Move over Scandi-crime and possibly even Aussie-crime – the next wave of page-turning, gut wrenching, crime fiction might well be coming out of Korea. Although this is probably something the Koreans already knew given that Un Su Kim’s novel The Plotters, his first to be translated into English, was released in Korea in 2010. The Plotters is a pitch black look at a world of assassins and assassinations but it is much more than this, as Kim delves into the lives of not only the main character but those around them. Kim’s text has been skilfully translated by Sora Kim-Russell who has also translated the works of celebrated Korean author Hwang Sok-yong. When the book opens assassin Reseng is on a mountainside, watching his next victim through the scope on his rifle, deciding whether or not to pull the trigger. He doesn’t and ends up spending the night drinking with the old ex-general, hearing a long, shaggy story about a whale hunter. This opening sets the tone for the whole book, bleakly fatalistic leavened with moments of profound character revelations. Reseng, it turns out was abandoned as a baby and raised in an old library by an assassin runner called Old…

In Becky Chambers’ previous Wayfarer books she has taken some standard science fiction tropes – space truckers, galactic confederacies, aliens, artificial intelligence – and given them a thoughtful and humanist spin. In Record of a Spaceborn Few she does the same again, this time tackling another scifi standard – the generation ship. While it is set in the same universe as the previous Wayfarer books and there are some tangential connections, Record can easily be read as a standalone. Many generations ago, humanity packed up its collective belongings and fled a crumbling Earth in a fleet of thirty-two generation ships headed to parts of the galaxy unknown. Following contact with advanced alien species, the Exodan Fleet parked itself around a star and humanity slowly spread out again. While no longer travelling, the Fleet remained, as did much of its population, continuing to live the way their ancestors did (with a little alien technological assistance). Record follows a group of characters aboard one of the remaining Fleet ships. They are of all ages and from all walks of life. Chambers uses these characters to dig deeply into Exodan society and in particular the constant tension between development and tradition. They go…

It has been another great year for Australian crime debuts and Derval McTiernan’s The Rùin continues this run. Much like Adrian McKinty, McTiernan sets her first Cormac Reilly novel in the old country, aka Ireland. But her take, while still procedural, is more contemporary and less overtly political. The book opens twenty years before the main action. Reilly, a fresh faced rookie policeman, is driving down a dark country road looking for the source of a call about a domestic. He does not expect what he finds – Maud, a self-possessed fifteen year old girl, her five year old brother Jack and their single mother, dead of a heroin overdose. Reilly takes the children to a local hospital where Maud disappears and Jack goes into the care system. Twenty years later, now detective Reilly moves back to Galway from Dublin where, for his sins, he is put on cold cases. After the apparent suicide of now twenty-five year old Jack and the reappearance of his sister Maud, Reilly is handed their mother’s cold case to reinvestigate. The narrative follows not only Reilly but Aishling, Jack’s pregnant girlfriend. Aishling believes the original theory that Jack may have committed suicide but is…

The Seventh Cross is not a new book, at least not in the usual sense. It is a new translation of a book written by Anna Seghers, an author from a Jewish family that had fled Germany and was living in Paris in the late 1930s. The book itself, written before the start of the Second World War is not about that war or the Holocaust. But Seghers could see all of these coming and her novel allows readers to trace a line from the totalitarian, anti-semitic, fascist attitudes of the mid-1930s to the Germany that plunged the world into war less than five years later. The Seventh Cross is set in 1935 and centres around an escape from the concentration camp. The camp had been established to punish political prisoners. Although it turns out that the definition of a political prisoner is anyone who the local authorities don’t particularly like. Seven men escape and, as they are recaptured they are strung up against a row of trees at the entrance to the camp as punishment and warning to others. These are crosses of the title. The seventh cross is reserves for George Heisler, the escapee that Seghers spends the most…

