Pile by the Bed reviews the novel version of Pan’s Labyrinth by Guillermo del Toro and Cornelia Funke – a “stunning work of fantasy”.

Pile by the Bed reviews Fortune by Lenny Bartulin – “an original, vibrant and entertaining historical novel”

Pile by the Bed reviews and recommends the new short story collection by Chris Womersley and finds it like a cross between Raymond Carver and Stephen King.

Pile by the Bed reviews Daughter of Bad Times by Rohan Wilson – a cautionary tale that tackles climate change and corporatisation

Pile by the Bed reviews Bodies of Men by Nigel Featherstone and finds it “resonant and thematically rich”.

Pile by the Bed reviews The Rosewater Insurrection by Tade Thompson (Wormwood #2).

Pile by the Bed reviews Tiamat’s Wrath by JAmes SA Corey (The Expanse #8) – another top entry in a great space opera series

Pile by the Bed reviews A Memory Called Empire by Arkady Martine – a strong modern space opera debut.

Pile by the Bed reviews The Rip by Mark Brandi – “another assured, powerful piece of crime fiction”.

Pile by the Bed reviews The Test by Sylvain Neuvel a timely, Black Mirror-style look at citizenship tests.

Pile by the Bed reviews The Raven Tower by Ann Leckie, a book that reinvents the ground rules of the fantasy genre.

Pile by the Bed reviews The Vogue, a dark tale of revenge and retribution by Eoin McNamee

Pile By the Bed Top 5 Books of 2018 (+ 5 honourable mentions)

Keigo Higashino is one of Japan’s best selling crime novelists. He has won and been nominated for a number of Japanese and international crime awards, has a number of long running series and a number of books turned into films. His latest book to be translated into English (by translator Giles Murray), Newcomer, shows again why that is the case. Helpfully, Newcomer opens with a cast of characters. Most of the list are associated with one of a number of shops – a rice cracker shop, a Japanese restaurant, a china shop and so on. And the action for the most part happens in and around these shops clustered in the central Tokyo suburb of Nihonbashi. A woman has been murdered, she was a newcomer to the area. The murder is being investigated by the Tokyo Metropolitan police homicide division with the help of newly transferred local detective Kaga, a regular from Higashino’s fiction. Kaga, himself new to the area, works the case by chasing down connections with each of the shops listed in front of the book, at the same time dipping into the lives of the people who work in them. And each shop hides not only a…

The Kennedy assassination is the literary gift that keeps on giving. Authors like Don Delillo, James Ellroy, Norman Mailer, Tim Baker and Stephen King just to name a few have used the assassination as the jumping off point to tell bigger stories. Lou Berney goes the other way. In November Road, the Kennedy assassination and its aftermath is used to tell an intimate tale of love and loss, with plenty of blood and violence along the way. Frank Guidry is a hood with not a huge serving of morals. Based in New Orleans, he works for the Marcello crime organisation. When November Road opens he is selling out his friends and sleeping with a string of women. Then the Kennedy assassination happens and it turns out that he may have tangentially been involved, having a few days before organised for a car to be waiting at a particular spot in Dallas. This was the getaway car for the actual shooter and before long Guidry has been given the job to make that car disappear. Only he quickly realises that, as a loose end, once this is done he too will be made to disappear. While he does not know it…

Pat Barker came to prominence in the 1990s with her trilogy of novels set in the First World War (Regeneration, The Eye in the Door, The Ghost Road), the third of which took out the Booker Prize. In The Silence of the Girls she goes much further back in time, to the Trojan Wars. This story, told in The Iliad, has been reinterpreted and retold many times. Barker takes a new tack, telling the story not from the perspective of the soldiers but the women who were their chattels and their prizes and their slaves. The Iliad opens with an argument between Achilles and Agamemnon over a woman. That woman is Briseis, a prize of war claimed by Achilles earlier in the campaign. Barker opens her book earlier in time, with Briseis watching as Achilles and his troops sack her city and kill her family. She and the other women are taken back to the Greek camp and distributed as prizes. Briseis, the biggest prize, is ‘awarded’ to Achilles. Through Briseis’s story, Barker explores how women are used, abused, marginalised, ignored and blamed. Early in the book,  Briseis is brought as a child bride to King Mynes and ends up…

