Steig Larsson had originally intended his Millenium series to run for ten volumes but only managed to finish three. The decision of Larsson’s estate to appoint Lagercrantz to continue the series was no whim. In The Girl in the Spider’s Web David Lagercrantz took the extremely popular Millennium series and made it his own. The first of Lagercrantz’s forays into the world of Salander and Blomkvist showed not only a deep understanding of those characters but was in many ways a better novel than any in the original trilogy. When the latest volume opens, Lisbeth Salander is in prison due to her actions in the previous book. With plenty of popular fiction now venturing into women’s prisons, placing Salander in this environment seems a little lazy. There are the usual tropes here – Benito Andersson, a queen bee who rules the prison with an iron fist, corrupt guards and a helpless victim, Faria Karzi. But Lisbeth Salander is such a unique character that there is interest even in putting her in this situation. Salander is not really interested in prison politics, more about finding a way to investigate a new lead into her past while also protecting Faria. She puts…

Pierre Lemaitre is one of the premier French crime writers. His crime novels have won numerous awards and his recent post World War I novel about a pair of con artists, The Great Swindle, won the Prix Goncourt, a premier French literary award. So it is no surprise that his latest novel Three Days and a Life (translated by Frank Wynne) is a very literary crime novel. The crime comes early, the culprit is clear but what Lemaitre is interested in is the psychological impact and the consequence of the crime on both the perpetrator and the small community in which the crime takes place.  It is hard to talk about the plot without giving too much away. But suffice to say that 12 year old Antoine commits an unforgivable crime which he covers up. He then spends the next few days, as the town around him works itself into a frenzy, trying to come to terms with his actions and expecting to be caught. He has to watch as townsfolk are accused and arrested and start to turn on each other. The narrative returns to the town many years later to explore the ongoing effects of the crime.  Three Days and a Life is a psychological thriller. Most of the tension comes from the mind of a twelve-year-old boy….

A few years ago, Adam Christopher had a fantastic idea based on a dare from a long dead author. Raymond Chandler, one of the greats of noir fiction derided science fiction. Out of his comment “they pay brisk money for this?” came Christopher’s short story Brisk Money, which itself morphed into the science fiction noir detective mashup novel Made to Kill. Made to Kill was set in the 1950s and centred on Ray Electromatic, the last robot in America, plying his trade as a private detective, only not. Ray’s handler, a computer called Ada, had reasoned logically that assassinations paid more money and so while Ray’s cover was as a detective his day job was an efficient killer. Killing is My Business is a the second in a projected trilogy about Ray Electromatic. Early on, Ray’s first couple of hits go wrong, the first through apparent suicide and the second because his target has done a runner.  So Ray takes on another job, getting close to a mafia boss in order to find out his secrets before killing him. There is lot of set up here and then a huge leap of faith that the mafia boss would take Ray…

Christoffer Carlsson is a Nordic crime writer best known for his crime series starring ex-cop Leo Junker. October is the Coldest Month is ostensibly his first Young Adult novel and has won a Swedish crime award for writing for young readers. But parents beware, when the Swedish Crime Writing Academy says “young readers” they are skewing well towards the more adult end of the young adult spectrum. That said, there are good reasons why this novel may have picked up that award. Vega Gillberg, the sixteen year-old narrator of October is the Coldest Month, is woken by a policeman looking for her brother Jacob. She does not know where Jacob he is but knows that he is in trouble and has an inkling why. That inkling drives her to go looking for her brother and to try and solve a mystery that no one wants solved. In the best tradition of noir detectives, Vega is not content with being kept in the dark and keeps pushing at people and pulling at loose ends of their stories until the truth emerges. October is the Coldest Month is a coming of age story of sorts. Vega deals with the depths of the…

Sulari Gentill is best known for her historical crime fiction series starring Roland Sinclair. Set mainly in Australia between the World Wars, Sinclair mixes it with historical figures and solves crimes with the help of a gang of bohemian friends. Crossing the Lines is a long way from Roland Sinclair, a speculative fiction deconstruction of the crime genre and the writing process. But there are echoes of Sinclair as one of the main characters in this book, the crime author Madeleine d’Leon, has a long running historical crime fiction series set in 1916 about a crime solving domestic servant called Veronica Killwilly, and is also trying to break free of the shackles of the expectations that series has created.   So far so meta. And in fact Crossing the Lines is full of meta-moments and situations like this. The premise is that d’Leon feels compelled to write a new crime novel where the main character is a literary fiction author called Ned McGinnity. At the same time, literary fiction author, Ned McGinnity, decides to write his new literary fiction novel about a crime writer called Madeleine d’Leon. Gentill effortlessly segues between these two narratives as they bleed into each other and it is never clear which is  the author and which is the fictional creation (while both are of course both authors and fictional creations).  Neither the crime novel nor the literary fiction novel in this book, taken on…