Australian author Paul Howarth’s debut novel is a blood soaked, confronting exploration of the Australian frontier of the late nineteenth century. Not for the faint of heart, this coming of age story is reminiscent of the works of modern American western writers like Cormac McCarthy. When the book opens it is 1885, Billy and Tommy are sixteen and fourteen year-olds living on their family property in the drought affected wilds of central Queensland, in North-Eastern Australia. Their father is just managing to eke out a subsistence living on a slowly dying property while also feuding with his much more powerful neighbour John Sullivan. The boys’ world is thrown into disarray when they come home from a day out to find their mother and father dead and their younger sister shot. They ride to the neighbouring Sullivan property where they are quickly convinced that the culprits are members of the local Aboriginal tribe, the Kurrong. Sullivan has been steadily trying to wipe the Kurrong out and uses the boys to bring in the sadistic head of the Native Police, Noone. The two, fuelled by thoughts of revenge, are allowed to ride out with Sullivan, Noone and his posse of Aboriginal trackers…

Steve Cavanagh’s Eddie Flynn legal thrillers have been one of the best thing to happen to the courtroom drama in a long time. Part of the reason is that Cavanagh is continually trying to work out how to top himself in terms of upping the tension on his protagonist. And when the first book, The Defence, started with Flynn being strapped into an explosive vest and having his daughter kidnapped, the bar has always been pretty high. The premise of the fourth Eddie Flynn novel is irresistible. Joshua Kane is a high functioning, socially disconnected serial killer who does not feel pain. And he has a plan. But while Kane’s story is very much part of the narrative, his connection to the high profile case that Flynn has been brought in on only emerges slowly. Flynn has been hired by high flying lawyer Rudy Carp to second chair on the defence of movie star Bobby Solomon, accused of murdering his wife and their security guard. Flynn, with his radar for guilt and innocence, believes that Bobby is innocent and takes the case. Before long Kane’s roll in this affair becomes clear as he is not only the actual killer but…

John Scalzi’s 2014 science fiction/crime mash up Lock-In posited a world in which survivors of a worldwide flu epidemic were struck with what is called Haden’s syndrome, in which they have fully functioning brains in bodies that do not otherwise function. To counter this disability, neural interfaces have been developed that allow Haden sufferers to interact with each other in a virtual space called the Agora and to get around using either android bodies, known colloquially as ‘threeps’ (think C3-PO), or through specially wired humans known as Intefacers.  In Head On, the protagonist of Lock-In, famous Haden and FBI agent Chris Shane and his partner Agent Vann are back. This time they are investigating the first death during a game of the Haden-centric sport of Hilketa. In Hilketa specially designed threeps compete on field to rip off and score with the head of a randomly selected member of the opposing team. Shane and Vann’s investigation into the death of player Duane Chapman blows out from the original crime to take in corruption, money laundering, murky corporate shenanigans and Haden rights. As with the previous book, much of the plot is driven by the US Government’s previous disability support for Hadens and its decision to stop that support.  Lock-In is worth catching up with in its own right, but despite the obvious connections Head On works fine as a standalone. Scalzi manages to bring his usual verve and humour to the plot, the characters and their interactions and has a deep understanding…

Yoon Ha Lee wraps up his stunning Machineries of Empire trilogy with all of the style of the first two volumes. Both the eye-opening Ninefox Gambit and its satisfying sequel Raven Stratagem were shortlisted for the Hugo Award (Lee’s debut was shortlisted for pretty much every award going). And it will be no surprise if Revenant Gun joins them. The third book of the trilogy takes the universe and characters that Lee created in these earlier books and once again twists them into new shapes. Being a mathematician, Lee seems to be constantly finding new answers to the same equation. At the end of Raven Stratagem the status quo of Lee’s universe has been seriously upended. The calendar-based system which powered the universe has been overthrown, many of its architects (the hexarchs) are dead and chaos is threatening to flow in their wake. Revenant Gun jumps forward nine years from that point – the former empire is split in two, and an ancient enemy is rising, keen to see the status quo re-established and for the universe go back to the way it was. Saying too much more about the plot would invite more spoilers. Suffice to say that Lee…