Paraic O’Donnell’s debut novel The Maker of Swans was one of the standout fantasy novels of 2016. In a genre that often deals in warmed over tropes, The Maker of Swans was a work of beguiling originality. So the question was, how would O’Donnell follow this debut up. Much like another debutant of the previous year, Natasha Pulley, he does so with an emphatic change in direction which maintains the features that made his debut so enjoyable. The Maker of Swans was set in a more contemporary time but always had the feel of a more Victorian novel. The House on Vesper Sands is Victorian so allows O’Donnell more licence to lean into period flourishes (also drawing further comparisons with Pulley’s works which are both set in this era). In the cold open a seamstress, suffering from some undisclosed medical condition, who is brought to the house of Lord Strythe late at night to complete a secret commission commits suicide. The story proper opens with young Gideon Bliss coming down from Cambridge to see his uncle and failing to find him runs into a young woman from his past. At the same time, society reporter Octavia Hillingdon has happened on…

Kate Atkinson has spent a bit of time recently in the Second World War. While researching her previous book A God in Ruins she came across the story of Jack King, a bank clerk who helped in the early days of the war to entrap Nazi sympathisers in Britain. This true story became the inspiration for her latest novel, Transcription, which has the feel of a spy novel although one that is on occasion slyly winking at its audience. Transcription opens in 1981, ageing Juliet Armstrong is knocked over while crossing the road. Nesting backwards, the accident sends her memory back to 1950 when she worked at the BBC and then, remembering how she caught site of someone she worked with during the war, back further to 1940. In 1940, Juliette was recruited by MI5 to help them with a sting operation. Godfrey Toby has been cultivating local fascists and Nazi sympathisers. Juliet’s job is to sit in the flat next door and transcribe the conversations between Toby and his marks. Later she is also recruited to go undercover and infiltrate a circle of sympathisers. Neither job ends quite the way Juliet expects and she is concerned that the repercussions…

Much like the spy thrillers penned by former head of MI5 Stella Rimington, Italian author Gianrico Carofilgio brings a significant amount of authenticity to his crime novels. Carofiglio was an Italian senator but before that he was an anti-mafia prosecutor. He is best known for a crime series featuring lawyer Guido Guerrieri but in his new book The Cold Summer he comes even closer to home with a protagonist who is a police investigator and an investigation that takes place during an internal mafia war in the early 1990s. A war seems to have broken out in the Apulian mafia of the Bari area. Due to the codes of silence and honour the police are playing catch-up. But then a rumour gets around that the son of the mafia godfather Grimaldi has been kidnapped and everything heats up. The first third of the book deals with the police trying to get to the bottom of a kidnapping that no one will talk about and which has tragic results. The second third explores the mafia war in detail. One of the instigators  of that war hands himself in to the police to prove he had nothing to do with the kidnapping…

Ghost Wall, the sixth book by British author Sarah Moss, is as short and sharp as a flint knife. The book is a coming-of-age tale that explores the power of the past to inform and drive action. Along the way, Moss deeply questions the Brexit movement and gender power dynamics. Ghost Wall opens in prehistoric times, with the death of an Iron Age woman at the hands of her tribe. Cut to almost modern day, sometime not long after the fall of the Berlin Wall, and teenage Sylvie and her parents have joined a university project conducting an experiment in living archaeology in the Northumbrian countryside. The aim of the project is for the family, along with the professor and his three young adult students, to live as far as possible as people did in the Iron Age. As Sylvie observes: … that was the whole point of the re-enactment, that we ourselves become the ghosts, learning to walk the land as they walked it two thousand years ago, to tend our fire as they tended theirs and hope that some of their thoughts, their way of understanding the world, would follow the dance of muscle and bone. To do…