ABC journalist and host of Q&A Tony Jones put the cat among the pigeons last year when he suggested that there was Croation terrorism in Australia in the 1970s. There was fierce debate at that time around this suggestion about Croatian extremists and the involvement of the Communist Yugoslavian Government in potentially creating or manipulating the threat. In The Twentieth Man, Jones doubles down on his claims, in a historical thriller that gives Australian its own Day of the Jackal. The Twentieth Man opens with a historical bombing in the heart of Sydney in 1972. The bombs are planted by an anonymous Croatian terrorist seeking to destroy targets associated with the Yugoslavian government. Jones uses this opening to introduce a range of characters and it is a while before the narrative settles down around a few key players, particularly Anna Rosen, junior ABC journalist and daughter of a known Communist, Al Sharp, with the Federal Police, and rogue ASIO agent Tom Moriarty. Later in the book the action moves to Yugoslavia where a group of twenty Croatians have infiltrated the country with the aim of creating a popular uprising against the Communist Government. The Twentieth Man of the title is the survivor of this mission. Jones has crafted a fine historical thriller. The threat, when it emerges, is…

In 2005, the Police and Justice Museum in Sydney had an exhibition of police photographs from the early twentieth century. One of these that caught the eye of author Pip Smith was of a man called Harry Crawford, arrested for murder. It turned out that Crawford was actually a woman, Eugenia Falleni, who had been passing herself off as Crawford since 1899. Crawford/Falleni was arrested and convicted for the murder of one of his wives, although the circumstances surrounding this case were vague and sensationalised by its protagonist, known in the media as the “man-woman”. Pip Smith has taken the bare bones of this story and contemporaneous transcripts and newspaper articles to fashion a captivating version of Falleni’s life. Half Wild works in four distinct sections. The first, and most successful of these is the first person narration of Falleni’s childhood in New Zealand. Falleni was one of a brood of Italian children literally running wild on the streets of Wellington and even then battling with her identity and sexuality. This section of the book is rambunctious, sometimes surreal, and utterly engaging, although disturbing in parts. The short second section is Falleni’s reinvention of herself into the Scottish immigrant Harry…

Angela Slatter’s debut novel Vigil was a great mix of noir detective and urban fantasy genres. Her main character Verity Fassbinder had one foot in each of the Weyrd and Normal communities of Brisbane and so was used as an investigator and enforcer for the Weyrd community. That book ranged over a number of interconnected mysteries, some of which connected directly to Verity herself, putting her in the firing line. The follow up, Corpselight, takes a similar approach, although everything is a little more connected here, and is just a successful. When Corpselight opens, Verity is eight months pregnant, and the pregnancy has robbed her of her usual powers of super strength. Despite this, Verity is getting on with the job, investigating strange occurrences on behalf of an insurance company that pays out for “unusual happenstance”. At the same time she is also investigating a series of strange dry land drownings for the police and being harassed by fox-girl assassins known as kitsune. When one of those attacks bring on her labour and she is saved by a mysterious stranger, the plot comes even closer to home. Verity Fassbinder continues to be a great character. And in Corpselight Slatter really…

Michael Robotham’s crime thrillers stand out from the crowd for a number of reasons. One of these is the psychological depth that he often gives to his “bad guys”. They may do the wrong thing, they may do evil things, but as a reader we can understand at least some of their drivers and motivations. But they are still for the most part, secondary characters. In The Secrets She Keeps, both the criminal and victim are front and centre and the focus is squarely on their motivations and actions. It is the police and investigators that are kept in the background. The Secrets She Keeps alternates its narrative between Agatha and Meghan. At the start of the book both are eight weeks pregnant and both have secrets, damaging secrets, that they are keeping from their families and from the world. Agatha, who opens the book, works in the local supermarket and clearly is having a tough time. You initially have some sympathy for her as she watches successful Meghan and her mothers’ group but the creepiness factor comes in early when it turns out that she is doing more than causally watching Meghan. Meghan, on the other hand, seems to…

Mark Brandi’s Wimmera comes with an impressive pedigree even before it was published. It won a Debut Dagger from the British Crime Writer’s Association while still unpublished. Much like Dodgers, another recent Dagger winner from the US, it is takes the coming of age narrative to a dark place, dealing compassionately with a range of contemporary issues along the way. Wimmera starts with a killer first line: “Dad told us never to cross the highway.” The highway, rattling with giant trucks is clearly a dangerous place to hang out. The prologue, which sets the action firmly in country Victoria, hints at something more dangerous, but all we see at that point is a wheelie bin in the river. So that when the main story opens, focussing on 12 year old Ben and his best mate Fab starting Grade 6 in the late 1980s, a pall hangs over the narrative, darkening even further with the suicide of Ben’s young neighbour. Wimmera is told in three acts. The first focusses on Ben and Fab and has a slow decent into darkness. The second jumps forward to Fab as an adult, still living with his mother, working pushing trolleys in the supermarket managed…