Warlight is Booker Prize winning author Michael Ondaatje’s first novel in seven years. And he has not lost his touch. Much like his early novels In The Skin of a Lion and The English Patient, this is a simply but beautifully told tale full of secrets, revelations and complex characters. Set in Britain in the years after World War II, it explores the secret lives of a people who worked in intelligence during and after that war.   But this is not how it starts. Warlight starts with a killer opening line:   In 1945 our parents went away and left us with two men who may have been criminals.  Nathaniel, the narrator, and his sister Rachel are in their teens and yet their parents leave them in the care of their lodger to go to Singapore. Although it is soon clear to the children that perhaps their mother has not gone with their father after all. They call the man they are left with The Moth and he fills the house with a range of disparate characters. One of these, an ex-boxer known to them only as The Darter, does get the two involved in some vaguely criminal enterprises. This opening has an almost mythic, fairytale feel which then morphs into more of…

Charlie Donlea turns his attention to true crime in his latest stand alone thriller Don’t Believe It. He takes the public’s fascination with podcasts and tv series that forensically investigate old crimes and often reveal problems with the prosecution and turns it into a page turning story of crime and possible redemption. Along the way the narrative asks readers to consider how much of these series are as much a construction of the facts to make a particular case as the original prosecution might have been.   In 2007 someone killed Julian Crist on the Caribbean holiday island of St Lucia. Julian had been there with his girlfriend as part of the wedding party for old friends Charlotte and Daniel. Suspicion immediately fell on his girlfriend Grace Sebold who was arrested, convicted and sent to prison on the basis of forensic evidence. Ten years later, Sidney Ryan has produced three series in which she cast serious doubt on the convictions of long term prisoners. She agrees to take up Grace’s case and pitches a “live” TV series to the network she is working with. The idea is that the series will be aired week to week and the audience will learn the information simultaneously with the production crew. After four episodes, as problems with the original evidence begin to pile up, the show becomes a monster hit. But Sidney…

Multi-award winning UK science fiction author Chris Beckett turns his eyes to the  issue of climate change in his latest stand alone America City. The book casts forward one hundred years to an America affected by drought in the Southwest and superstorms along its eastern seaboard. This has created a movement of people – otherwise known as “barreduras” – an internal refugee problem within the United States that is threatening to tear the country apart.   Holly Peacock is an expat-British PR guru, comfortably living with her academic husband in Seattle when she is given the chance to work for conservative senator Stephen Slaymaker. Slaymaker has a plan to build America by resettling the internal refugees in the northern states, a plan that makes him unpopular not only with his base constituency but with his party. But he rides a wave to the presidency when, with the help of Holly, he manages to turn the eyes of the country further north, towards the largely unsettled Canadian provinces.   Much like Omar el Akkad’s recent American War, Beckett is interested in how America might behave when problems it has been ignoring in other parts of the world become internalised. In this case how America might deal with climate refugees when they are coming from inside the country itself. In doing so, Beckett focuses on politics…

The Fighter is the follow-up to Michael Farris Smith’s debut Desperation Road, which was longlisted for the UK Crime Writers’ Association 2017 Gold Dagger Award. And it could well have been given the same title as it charts the build-up to the final fight of ageing cage fighter Jack Boucher. It may well also find itself on long and shortlists itself when award season rolls around. Set in a depressed American South, from the opening Smith perfectly captures an air of desperation tinged with hope that somehow always seems to go awry, because life just does not work like that. When the book opens Boucher has just had a big win at the casino and is finally heading to pay off a debt to local loanshark Big Mama Sweet. But that is not his only problem. He also needs to find a much larger amount to pay off the bank and stop his foster mother’s house being sold. But he never gets to Big Mama Sweet and the money goes missing. So Jack has to contemplate going back into the cage. Through all this Jack is self-medicating his constant pain and using a notebook to try and keep track of…

