime writer best known for his crime series starring ex-cop Leo Junker. October is the Coldest Month is ostensibly his first Young Adult novel and has won a Swedish crime award for writing for young readers. But parents beware, when the Swedish Crime Writing Academy says “young readers” they are skewing well towards the more adult end of the young adult spectrum. That said, there are good reasons why this novel may have picked up that award. Vega Gillberg, the sixteen year-old narrator of October is the Coldest Month, is woken by a policeman looking for her brother Jacob. She does not know where Jacob he is but knows that he is in trouble and has an inkling why. That inkling drives her to go looking for her brother and to try and solve a mystery that no one wants solved. In the best tradition of noir detectives, Vega is not content with being kept in the dark and keeps pushing at people and pulling at loose ends of their stories until the truth emerges. October is the Coldest Month is a coming of age story of sorts. Vega deals with the depths of the…

Sulari Gentill is best known for her historical crime fiction series starring Roland Sinclair. Set mainly in Australia between the World Wars, Sinclair mixes it with historical figures and solves crimes with the help of a gang of bohemian friends. Crossing the Lines is a long way from Roland Sinclair, a speculative fiction deconstruction of the crime genre and the writing process. But there are echoes of Sinclair as one of the main characters in this book, the crime author Madeleine d’Leon, has a long running historical crime fiction series set in 1916 about a crime solving domestic servant called Veronica Killwilly, and is also trying to break free of the shackles of the expectations that series has created.   So far so meta. And in fact Crossing the Lines is full of meta-moments and situations like this. The premise is that d’Leon feels compelled to write a new crime novel where the main character is a literary fiction author called Ned McGinnity. At the same time, literary fiction author, Ned McGinnity, decides to write his new literary fiction novel about a crime writer called Madeleine d’Leon. Gentill effortlessly segues between these two narratives as they bleed into each other and it is never clear which is  the author and which is the fictional creation (while both are of course both authors and fictional creations).  Neither the crime novel nor the literary fiction novel in this book, taken on…

ABC journalist and host of Q&A Tony Jones put the cat among the pigeons last year when he suggested that there was Croation terrorism in Australia in the 1970s. There was fierce debate at that time around this suggestion about Croatian extremists and the involvement of the Communist Yugoslavian Government in potentially creating or manipulating the threat. In The Twentieth Man, Jones doubles down on his claims, in a historical thriller that gives Australian its own Day of the Jackal. The Twentieth Man opens with a historical bombing in the heart of Sydney in 1972. The bombs are planted by an anonymous Croatian terrorist seeking to destroy targets associated with the Yugoslavian government. Jones uses this opening to introduce a range of characters and it is a while before the narrative settles down around a few key players, particularly Anna Rosen, junior ABC journalist and daughter of a known Communist, Al Sharp, with the Federal Police, and rogue ASIO agent Tom Moriarty. Later in the book the action moves to Yugoslavia where a group of twenty Croatians have infiltrated the country with the aim of creating a popular uprising against the Communist Government. The Twentieth Man of the title is the survivor of this mission. Jones has crafted a fine historical thriller. The threat, when it emerges, is…

In 2005, the Police and Justice Museum in Sydney had an exhibition of police photographs from the early twentieth century. One of these that caught the eye of author Pip Smith was of a man called Harry Crawford, arrested for murder. It turned out that Crawford was actually a woman, Eugenia Falleni, who had been passing herself off as Crawford since 1899. Crawford/Falleni was arrested and convicted for the murder of one of his wives, although the circumstances surrounding this case were vague and sensationalised by its protagonist, known in the media as the “man-woman”. Pip Smith has taken the bare bones of this story and contemporaneous transcripts and newspaper articles to fashion a captivating version of Falleni’s life. Half Wild works in four distinct sections. The first, and most successful of these is the first person narration of Falleni’s childhood in New Zealand. Falleni was one of a brood of Italian children literally running wild on the streets of Wellington and even then battling with her identity and sexuality. This section of the book is rambunctious, sometimes surreal, and utterly engaging, although disturbing in parts. The short second section is Falleni’s reinvention of herself into the Scottish immigrant Harry…

Angela Slatter’s debut novel Vigil was a great mix of noir detective and urban fantasy genres. Her main character Verity Fassbinder had one foot in each of the Weyrd and Normal communities of Brisbane and so was used as an investigator and enforcer for the Weyrd community. That book ranged over a number of interconnected mysteries, some of which connected directly to Verity herself, putting her in the firing line. The follow up, Corpselight, takes a similar approach, although everything is a little more connected here, and is just a successful. When Corpselight opens, Verity is eight months pregnant, and the pregnancy has robbed her of her usual powers of super strength. Despite this, Verity is getting on with the job, investigating strange occurrences on behalf of an insurance company that pays out for “unusual happenstance”. At the same time she is also investigating a series of strange dry land drownings for the police and being harassed by fox-girl assassins known as kitsune. When one of those attacks bring on her labour and she is saved by a mysterious stranger, the plot comes even closer to home. Verity Fassbinder continues to be a great character. And in Corpselight Slatter really…

Michael Robotham’s crime thrillers stand out from the crowd for a number of reasons. One of these is the psychological depth that he often gives to his “bad guys”. They may do the wrong thing, they may do evil things, but as a reader we can understand at least some of their drivers and motivations. But they are still for the most part, secondary characters. In The Secrets She Keeps, both the criminal and victim are front and centre and the focus is squarely on their motivations and actions. It is the police and investigators that are kept in the background. The Secrets She Keeps alternates its narrative between Agatha and Meghan. At the start of the book both are eight weeks pregnant and both have secrets, damaging secrets, that they are keeping from their families and from the world. Agatha, who opens the book, works in the local supermarket and clearly is having a tough time. You initially have some sympathy for her as she watches successful Meghan and her mothers’ group but the creepiness factor comes in early when it turns out that she is doing more than causally watching Meghan. Meghan, on the other hand, seems to…