John Grisham regularly turns out a legal thriller every year around October. This year he has delivered something extra for fans in which lawyers hardly feature. Camino Island is part heist novel, part satire/commentary on the literary world and part thriller. And while it sometimes moves as languidly as a day on a Florida Beach, Grisham is still professional enough to always keep things moving. Camino Island opens with the daring robbery of five F Scott Fitzgerald manuscripts held securely in the basement of a library at Princeton. Things almost immediately go wrong for the thieves but the manuscripts get away. Jump to a few months later and the insurer has an idea that the manuscripts are being held by Bruce Cable, an antiquarian bookseller who runs a successful bookshop on Florida’s Camino Island. They recruit, Mercer Mann, a struggling young author, to go undercover in the community and gather information on Cable. From there the book becomes, for the most part, a lengthy commentary on the American literary scene. Camino Island is full of authors of various genres and various stripes. All have something to say about the industry and advice for Mercer who has been unsuccessfully trying to…

Sarah Bailey’s debut Australian crime novel The Dark Lake opens strongly. The body of a popular teacher is found by an early morning jogger in the town lake, surrounded by long stemmed red roses. The teacher is Rosalind Ryan, daughter of wealthy family of developers, who left town but had returned a couple of years before under cloud. Detective Gemma Woodstock is called to the scene. She comes across very quickly as on edge and conflicted both about the case and her life.  Gemma went to school with the victim and knows her better than the casual acquaintance than she makes it sound, although the full details of their connection do not emerge until much later. The Dark Lake falls into the crime sub-genre of police procedural run by a too-invested, damaged cop. Gemma Woodstock is a fairly unlikeable but not uninteresting protagonist. Woodstock has lived in the small town of Smithson all her life and has a young child but is also having an affair with her work partner Felix, who himself has a wife and three daughters. So from the start she is juggling a complicated personal life with potential unearthing of deeper secrets and trauma from her…

Gillian Flynn and Paula Hawkins have a lot to answer for. While The Girl in Kellers Way is an effective, sometimes creepy domestic thriller there are no girls in it (except for little Alice who is not a main player). The two main characters are women, and the body found in Kellers Way is also a woman. The word “Girl” in the title is the tool used to give bookshop browsers an idea that this is a domestic noir. Australian author Megan Goldin’s debut does tick off on some of the aspects of the domestic noir sub-genre indicated by the title: strained domestic relationship, creepy controlling male character and an unreliable narrator. And she does so in a way that brings something new and a little chilling to the genre. The narrative of The Girl in Kellers Way flicks between Julie and Mel, two very different women. Julie is the second wife of charismatic psychology lecturer Matt, bringing up Alice, the daughter by his first marriage. That first marriage ended in a tragedy that is widely known in the small American university town in which they live. Julie, still jealous of the dead Laura, has been on some cocktail of…

Dennis Lehane takes a swerve away from his long running Kenzie and Genaro series (which includes Gone, Baby Gone) and his recent prohibition and gangsters trilogy to deliver a psychological thriller of sorts. Since We Fell is a book that is hard to categorise. In some ways it is an extended character study and in others it is an extremely long con not only of some of the characters but of the reader. For that reason it takes a long time for the novel to really come into focus with some readers possibly only hanging in to resolve the strong opening hook. Since We Fell opens with a bang, literally. Rachel shoots her husband on the deck of a boat and he flops over the side. Why she has taken the shot and what happens next will have to wait as Lehane takes us back to Rachel’s childhood and her difficult relationship with her mother. Following her mother’s death, Rachel goes on a years long search for the father that she never knew and who her mother refused to tell her about. Through this search she meets Brian, a private detective who, after much trauma on her part comes spectacularly…

Eddie Flynn, con man turned lawyer is back and once again it is not long before he is in all types of trouble. Trouble that only a man with his unique skill set and view of the world can even begin the sort out. The combination of roguish law breaking and courtroom antics are what have made the previous two Eddie Flynn outings (The Defense and The Plea) so much fun. The Liar is no exception. The first third of The Liar charts the course of one night that Eddie would probably rather forget. Besides being served with a subpoena in a lawsuit that is going after his old mentor Harry, Eddie is called to help out Lenny, an old family friend from his grifter days. Lenny has made his money specialising in helping with kidnap cases and ransoms. When his own daughter is kidnapped Lenny looks to Eddie to help him outsmart not just the kidnappers but the FBI and police who he believe will get her killed. Immediately, Eddie is using his conman skills to help Lenny out. He may be on a legal retainer but the law is a long way away. Six months later, the action…