Award winning Canadian author David Bergen’s new novel Stranger takes readers on an odyssey from Guatemala across borders into the United States. Along the way he looks at issues of Western exploitation, illegal immigration into the US and global inequality. But he does this in the frame of what is often a heartbreaking, beautifully observed tale of a mother’s quest to regain her child. Iso Perdido works at a fertility clinic in Guatemala. Women come from the West for treatment there based on the lake’s supposed powers to promote conception. The clinic is also used as a way of providing unwanted Guatemalan children to wealthy couples who cannot conceive. Iso starts an affair with Eric, one of the (married) doctors at the clinic and becomes pregnant. But before she can do anything about the pregnancy, Eric has a serious accident and is taken by his wife back to the US to recouperate. When her baby is born, the clinic tricks her into selling the baby to the doctor and his family and sends the baby to the US, The rest of the tale is Iso’s journey to the US to infiltrate the gated community in which the doctor and his…

In 2014, Iraqi author Ahmed Saadawi won the International Prize for Arabic Fiction, commonly known as the Arabic Booker Prize, for Frankenstein in Baghdad. Four years later, the English translation has become available and it reveals a novel worthy of an award. Frankenstein in Baghdad takes Mary Shelley’s familiar horror trope and transplants it to the streets of Baghdad not long after the American invasion and the fall of Saddam in 2003. In doing so, it manages not only to illuminate that period but to create a new, compelling version of a longstanding myth. Unsurprisingly for this era, the book starts with a car bomb: No one saw it coming; it all happened in a fraction of a second. The people who weren’t injured – because they were too far away, or screened by other people’s bodies or behind parked cars, or because they were coming down the side lanes and hadn’t reached the main street when the explosion went off… witnessed the explosion as it engulfed the vehicles and the bodies of the people around them. It cut the electricity and killed birds. Windows were shattered and doors blown in. Cracks appeared in the walls of nearby houses, and…

Amie Kaufman and Jay Kristoff bring their Illuminae trilogy to an action packed, emotionally charged, edge-of-your-seat conclusion in Obsidio. Of course these are, essentially, all of the ingredients that readers of this series have come to expect. As with the previous books in this series, Obsidio is told through a collection of found documents, graphics and text, and this style continues to work well to create a very visual, cinematic feel. In a nutshell – the survivors of the previous books have no choice but to retrace their steps to Kerenza IV. Meanwhile, on Kerenza, the Beitech invaders have become an occupying force, using the remaining population to mine the resources they need to repair their ships and leave. One of the occupying force is Rhys Lindstrom, ex-boyfriend of invasion survivor and insurgent Asha Grant, cousin of Kady, one of the heroes of Illuminae. Putting yet another, troubled romance at the centre of the action. But all of the surviving characters from previous books also have a part to play in Obsidio. This time, more than before, the young protagonists have to deal with a world where the adults just won’t take them seriously (but have to save the day…

In 2016, Thomas Mullen delivered one of the crime novels of the year with Darktown. That book told the story of the first Black policemen in Atlanta, a force established in the years following World War II. Darktown showed the institutionalised racism that sat behind and around that decision. The group of eight policemen were set up in a basement of the YMCA with no vehicles and if they wanted to arrest someone they had to call the white police to do it. They were only allowed to patrol the predominantly black areas of town and while they were feted for the steps they were taking they were also feared in their own community. Darktown was in other respects a straight down the line procedural in which two of the black policemen and one white policeman work a murder case from different angles. Lightning Men picks up a couple of years after the events of Darktown. Like its predecessor it focusses mainly on the black police partners of Boggs and Smith and their former co-conspirator Deny Rakestraw but it also ranges across a broader cross section of characters. Each of the three main characters have their own problems to work…