Another day another ‘Girl’ book. But don’t be fooled by the title which is linked to the current marketing zeitgeist but is actually is a subtle commentary on the plot. The Girl Who Was Taken, second novel by American author Charlie Donlea, is not the “domestic noir” the title might suggest but is actually a fairly straight down the line crime thriller with a resourceful investigator helped by a lucky victim, the girl famous for escaping. The Girl Who Was Taken starts with a potential abduction and an escape. An unspecified time after she was kidnapped, Megan McDonald finds herself in a cabin in the woods and disorientated, staggers out through the rain and onto the highway where she is rescued. A year later and she has become famous for a ghostwritten book about her experiences which does not mention the second girl, Nicola Cutty, who disappeared on the same night she did and has never been found. While everyone expects Megan to be the “girl” she was before the kidnapping, Megan finds herself unable to return to a normal life as she works with a hypnotherapist to delve into the memories of the two weeks in which she was…

In a short author interview at the end of Ragdoll, Daniel Cole explains how he put the novel together. He wanted something that was less po-faced that the run of the mill British television crime drama but something not as cheesy as American television crime drama like Castle. And while he has partially succeeded in Ragdoll, he does end up leaning very heavily towards the cheesy/contrived end of the spectrum. Ragdoll opens with the trial of the Cremation Killer – a man known for burning his young, female victims. The trial goes south and police investigator William Oliver Lawton-Fawkes, aka the Wolf, unable to take this miscarriage of justice, attacks and almost kills the defendant. When he is later proved right, Wolf is reinstated to the Force so that four years later when a body is found composed of the body parts of six different people he is on the case. The body, nicknamed the “ragdoll” has been left in such a way that it points towards the flat in which Fawkes in living. And when the head of that body turns out to be the Cremation Killer, connections to that earlier case start to haunt the current investigation. Things become…

Sam Peters creates an offworld noirish detective story in From Darkest Skies. At first blush Koenig Rause, generally known as Keys, exhibits all the traits of a classic age detective. Thrown out of his job for some serious but unspecified misdemeanour, only in that job after fleeing his real job as an investigator, full of self loathing, crawling back to his old team to try and solve the case that made everything go bad. That case – the death of his wife Alysha in more than suspicious circumstances. So far, so noir. The twist in this tale is that Keys is going back to the planet Magenta with an illegal robotic simulation of his wife in tow. Unable to cope with the grief, he has illegally constructed an artificial intelligence that looks like his dead wife and carries memories constructed from all of the public and private data he could make available. The real Alysha kept things from Keys about her work and as his new version has no access to private information, the AI cannot help him with those details. From Darkest Skies starts on Earth. The early going in this book is tough, with Peters engaging in plenty…

Right from the prologue, Amy Engel’s first novel for adults announces itself as, well, a novel for adults. A young girl has a dream about the place in Kansas that her mother came from. Was it a nightmare? Her mother asks. No, she replies. Then it isn’t right, her mother says. And as the story of Lane, her mother and her mother’s extended family unfolds, as a reader, you can not help feeling that her mother knew what she was talking about. Lane is fifteen when her mother commits suicide and she is taken to live with her grandparents and cousin Allegra on the family estate called Roanoke in rural Kansas. For reasons that become abundantly clear fairly early on, Lane ended up running away but is drawn back, eleven years later when Allegra disappears. The story alternates between that long ago summer and the present, building to some explosive revelations along the way. Lane is one of the latest in a line of Roanoke girls, including her mother, aunt and great aunt  who either died or ran away from the place. So that Allegra’s disappearance should not come as a great surprise. That Lane and Allegra are both damaged…

It is a common trope in crime fiction that the protagonist detective often finds themselves in some sort of mortal peril. So much so that it starts to feel like a bit of cliché.  But for Sean Duffy, a Catholic policeman in a mainly Protestant police force in Northern Ireland in the 1980s, mortal peril is just a fact of life. From the first book in this award winning crime series Sean has been checking under his car for mercury tilt switches every time he leaves his house. So it comes as no surprise to long term fans that book 6, sporting the mouthful name Police at the Station and They Don’t Look Friendly, opens with Sean being marched to his execution through a remnant patch of Irish forest. But, being Sean, as he puffs his way asthmatically through a bog he still manages to keep his mordant sense of humour: “A bullet in the head will fix an incipient asthma attack every time.” Flashback to Sean visiting his parents with his girlfriend and new baby Emma and being relieved to be called back to Carickfergus to investigate the murder of a small time drug dealer. From the start his…