It has been ten years since Alastair Reynolds has played in his Revelation Space universe. In that time he delivered the Blue Remembered Earth trilogy about a generation starship, complete with elephants and a few standalone novels including the steampunk-esque Terminal World and the rollicking space pirate adventure Revenger. But with Elysium Fire he is back on familiar turf (for Reynolds fans) – a direct sequel to 2007’s The Prefect, now to be rereleased under a new title Aurora Rising. Elysium Fire is once again set about a hundred years before the events in Revelation Space. The Prefects keep order across the Glitter Band, a loose collection of thousands of habitats orbiting the planet of Yellowstone and its iconic Chasm City. Prefect Tom Dreyfus, the protagonist of The Prefect, and his team are also back in action trying to solve a sequence of mysterious deaths and deal with an agitator keen to encourage habitats in the Glitter Band to seceded from oversight by the Prefects. At the same time, the war between two implacable artificial intelligences (Aurora and The Clockmaker) left running at the end of the previous book still rages in the background. It has been a long time…

In Crimson Lake, award winning Australian crime novelist Candice Fox brought two damaged but effective investigators together in steamy far North Queensland. Ted Conkaffey, an ex-policeman accused of a terrible crime and still living with the consequences and Amanda Pharrell, out of jail after having been convicted and sentenced for murder at seventeen. If Crimson Lake needed to prove anything (and it didn’t) it was that Fox had range outside of her double Ned Kelly Award winning debut series Hades, Eden and Fall. Crimson Lake was also, deservedly, shortlisted for the Ned Kelly’s Best Crime Fiction award in 2017 and Redemption Point follows on where that book’s slightly clifferhangerish ending left off.  Ted and Amanda are hired by a father who’s son was shot in one of the local pubs and does not trust the police to investigate effectively. But Conkaffey’s past will not leave him alone, and before he can get too far into the investigation Dale Bingley, the father of the girl he allegedly assaulted, appears at his house. The two end up in an uneasy détente, Conkaffee trying to prove to Bingley that he did not commit the crimes for which he was accused. This leaves Pharrell working more with newly promoted detective Pip Sweeney. Sweeney had a walk-on role in Crimson Lake but now joins the narrative as a point of view character and, as with all of Fox’s main characters, has her own skeletons and issues that she needs…

Attica Locke’s Pleasantville, the sequel to her nominated debut novel Blackwater Rising was one of the standout crime novels of 2015. It went on to win the Harper Lee Prize for Legal Fiction in 2016 and was long-listed for the Bailey’s Prize for Women’s Fiction. That book centred around race, politics and crime in Houston. In her latest book, Bluebird Bluebird, Locke moves away from the urban and well into the rural. The majority of the action set in the little East Texas town of Lark where it seems the more things change, the more they stay the same. Darren Matthews has followed in his uncle’s footsteps to become a Texas Ranger. The Texas Rangers are a highly respected, statewide police force in Texas. But few in the force are black and this creates challenges for Matthews and the work that he wants to pursue involving the Aryan Brotherhood of Texas. When the book opens, Matthews has turned in his badge but is convinced by an old friend in the FBI to take a look at two murders in Lark, the first of a young black man from Chicago and the second of a young, female local a few days…

Space is the final frontier. So it is no surprise that fictional towns in space – on the moon, on space stations on generation ships – are portrayed as frontier towns. And usually not in a positive way. Recently Ian McDonald’s Luna series portrayed a fairly lawless lunar colony run by dynastic families and Andy Weir’s protagonist in his recent Artemis, also on the Moon, makes a living running contraband. So when Places in the Darkness begins and new security chief Alice Blake is told that mankind’s first space station is totally crime free, the reader knows there is more to it. That and the fact that the book has opened with parts of a dismembered body floating in zero gravity. Nicky “Fixx” Freeman is part of the local Seguridad but she moonlights as a fixer. Collecting protection money and helping a local alcohol smuggler and enforcer as part of a local gang war. Because mankind’s first space station, Cuidad de Cielo (“City in the Sky” or CdC) is riddled with corruption. A state of affairs to which the four ruling corporations (known as the Quadriga) turns a blind eye. But the locals know that the global government might be…